Everything Everywhere All At Once

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Michelle Gets the Trophy. READ Michelle Yeoh Conquers the Multiverse in EVERYTHING EVERYWHERE ALL AT ONCE by Gene Ching

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Read my latest feature for Den of Geek: Best Michelle Yeoh Movies You Need to Watch Right Now

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Read my latest feature for Den of Geek: Everything Everywhere: Inside the Craziest Fight Scene You’ll Ever See

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LIVING LEGENDS
James Hong Really Is Everything, Everywhere, All at Once
The 93-year-old vet has more than 450 credits under his belt—and, as of this week, a star on the Hollywood Walk of Fame.
BY DONALD LIEBENSON

MAY 9, 2022
https://media.vanityfair.com/photos/...tory-image.jpg
AMANDA EDWARDS/GETTY IMAGES.

There’s an old Hollywood joke that encapsulates the supposed five stages of an actor’s career: Who is X? Get me X. Get me an X-type. Get me a young X. And finally, coming full circle: Who is X?

But after seven decades and more than 450 film and television credits, directors are still saying, “Get me James Hong.” Hong is the quintessential character actor; his name may be unfamiliar, but you’re likely to respond, “Oh, that guy!” if someone tells you he was the maître d’ in the classic Seinfeld episode “The Chinese Restaurant.” Evelyn Mulwray’s butler in Chinatown, or the unfortunate airline passenger seated next to oversharing, stuck-in-the-past Ted Striker in Airplane!

His most recent film, Everything Everywhere All at Once, is the year’s sleeper hit, a bonkers metaverse fantasia in which Hong portrays several variations on the same character, Michelle Yeoh’s disapproving dad. Even he can’t quite get a handle on the film. “I didn’t know whether I wanted to do it or not because the script is so crazy,” he says. “It’s like if you had a nightmare and you woke up and tried to write it down and make a movie out of it. I hope they do a sequel.”

On May 10, 93-year-old Hong will become the oldest actor yet to receive a star on the Hollywood Walk of Fame—an honor with deep resonance for a once fledgling performer who came to Hollywood roughly seven decades ago, at a time when roles for Asian American actors were mostly limited to stereotypical characters. But he persevered to carve out his own cinematic universe.

The breadth and depth of his acting credits is staggering. Hong has been a voice artist for Disney (Mulan), Pixar (Turning Red) and DreamWorks Animation (the Kung Fu Panda series). His TV credits range from Hawaiian Eye to Agents of S.H.I.E.L.D. He has shared the screen with Clark Gable, Lauren Bacall, and Jack Nicholson, and been directed by John Ford and Roman Polanski, to name just a few.

He has also served as a role model and inspiration for other actors. In 1965, he cofounded the East West Players to give opportunities and representation to other Asian American actors. It was this, in part, that inspired actor Daniel Dae Kim to launch the campaign to get Hong a star on the Hollywood Walk of Fame.

“I started the campaign simply because many of us in the Asian American community have known about James’s work for decades,” Kim said in an email to Vanity Fair. “I’d learned that he’d actually been rejected for a star in the past, so I thought a more grassroots campaign might help the decision-makers see how worthy he truly is. I posted the idea on social media and started a GoFundMe campaign to raise funds for the cost of the star. It ended up being fully funded in a matter of days, which to me was an affirmation that I wasn’t the only one who felt this way about his body of work. It was heartwarming to know how much love there was for him, and what was notable was that the support wasn’t just from the Asian American community. It spanned every demographic…. In fact, I hope that James’s recognition improves the prospects for actors from all underrepresented groups whose work may have been traditionally overlooked.”

In anticipation of his Walk of Fame ceremony, Hong spoke with Vanity Fair about how an engineering major decided to pursue acting—and, in the process, built one of Hollywood’s most enduring and admired careers.

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https://media.vanityfair.com/photos/...james-hong.jpg.
Hong in Everything Everywhere All at Once. COURTESY OF A24.

Vanity Fair: What does this honor mean to you?

James Hong: The star is going to be in front of Madame Tussauds Hollywood, next to the TCL Chinese Theatre [formerly Grauman’s Chinese Theatre]. I’m happy with the location. When I first came to Hollywood, I used to go to that theater and put my feet in those celebrity footprints in the cement. I thought, “Maybe someday I’ll have something here.” It’s a great honor. That it was funded by my fans means a great deal to me.

I speak for your fans when I say that you are one of those character actors who make whatever you’re in better, just because you’re there.

I look at every role as something special. Something happens when that camera turns on. Three days ago, I did a relatively low-budget film called Give Me My Money. The director was giving me instructions on how to do a scene. After the take, he said, “My goodness, when that camera turns on, you really give it all you’ve got.”

You studied civil engineering at the University of Minnesota. What was your career plan?

My parents obviously wanted me to be something other than an actor. I said, “I’ll be an engineer,” because I like to build things. I went into the Army for the Korean War. After two years of that, I didn’t know what to do. I came out to San Francisco to see if there was an opportunity to do comedy with my comedy partner, Don Parker (a Minneapolis Central High classmate). Then we headed down to Hollywood. I did impressions and a writer took an interest in me. He went to Groucho Marx and told him there was a Chinese comedian who impersonated him. He said, “Bring him on.” So I went on You Bet Your Life. I got the second biggest fan mail ever on this program. So then I thought, Maybe I’d better stay here instead of finishing college at the University of Minnesota. I transferred all my credits to USC and finished my engineering degree as a safety catch in case I failed.

You Bet Your Life was your first big break and got you an agent, Bessie Loo, who worked with Asian American actors. What was your attitude toward taking stereotypical roles?

In those days, it was almost all cliché roles. We were villains, busboys, waiters, and shoeshine boys. If you didn’t want to act in a yellowface role, you didn’t get any work at all. I averaged about 10 roles a year, but I put the best I could in each role, so even a clichéd role became human beings. Once in a while there was a colead, but the leading roles were all played by white guys with eye-piece disguises. I was in The New Adventures of Charlie Chan, but Charlie Chan was played by J. Carrol Naish. That was a horrible experience. He was not a nice person. He cursed me and told the producers to fire me [after Hong missed a cue].

I’d like to ask about a few roles for which you may be most recognized, like the maitre d’ on the classic Seinfeld episode “The Chinese Restaurant.” Do people yell Seinfeld to you when you are out in public?

Even my dentist. It was a skeleton script in a way; you didn’t know where the punch lines were. For instance, Elaine (Julia Louis-Dreyfus) says, “We would really like a table” and throws $5 on my table as a tip. I didn’t know what to do. Why wouldn’t this maître d’ take that tip? So I instinctively turned the page on the reservation book to cover the $5. That was just out of the blue. The situation grew because of what I know to do as a comedian. Whether it’s Seinfeld, Big Trouble in Little China, or even Blade Runner, you have to know what style they’ve created. You have to investigate all those facets.

Japanese General, Airplane!

There’s another example of how to do a cliché role and make it your own. I’m sure you’ve had the experience of sitting next to somebody who just keeps jabbering away and you wish you could just shout, “Why don’t you shut up?” The more he talks, the more you want to kill yourself. That’s what happens to my poor character. [As an actor,] you have to make sense out of nonsense.

Wealthy Passenger, “The Great Race,” Taxi. I love the look you exchange with Judd Hirsch when you realize he could have cheated you, but instead returned the money that you overtipped him.

I was playing a happy-go-lucky tourist; I’m in America and enjoying it all. My character pulls out a huge wad of money and says to take it, and then it dawns on him, wait a minute, this guy is refusing money. I’ve never seen that before. In Hong Kong they would take that money, for sure. My character is flabbergasted that there is a man in this world who would refuse a tip. In France I went to the opera, and the usher showed me to my seat and I thanked him and he put his hand out for a tip. I was shocked; whoever heard of an usher asking for a tip? So, I didn’t tip him. He was very perturbed.

Evelyn’s Butler, Chinatown.

I will never, ever forget that and The Two Jakes that Jack Nicholson directed. I learned so much from watching Jack Nicholson and [director] Roman Polanski together. How could you not? I admire his acting all the way back to Easy Rider. To act opposite him was a great thrill and honor.

David Lo Pan, Big Trouble in Little China.

This is the one that has the most avid fans. Again, it’s the same thing. How do you bring humanity to a supervillain? That’s what I put in Lo Pan: He wants a wife.

Finally, what advice do you give to actors?

The only advice I have is this: I came from Minnesota as a total stranger wanting to put my footprint on the sidewalk, and I finally did it after 70 years of hard, hard work. If you believe in yourself and your talent, go for it.

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Disney+'s American Born Chinese Is Turning Into an Everything Everywhere All at Once Reunion
The upcoming show about teenagers embroiled in battles between mythic Chinese gods adds Stephanie Hsu to its lineup.
By Linda Codega
Yesterday 5:00PM
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Stephanie Hsu as Jobu Tupaki in Everything Everywhere All at Once
Hail to Hsu.Photo: Allyson Riggs/Courtesy of A24
Amid an absolutely stacked cast, Stephanie Hsu (Everything Everywhere All at Once, Nora from Queens) has been cast as a guest star in the new Disney+ series American Born Chinese. According to Variety, “Hsu will appear as Shiji Niangniang, the Goddess of Stones, who works in a modern day jewelry shop along with her magical dog.”

American Born Chinese is based on the graphic novel of the same name by Gene Luen Yang that depicts the intersection of Chinese mythology and family through the enmeshing of three storylines. Kelvin Yu is poised to write, produce, and act as the showrunner for the show, which already reads as being much more action-oriented than the original graphic novel, which told a grounded, careful storyline amid magic and identity. Destin Daniel Cretton (Shang-Chi and the Legend of the Ten Rings) directs and executive produces.

In the Disney+ show, the series will follow Jin Wang (Ben Wang), who is struggling to balance his high school social life and the pressures he feels at home. When Jin runs into Chinese exchange student Wei-Chen (Jim Liu) on the first day of school, “their worlds collide as Jin becomes entangled in a battle of Chinese mythological gods. Identity, culture and family are themes throughout,” according to Variety.

Also in the cast is Michelle Yeoh and Ke Huy Quan, both of whom starred alongside Hsu in the Daniels’ multiverse film, Everything Everywhere All at Once. Revealed in a Disney press release, Yeoh (who was also in Cretton’s Shang-Chi) will play Guanyin, an unassuming auntie, who helps her nephew Wei-Chen navigate the challenges of American high school while maintaining her secret identity as the all-powerful Buddhist bodhisattva of compassion. Quan plays as Freddy Wong, a fictional character from a popular mid-1990s sitcom. Also in the cast is Daniel Wu as the Monkey King, Sun Wukong—the legendary, all-powerful god of the Chinese epic Journey to the West, who enters our world in search of his son. There’s no word yet on when American Born Chinese might be premiering, but it’s high on our list of must-watch series when it does.

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https://www.youtube.com/watch?app=desktop&v=JW7INCwnE1Y

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Everything Everywhere All At Once Passes $100 Million At The Global Box Office
Everything Everywhere All At Once
By James White | Posted On31 07 2022
https://images.bauerhosting.com/lega...=crop&crop=top
Everything Everywhere All At Once continues to make headlines. And in this case, cash. The multiverse movie from the Daniels has now crossed the $100 million mark globally, making it the most successful movie of all time for indie studio A24.

Since it debuted in the States in March (the UK had to cool its heels until May to see it), Everything Everywhere All At Once has surpassed expectations, earning $68.9 million in the US and $31/1 million internationally (including $6.2 million in the UK, the biggest haul outside America).

And that's not all it has surpassed. It leapfrogged over both of A24's previous champs, Uncut Gems, which was the company's biggest North American title with $50 million and Hereditary, which held the global title with $79 million.

Given its relatively thrifty $25 million budget, this is a huge win for the movie, which stars Michelle Yeoh, Ke Huy Quan, Stephanie Hsu, James Hong and Jamie Lee Curtis.

Though the movie is now available on home entertainment platforms, its box office has stayed strong, and A24 re-released the movie in Stateside cinemas this weekend with an added eight minutes of outtakes and a pre-recorded message from the directors.

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See the full list of nominees below.

Best Motion Picture, Drama

“Avatar: The Way of Water” (20th Century Studios)

“Elvis” (Warner Bros.)

“The Fabelmans” (Universal Pictures)

“Tár” (Focus Features)

“Top Gun: Maverick” (Paramount Pictures)

Best Picture, Musical or Comedy

“Babylon” (Paramount Pictures)

“The Banshees of Inisherin” (Searchlight Pictures)

“Everything Everywhere All at Once” (A24)

“Glass Onion: A Knives Out Mystery” (Netflix)

“Triangle of Sadness” (Neon)

Best Director, Motion Picture

James Cameron (“Avatar: The Way of Water”)

Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”)

Baz Luhrmann (“Elvis”)

Martin McDonagh (“The Banshees of Inisherin”)

Steven Spielberg (“The Fabelmans”)

Best Screenplay, Motion Picture

“Tár” (Focus Features) — Todd Field

“Everything Everywhere All at Once” (A24) — Daniel Kwan, Daniel Scheinert

“The Banshees of Inisherin” (Searchlight Pictures) — Martin McDonagh

“Women Talking” (MGM/United Artists Releasing) — Sarah Polley

“The Fabelmans” (Universal Pictures) — Steven Spielberg, Tony Kushne

Best Performance by an Actor in a Motion Picture, Drama

Austin Butler (“Elvis”)

Brendan Fraser (“The Whale”)

Hugh Jackman (“The Son”)

Bill Nighy (“Living”)

Jeremy Pope (“The Inspection”)

Best Performance by an Actress in a Motion Picture, Drama

Cate Blanchett (“Tár”)

Olivia Colman (“Empire of Light”)

Viola Davis (“The Woman King”)

Ana de Armas (“Blonde”)

Michelle Williams (“The Fabelmans”)

Best Performance by an Actress in a Motion Picture, Musical or Comedy

Lesley Manville (“Mrs. Harris Goes to Paris”)

Margot Robbie (“Babylon”)

Anya Taylor-Joy (“The Menu”)

Emma Thompson (“Good Luck to You, Leo Grande”)

Michelle Yeoh (“Everything Everywhere All at Once”)

Best Performance by an Actor in a Motion Picture, Musical or Comedy

Diego Calva (“Babylon”)

Daniel Craig (“Glass Onion: A Knives Out Mystery”)

Adam Driver (“White Noise”)

Colin Farrell (“The Banshees of Inisherin”)

Ralph Fiennes (“The Menu”)

Best Supporting Actor – Motion Picture

Brendan Gleeson (“The Banshees of Inisherin”)

Barry Keoghan (“The Banshees of Inisherin”)

Brad Pitt (“Babylon”)

Ke Huy Quan (“Everything Everywhere All at Once”)

Eddie Redmayne (“The Good Nurse”)

Best Supporting Actress, Motion Picture

Angela Bassett (“Black Panther: Wakanda Forever”)

Kerry Condon (“The Banshees of Inisherin”)

Jamie Lee Curtis (“Everything Everywhere All at Once”)

Dolly De Leon (“Triangle of Sadness”)

Carey Mulligan (“She Said”)

Best Television Series, Drama

“Better Call Saul” (AMC)

“The Crown” (Netflix)

“House of the Dragon” (HBO)

“Ozark” (Netflix)

“Severance” (Apple TV+)

Best Television Series, Musical or Comedy

“Abbott Elementary” (ABC)

“The Bear” (FX)

“Hacks” (HBO Max)

“Only Murders in the Building” (Hulu)

“Wednesday” (Netflix)

Best Performance by an Actor in a Television Series, Drama

Jeff Bridges (“The Old Man”)

Kevin Costner (“Yellowstone”)

Diego Luna (“Andor”)

Bob Odenkirk (“Better Call Saul”)

Adam Scott (“Severance”)

Best Performance by an Actress in a Television Series, Drama

Emma D’Arcy (“House of the Dragon”)

Laura Linney (“Ozark”)

Imelda Staunton (“The Crown”)

Hilary Swank (“Alaska Daily”)

Zendaya (“Euphoria”)

Best Actress in a TV Series, Musical or Comedy

Quinta Brunson (“Abbott Elementary”)

Kaley Cuoco (“The Flight Attendant”)

Selena Gomez (“Only Murders in the Building”)

Jenna Ortega (“Wednesday”)

Jean Smart (“Hacks”)

Best Actor in a TV Series, Musical or Comedy

Donald Glover (“Atlanta”)

Bill Hader (“Barry”)

Steve Martin (“Only Murders in the Building”)

Martin Short (“Only Murders in the Building”)

Jeremy Allen White (“The Bear”)

Best Supporting Actor, Television

John Lithgow (“The Old Man”)

Jonathan Pryce (“The Crown”)

John Turturro (“Severance”)

Tyler James Williams (“Abbott Elementary”)

Henry Winkler (“Barry”)

Best Supporting Actress, Television

Elizabeth Debicki (“The Crown”)

Hannah Einbinder (“Hacks”)

Julia Garner (“Ozark”)

Janelle James (“Abbott Elementary”)

Sheryl Lee Ralph (“Abbott Elementary”)

Best Limited Series, Anthology Series or a Motion Picture made for Television

“Black Bird” (Apple TV+)

“Monster: The Jeffrey Dahmer Story” (Netflix)

“The Dropout” (Hulu)

“Pam & Tommy” (Hulu)

“The White Lotus” (HBO)

Best Performance by an Actor, Limited Series, Anthology Series or Motion Picture made for Television

Taron Egerton (“Black Bird”)

Colin Firth (“The Staircase”)

Andrew Garfield (“Under the Banner of Heaven”)

Evan Peters (“Monster: The Jeffrey Dahmer Story”)

Sebastian Stan (“Pam & Tommy”)

Best Performance by an Actress, Limited Series, Anthology Series or a Motion Picture made for Television

Jessica Chastain (“George and Tammy”)

Julia Garner (“Inventing Anna”)

Lily James (“Pam & Tommy”)

Julia Roberts (“Gaslit”)

Amanda Seyfried (“The Dropout”)

Best Performance by an Actress in Supporting Role, Limited Series, Anthology Series or a Motion Picture made for Television

Jennifer Coolidge (“The White Lotus”)

Claire Danes (“Fleishman Is in Trouble”)

Daisy Edgar-Jones (“Under the Banner of Heaven”)

Niecy Nash-Betts (“Monster: The Jeffrey Dahmer Story”)

Aubrey Plaza (“The White Lotus”)

Best Performance by an Actor in Supporting Role, Limited Series, Anthology Series or a Motion Picture made for Television

F. Murray Abraham (“The White Lotus”)

Domhnall Gleeson (“The Patient”)

Paul Walter Hauser (“Black Bird”)

Richard Jenkins (“Monster: The Jeffrey Dahmer Story”)

Seth Rogen (“Pam & Tommy”)

Best Original Score, Motion Picture

“The Banshees of Inisherin” (Searchlight Pictures) — Carter Burwell

“Guillermo del Toro’s Pinocchio” (Netflix) — Alexandre Desplat

“Women Talking” (MGM/United Artists Releasing) — Hildur Guðnadóttir

“Babylon” (Paramount Pictures) — Justin Hurwitz

“The Fabelmans” (Universal Pictures) — John Williams

Best Picture, Non-English Language

“All Quiet on the Western Front” (Germany)

“Argentina, 1985” (Argentina)

“Close” (Belgium)

“Decision to Leave” (South Korea)

“RRR” (India)

Best Original Song, Motion Picture

“Carolina” from “Where the Crawdads Sing” (Sony Pictures) — Taylor Swift

“Ciao Papa” from “Guillermo del Toro’s Pinocchio” (Netflix) — Roeben Katz, Guillermo del Toro

“Hold My Hand” from “Top Gun: Maverick” (Paramount Pictures) — Lady Gaga, BloodPop

“Lift Me Up” from “Black Panther: Wakanda Forever” (Marvel Studios) — Tems, Ludwig Göransson, Rihanna, Ryan Coogler

“Naatu Naatu” from “RRR” (Variance Films) — Kala Bhairava, M. M. Keeravani, Rahul Sipligunj

Best Motion Picture, Animated

“Guillermo del Toro’s Pinocchio” (Netflix)

“Inu-Oh” (GKIDS)

“Marcel the Shell With Shoes On” (A24)

“Puss in Boots: The Last Wish” (DreamWorks Animation)

“Turning Red” (Pixar)

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https://www.youtube.com/watch?v=dHpDqn0nlK8

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THE 95TH ACADEMY AWARDS | 2023
Dolby Theatre at Ovation Hollywood
Sunday, March 12, 2023
Honoring movies released in 2022

ACTOR IN A LEADING ROLE
NOMINEES
AUSTIN BUTLER
Elvis
COLIN FARRELL
The Banshees of Inisherin
BRENDAN FRASER
The Whale
PAUL MESCAL
Aftersun
BILL NIGHY
Living

ACTOR IN A SUPPORTING ROLE
NOMINEES
BRENDAN GLEESON
The Banshees of Inisherin
BRIAN TYREE HENRY
Causeway
JUDD HIRSCH
The Fabelmans
BARRY KEOGHAN
The Banshees of Inisherin
KE HUY QUAN
Everything Everywhere All at Once

ACTRESS IN A LEADING ROLE
NOMINEES
CATE BLANCHETT
Tár
ANA DE ARMAS
Blonde
ANDREA RISEBOROUGH
To Leslie
MICHELLE WILLIAMS
The Fabelmans
MICHELLE YEOH
Everything Everywhere All at Once

ACTRESS IN A SUPPORTING ROLE
NOMINEES
ANGELA BASSETT
Black Panther: Wakanda Forever
HONG CHAU
The Whale
KERRY CONDON
The Banshees of Inisherin
JAMIE LEE CURTIS
Everything Everywhere All at Once
STEPHANIE HSU
Everything Everywhere All at Once

ANIMATED FEATURE FILM
NOMINEES
GUILLERMO DEL TORO'S PINOCCHIO
Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley
MARCEL THE SHELL WITH SHOES ON
Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey
PUSS IN BOOTS: THE LAST WISH
Joel Crawford and Mark Swift
THE SEA BEAST
Chris Williams and Jed Schlanger
TURNING RED
Domee Shi and Lindsey Collins

CINEMATOGRAPHY
NOMINEES
ALL QUIET ON THE WESTERN FRONT
James Friend
BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS
Darius Khondji
ELVIS
Mandy Walker
EMPIRE OF LIGHT
Roger Deakins
TÁR
Florian Hoffmeister

COSTUME DESIGN
NOMINEES
BABYLON
Mary Zophres
BLACK PANTHER: WAKANDA FOREVER
Ruth Carter
ELVIS
Catherine Martin
EVERYTHING EVERYWHERE ALL AT ONCE
Shirley Kurata
MRS. HARRIS GOES TO PARIS
Jenny Beavan

DIRECTING
NOMINEES
THE BANSHEES OF INISHERIN
Martin McDonagh
EVERYTHING EVERYWHERE ALL AT ONCE
Daniel Kwan and Daniel Scheinert
THE FABELMANS
Steven Spielberg
TÁR
Todd Field
TRIANGLE OF SADNESS
Ruben Östlund

DOCUMENTARY FEATURE FILM
NOMINEES
ALL THAT BREATHES
Shaunak Sen, Aman Mann and Teddy Leifer
ALL THE BEAUTY AND THE BLOODSHED
Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov
FIRE OF LOVE
Sara Dosa, Shane Boris and Ina Fichman
A HOUSE MADE OF SPLINTERS
Simon Lereng Wilmont and Monica Hellström
NAVALNY
Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris

DOCUMENTARY SHORT FILM
NOMINEES
THE ELEPHANT WHISPERERS
Kartiki Gonsalves and Guneet Monga
HAULOUT
Evgenia Arbugaeva and Maxim Arbugaev
HOW DO YOU MEASURE A YEAR?
Jay Rosenblatt
THE MARTHA MITCHELL EFFECT
Anne Alvergue and Beth Levison
STRANGER AT THE GATE
Joshua Seftel and Conall Jones

FILM EDITING
NOMINEES
THE BANSHEES OF INISHERIN
Mikkel E.G. Nielsen
ELVIS
Matt Villa and Jonathan Redmond
EVERYTHING EVERYWHERE ALL AT ONCE
Paul Rogers
TÁR
Monika Willi
TOP GUN: MAVERICK
Eddie Hamilton

INTERNATIONAL FEATURE FILM
NOMINEES
ALL QUIET ON THE WESTERN FRONT
Germany
ARGENTINA, 1985
Argentina
CLOSE
Belgium
EO
Poland
THE QUIET GIRL
Ireland

MAKEUP AND HAIRSTYLING
NOMINEES
ALL QUIET ON THE WESTERN FRONT
Heike Merker and Linda Eisenhamerová
THE BATMAN
Naomi Donne, Mike Marino and Mike Fontaine
BLACK PANTHER: WAKANDA FOREVER
Camille Friend and Joel Harlow
ELVIS
Mark Coulier, Jason Baird and Aldo Signoretti
THE WHALE
Adrien Morot, Judy Chin and Anne Marie Bradley

MUSIC (ORIGINAL SCORE)
NOMINEES
ALL QUIET ON THE WESTERN FRONT
Volker Bertelmann
BABYLON
Justin Hurwitz
THE BANSHEES OF INISHERIN
Carter Burwell
EVERYTHING EVERYWHERE ALL AT ONCE
Son Lux
THE FABELMANS
John Williams

MUSIC (ORIGINAL SONG)
NOMINEES
APPLAUSE
from Tell It like a Woman; Music and Lyric by Diane Warren
HOLD MY HAND
from Top Gun: Maverick; Music and Lyric by Lady Gaga and BloodPop
LIFT ME UP
from Black Panther: Wakanda Forever; Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler
NAATU NAATU
from RRR; Music by M.M. Keeravaani; Lyric by Chandrabose
THIS IS A LIFE
from Everything Everywhere All at Once; Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne

BEST PICTURE
NOMINEES
ALL QUIET ON THE WESTERN FRONT
Malte Grunert, Producer
AVATAR: THE WAY OF WATER
James Cameron and Jon Landau, Producers
THE BANSHEES OF INISHERIN
Graham Broadbent, Pete Czernin and Martin McDonagh, Producers
ELVIS
Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers
EVERYTHING EVERYWHERE ALL AT ONCE
Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers
THE FABELMANS
Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers
TÁR
Todd Field, Alexandra Milchan and Scott Lambert, Producers
TOP GUN: MAVERICK
Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers
TRIANGLE OF SADNESS
Erik Hemmendorff and Philippe Bober, Producers
WOMEN TALKING
Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers

PRODUCTION DESIGN
NOMINEES
ALL QUIET ON THE WESTERN FRONT
Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper
AVATAR: THE WAY OF WATER
Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole
BABYLON
Production Design: Florencia Martin; Set Decoration: Anthony Carlino
ELVIS
Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn
THE FABELMANS
Production Design: Rick Carter; Set Decoration: Karen O'Hara

SHORT FILM (ANIMATED)
NOMINEES
THE BOY, THE MOLE, THE FOX AND THE HORSE
Charlie Mackesy and Matthew Freud
THE FLYING SAILOR
Amanda Forbis and Wendy Tilby
ICE MERCHANTS
João Gonzalez and Bruno Caetano
MY YEAR OF DICKS
Sara Gunnarsdóttir and Pamela Ribon
AN OSTRICH TOLD ME THE WORLD IS FAKE AND I THINK I BELIEVE IT
Lachlan Pendragon

SHORT FILM (LIVE ACTION)
NOMINEES
AN IRISH GOODBYE
Tom Berkeley and Ross White
IVALU
Anders Walter and Rebecca Pruzan
LE PUPILLE
Alice Rohrwacher and Alfonso Cuarón
NIGHT RIDE
Eirik Tveiten and Gaute Lid Larssen
THE RED SUITCASE
Cyrus Neshvad

SOUND
NOMINEES
ALL QUIET ON THE WESTERN FRONT
Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte
AVATAR: THE WAY OF WATER
Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges
THE BATMAN
Stuart Wilson, William Files, Douglas Murray and Andy Nelson
ELVIS
David Lee, Wayne Pashley, Andy Nelson and Michael Keller
TOP GUN: MAVERICK
Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor

VISUAL EFFECTS
NOMINEES
ALL QUIET ON THE WESTERN FRONT
Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar
AVATAR: THE WAY OF WATER
Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett
THE BATMAN
Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy
BLACK PANTHER: WAKANDA FOREVER
Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick
TOP GUN: MAVERICK
Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher

WRITING (ADAPTED SCREENPLAY)
NOMINEES
ALL QUIET ON THE WESTERN FRONT
Screenplay - Edward Berger, Lesley Paterson & Ian Stokell
GLASS ONION: A KNIVES OUT MYSTERY
Written by Rian Johnson
LIVING
Written by Kazuo Ishiguro
TOP GUN: MAVERICK
Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks
WOMEN TALKING
Screenplay by Sarah Polley

WRITING (ORIGINAL SCREENPLAY)
NOMINEES
THE BANSHEES OF INISHERIN
Written by Martin McDonagh
EVERYTHING EVERYWHERE ALL AT ONCE
Written by Daniel Kwan & Daniel Scheinert
THE FABELMANS
Written by Steven Spielberg & Tony Kushner
TÁR
Written by Todd Field
TRIANGLE OF SADNESS
Written by Ruben Östlund

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A24 Auctions
SOON
Mementos from the Multiverse
The Daniels took everything and put it on a bagel, and now we're giving it to you. From Raccacoonie to the stunt double from the Rockverse, pick what you want to bring into your reality.
OPENS ON
FEB 23 9AM PST
(15) ORIGINAL ITEMS FROM
Everything Everywhere All At Once
AN AUCTION TO BENEFIT
ASIAN MENTAL HEALTH PROJECT
Asian Mental Health Project aims to educate and empower Pan-Asian communities in seeking mental healthcare. The project offers educational resources, community care initiatives, and grant-based assistance to help make mental healthcare more approachable for the Pan-Asian/APIDA community. Founded in 2019 by Carrie Zhang, the project works to de-stigmatize topics of mental health, critical social issues and provide tangible resources.

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This is brilliant.

I'm curious to see what kind of bids these get....especially the trophy.

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Feb 27, 2023 6:14am PT
SAG Awards Top 1.5 Million Views Across Netflix’s YouTube Channel, Facebook and Twitter

By Todd Spangler

https://variety.com/wp-content/uploa...size=681%2C383
Getty Images

UPDATED: Netflix’s presentation of the 29th Screen Actors Guild Awards show garnered more than 1.1 million views on Sunday for the livestream on YouTube, and 1.5 million overall in the first 12 hours across YouTube, Facebook and Twitter.

The YouTube total comprises views tallied for the 2023 SAG Awards’ main feed and the audio descriptive feed. The SAG Awards ceremony livestream — which ran 2 hours and 14 minutes and carried no ads — is available to rewatch on Netflix’s YouTube channel.

The viewing total does not include breakout clips that Netflix posted during the awards show on YouTube and social media, including the acceptance speeches by the cast members of the night’s big winner, “Everything Everywhere All at Once.” For example, Michelle Yeoh’s speech after her historic win for best performance by a female actor in a leading role (becoming the first Asian woman to win a leading film acting award) had more than 58,000 YouTube views as of Monday morning, and Ke Huy Quan’s speech for male actor in a supporting role (the first Asian male to win a film acting trophy at the SAG Awards) had more than 55,000.

The way YouTube counts overall video views is different from the way Nielsen tabulates TV viewing metrics, so that is not an apples-to-apple comparison between this year’s SAG Awards viewership and past years. During Sunday’s livestream, the SAG Awards on YouTube averaged around 230,000-250,000 concurrent viewers across both feeds. In 2022, the kudocast drew an average 1.8 million total viewers for the simulcast on TBS and TNT; the year before that, the SAG Awards averaged 957,000 total viewers on TNT/TBS.

According to a SAG Awards rep, the 2023 SAG Awards ceremony livestream generated more than 1.5 million views across YouTube, Facebook and Twitter in the first 12 hours. Clips of the ceremony generated an additional 19.4 million views across platforms; in addition, the SAG Awards was the No. 1 trending topic on Twitter on Sunday night.

“As this was a transitional year for the SAG Awards, it was broadcast on social media with Netflix and other media partners in lieu of a broadcast partner,” the SAG Awards spokesperson said.

This January, Netflix announced a multiyear deal to stream the SAG Awards. This year’s broadcast was streamed on Netflix’s YouTube channel, and plans to stream the event live globally on Netflix itself starting in 2024.

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‘Neat’ rock outfitted with googly eyes from Amazon sells for $13,000 at ‘EEAO’ auction
The auction raised $559,475 for charity on Thursday

Bryan Ke
March 3, 2023
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A24 auctioned off several iconic “Everything Everything All at Once” props and costumes and raised hundreds of thousands of dollars to donate to charity in the process.

The New York-based film studio organized three different auctions themed after different aspects of its award-winning film.

Each auction had a charity tied to it: the In Another Life auction supported the Transgender Law Center; the Mementos from the Multiverse auction supported the Asian Mental Health Project; and the Laundry and Taxes auction supported the Laundry Workers Center.

Out of the 43 items auctioned off for a total of $559,475 on Thursday, the animatronic raccoon puppet used for the character Raccacoonie received the highest bid.

Five people bid on the iconic character. The eventual winner bid $90,000.

In “Everything Everywhere All at Once,” Raccacoonie serves as a nod to the beloved 2007 Pixar movie “Ratatouille” and controls actor Harry Shum Jr., who plays the character Chad.

Deirdre Beaubeirdre’s Auditor of the Month trophy received the second highest bid at $60,000, with eight people having attempted to own the interestingly shaped item.
Other notable objects that were auctioned off include Evelyn’s Hot Dog Hands ($55,000), Waymond’s Fanny Pack ($48,000) and the Rockverse Rock ($13,200).

The official Laundry Delivery RV of the Wang family was notably auctioned off for just $11,000. A24 wrote that the vehicle “needs new transmission, engine, tires and serious TLC on the interior” and is “currently not street legal.”

Commenting on the success of the recent auctions, Jason Kisvarday, the film’s production designer, was surprised by how many people supported the event.

“There’s usually not a lot of demand or interest in these types of things after the movie comes out,” Kisvarday told The New York Times.

He also commented on the Rockverse Rock, saying, “It’s not because it’s a rock, it’s because of how many people saw the rock, are excited about this rock, and it means something to them.”

The rock was one of 10 “neat and interesting” rocks purchased from a stone supplier in Pasadena, California, for the movie, according to Kisvarday. Its googly eyes were purchased from Amazon.

First announced in late February, all three auctions ran from Feb. 23 to March 2.

Head over to the A24 auction website for the full list of sold “Everything Everywhere All at Once” props and costumes.

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More films should do this.

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Mar 12, 2023 4:59pm PT
‘Everything Everywhere All at Once’ Dominates Oscars With Seven Wins, Including Best Picture (Full Winners List)
By Brent Lang, William Earl
https://variety.com/wp-content/uploa...size=681%2C383
Getty Images

“Everything Everywhere All at Once” was named best picture at the 95th Academy Awards on Sunday, capping off an improbable awards season run by winning the movie business’s highest honor.

The film, a gonzo adventure about a Chinese-American laundromat owner grappling with an IRS audit and inter-dimensional attackers, earned seven statues, including original screenplay and directing honors for its creators Daniel Kwan and Daniel Scheinert (collectively known as the Daniels). The victory is a triumph for A24, the indie studio that pushed the zany film to an impressive $100 million at the box office, a stunning achievement at a time when the market for arthouse movies has shriveled. The studio also managed the rare feat of nabbing all four acting honors — three of which were won by “Everything Everywhere All at Once” and one by “The Whale.”

It was a night of comebacks and reassessments. “Everything Everywhere All at Once’s” Michelle Yeoh became the first Asian woman to be recognized as best actress. The honor came after a long career in martial arts and action movies like “Crouching Tiger Hidden Dragon” and “Yes, Madam.”

“Ladies, don’t ever let anyone tell you that you are past your prime,” Yeoh said. “For all the little boys and girls who look like me watching tonight, this is a beacon of hope and possibilities,” she added.

Brendan Fraser took best actor honors for his performance as a morbidly obese man trying to reconnect with his estranged daughter in “The Whale.” Fraser, once a prominent actor known for his work in popcorn flicks such as “George of the Jungle” and “The Mummy,” had spent the last decade and change away from the spotlight dealing with health and personal struggles. His win continues his remarkable resurgence.

“I started in this business 30 years ago, and this – they certainly didn’t come easily to me, but there was a facility that I didn’t appreciate at the time until it stopped,” Fraser said, acknowledging his career setbacks. He thanked his director Darren Aronofsky for “throwing me a creative lifeline and hauling me aboard.”

Ke Huy Quan won best supporting actor for his performance as Yeoh’s frazzled husband in “Everything Everywhere All at Once.” A former child star who appeared in “Indiana Jones and the Temple of Doom” and “The Goonies,” Quan had given up on acting in recent years, frustrated by his lack of opportunities. Accepting his award, he fought back tears while sharing his personal history.

“My journey started on a boat,” he said. “I spent a year in a refugee camp and somehow I ended up here on Hollywood’s biggest stage. They say stories like this only happen in the movies. I cannot believe it’s happening to me. This is the American dream.”

“Dreams are something that you have to believe in,” he added. “I almost gave up on mine. To all of you out there, please keep your dreams alive.”

Jamie Lee Curtis, a veteran headliner of horror hits such as “Halloween” and the daughter of Hollywood legends Janet Leigh and Tony Curtis, won best supporting actress for her turn as an IRS inspector in “Everything Everywhere All at Once.”

Curtis dedicated her statue “to all of the people who have supported the genre movies that I’ve made for all these years” and also acknowledged her family history in entertainment, noting, “my mother and my father were both nominated for Oscars in different categories.” Choking up, she ended with: “I just won an Oscar.”

With its multiverse storyline, and off-beat touches such as a character with hot dog hands and weaponized *****s, “Everything Everywhere All at Once” represents a radical departure from the kind of staid prestige fare that historically dominated the Oscars, but the Academy of Motion Picture Arts & Sciences has changed dramatically in recent years. In the wake of the#OscarsSoWhite controversy after no actors of color were nominated in two consecutive years, the Academy made a big push in 2016 to diversify the pool of voters. In subsequent years its membership has gotten younger, and now includes more people of color and women.

The ceremony unfolded at a tense time for Hollywood. As consumers have shifted away from cable and towards subscription streaming services, major studios and their corporate parents have spent a lot of time and coin launching their own in-house Netflix challengers. The entertainment industry has also undergone a period of consolidation, with Discovery merging with WarnerMedia, Disney buying much of 21st Century Fox and Amazon snatching MGM, deals that in the first two cases left the purchaser with a lot of debt on their balance sheet. Investors have become increasingly concerned that major media companies are over-leveraged and that the new ways that they are making money with streaming have failed to replace the old ways they once profited from such as cable subscriptions and movie ticket sales. That’s hurt the share prices of everyone from Netflix to Disney to the newly rechristened Warner Bros. Discovery, sparking a period of layoffs and cost-cutting. With a possible recession looming and studios facing tangled labor negotiations with the unions representing writers, directors and actors that could lead to strikes, there were dark clouds gathering that could have overshadowed the Oscars’ celebratory air.

Presiding over it all and (mostly) keeping things light and breezy was Jimmy Kimmel, returning for the third time as the host of the Oscars. The late night comic wasted no time bringing up the big moment from last year’s ceremony, when Will Smith charged the stage and slapped Chris Rock for making a joke about his wife Jada Pinkett Smith’s bald head (Pinkett Smith suffers from alopecia which leads to hair loss).

“If anyone in this theater commits an act of violence at any point during this show you will be awarded the Oscar for best actor and permitted to give a 19-minute-long speech,” Kimmel joked.

“If anything unpredictable or violent happens during the ceremony, just do what you did last year — nothing,” he added. “Sit there and do absolutely nothing. Maybe even give the assailant a hug.”

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“All Quiet on the Western Front,” an adaptation of Erich Maria Remarque’s novel about trench life during World War I, picked up four Oscars, including the prize for best international features. Other major winners included “Pinocchio,” Guillermo del Toro’s stop-motion musical, which was named best animated film, as well as “Women Talking,” which earned best adapted screenplay for Sarah Polley.

“Navalny,” a look at Russian opposition leader Alexei Navalny, won best documentary. Yulia Navalny, the imprisoned politician’s wife, came to the stage after the award was announced with a message aimed at Vladimir Putin. “I’m dreaming of the day when you will be free and our country will be free,” she said.

The Oscars did opt not to wade fully into international affairs. For the second year in a row, the program turned down overtures by Ukrainian President Volodymyr Zelenskyy to address the global audience about his country’s struggles against Russia’s illegal invasion.

This year’s crop of best picture nominees included smaller films such as “Triangle of Sadness” and “Tár,” but also several popular favorites like “Top Gun: Maverick” and “Avatar: The Way of Water.” It’s unclear how much the inclusion of these blockbusters will lift this year’s viewership, but the Oscars have been on a ratings nosedive. Last year’s telecast drew an audience of 16.6 million, the second-lowest ratings in its history. In contrast, in 2014, the Oscars drew 43 million viewers, a sign of the telecast’s precipitous drop in popularity.

The Oscars made some notable cosmetic changes, subbing in a champagne-colored carpet for the usual red one. That choice, however, led to some last minute scrambling after a rainy weekend left organizers cutting up sections of the carpet that had been ruined by the bad weather and dirty shoe soles. However, some near disasters were averted. On Saturday, Ovation Hollywood, the shopping center and entertainment complex that hosts the Academy Awards, suffered power outages. By Sunday, though, the skies cleared and the only sign of flickering lights were the flashbulbs greeting the stars as they made their way into the auditorium.

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Here is the full list of Oscar winners:

Best Picture

“Everything Everywhere All at Once” — Daniel Kwan, Daniel Scheinert and Jonathan Wang, producers

“All Quiet on the Western Front” — Malte Grunert, producer

“Avatar: The Way of Water” — James Cameron and Jon Landau, producers

“The Banshees of Inisherin” — Graham Broadbent, Pete Czernin and Martin McDonagh, producers

“Elvis” — Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, producers

“The Fabelmans” — Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, producers

“Tár” — Todd Field, Alexandra Milchan and Scott Lambert, producers

“Top Gun: Maverick” — Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, producers

“Triangle of Sadness” — Erik Hemmendorff and Philippe Bober, producers

“Women Talking” — Dede Gardner, Jeremy Kleiner and Frances McDormand, producers

Best Lead Actress

Michelle Yeoh (“Everything Everywhere All at Once”)

Cate Blanchett (“Tár”)

Ana de Armas (“Blonde”)

Andrea Riseborough (“To Leslie”)

Michelle Williams (“The Fabelmans”)

Best Lead Actor

Brendan Fraser (“The Whale”)

Austin Butler (“Elvis”)

Colin Farrell (“The Banshees of Inisherin”)

Paul Mescal (“Aftersun”)

Bill Nighy (“Living”)

Best Director

Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”)

Martin McDonagh (“The Banshees of Inisherin”)

Steven Spielberg (“The Fabelmans”)

Todd Field (“Tár”)

Ruben Östlund (“Triangle of Sadness”)

Best Film Editing

“Everything Everywhere All at Once” — Paul Rogers

“The Banshees of Inisherin” — Mikkel E.G. Nielsen

“Elvis” — Matt Villa and Jonathan Redmond

“Tár” — Monika Willi

“Top Gun: Maverick” — Eddie Hamilton

Best Original Song

“Naatu Naatu” from “RRR” — music by M.M. Keeravaani, lyric by Chandrabose

“Applause” from “Tell It Like a Woman” — music and lyric by Diane Warren

“Hold My Hand” from “Top Gun: Maverick” — music and lyric by Lady Gaga and BloodPop

“Lift Me Up” from “Black Panther: Wakanda Forever” — music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; lyric by Tems and Ryan Coogler

“This Is a Life” from “Everything Everywhere All at Once” — music by Ryan Lott, David Byrne and Mitski; lyric by Ryan Lott and David Byrne

Best Sound

“Top Gun: Maverick” — Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor

“All Quiet on the Western Front” — Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte

“Avatar: The Way of Water” — Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges

“The Batman” — Stuart Wilson, William Files, Douglas Murray and Andy Nelson

“Elvis” — David Lee, Wayne Pashley, Andy Nelson and Michael Keller

Best Adapted Screenplay

“Women Talking” — Sarah Polley

“All Quiet on the Western Front” — Edward Berger, Lesley Paterson and Ian Stokell

“Glass Onion: A Knives Out Mystery” — Rian Johnson

“Living” — Kazuo Ishiguro

“Top Gun: Maverick” — screenplay by Ehren Kruger, Eric Warren Singer and Christopher McQuarrie; story by Peter Craig and Justin Marks

Best Original Screenplay

“Everything Everywhere All at Once” — Daniel Kwan and Daniel Scheinert

“The Banshees of Inisherin” — Martin McDonagh

“The Fabelmans” — Steven Spielberg and Tony Kushner

“Tár” — Todd Field

“Triangle of Sadness” — Ruben Östlund

Best Visual Effects

“Avatar: The Way of Water” — Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett

“All Quiet on the Western Front” — Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar

“The Batman” — Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy

“Black Panther: Wakanda Forever” — Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick

“Top Gun: Maverick” — Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher

Best Original Score

“All Quiet on the Western Front” — Volker Bertelmann

“Babylon” — Justin Hurwitz

“The Banshees of Inisherin” — Carter Burwell

“Everything Everywhere All at Once” — Son Lux

“The Fabelmans” — John Williams

Best Production Design

“All Quiet on the Western Front” — production design by Christian M. Goldbeck, set decoration by Ernestine Hipper

“Avatar: The Way of Water” — production design by Dylan Cole and Ben Procter, set decoration by Vanessa Cole

“Babylon” — production design by Florencia Martin, set decoration by Anthony Carlino

“Elvis” — production design by Catherine Martin and Karen Murphy, set decoration by Bev Dunn

“The Fabelmans” — production design by Rick Carter, set decoration by Karen O’Hara

Best Animated Short Film

“The Boy, the Mole, the Fox and the Horse” — Charlie Mackesy and Matthew Freud

“The Flying Sailor” — Amanda Forbis and Wendy Tilby

“Ice Merchants” — João Gonzalez and Bruno Caetano

“My Year of Dicks” — Sara Gunnarsdóttir and Pamela Ribon

“An Ostrich Told Me the World Is Fake and I Think I Believe It” — Lachlan Pendragon

Best Documentary Short Film

“The Elephant Whisperers” — Kartiki Gonsalves and Guneet Monga

“Haulout” — Evgenia Arbugaeva and Maxim Arbugaev

“How Do You Measure a Year?” — Jay Rosenblatt

“The Martha Mitchell Effect” — Anne Alvergue and Beth Levison

“Stranger at the Gate” — Joshua Seftel and Conall Jones

Best International Feature Film

“All Quiet on the Western Front” (Germany)

“Argentina, 1985” (Argentina)

“Close” (Belgium)

“EO” (Poland)

“The Quiet Girl” (Ireland)

Best Costume Design

“Black Panther: Wakanda Forever” — Ruth E. Carter

“Babylon” — Mary Zophres

“Elvis” — Catherine Martin

“Everything Everywhere All at Once” — Shirley Kurata

“Mrs. Harris Goes to Paris” — Jenny Beavan

Best Makeup and Hairstyling

“The Whale” — Adrien Morot, Judy Chin and Anne Marie Bradley

“All Quiet on the Western Front” — Heike Merker and Linda Eisenhamerová

“The Batman” — Naomi Donne, Mike Marino and Mike Fontaine

“Black Panther: Wakanda Forever” — Camille Friend and Joel Harlow

“Elvis” — Mark Coulier, Jason Baird and Aldo Signoretti

Best Cinematography

“All Quiet on the Western Front” — James Friend

“Bardo, False Chronicle of a Handful of Truths” — Darius Khondji

“Elvis” — Mandy Walker

“Empire of Light” — Roger Deakins

“Tár” — Florian Hoffmeister

Best Live Action Short

“An Irish Goodbye” — Tom Berkeley and Ross White

“Ivalu” — Anders Walter and Rebecca Pruzan

“Le Pupille” — Alice Rohrwacher and Alfonso Cuarón

“Night Ride” — Eirik Tveiten and Gaute Lid Larssen

“The Red Suitcase” — Cyrus Neshvad

Best Documentary Feature Film

“Navalny” — Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris

“All That Breathes” — Shaunak Sen, Aman Mann and Teddy Leifer

“All the Beauty and the Bloodshed” — Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov

“Fire of Love” — Sara Dosa, Shane Boris and Ina Fichman

“A House Made of Splinters” — Simon Lereng Wilmont and Monica Hellström

Best Supporting Actress

Jamie Lee Curtis (“Everything Everywhere All at Once”)

Angela Bassett (“Black Panther: Wakanda Forever”)

Hong Chau (“The Whale”)

Kerry Condon (“The Banshees of Inisherin”)

Stephanie Hsu (“Everything Everywhere All at Once”)

Best Supporting Actor

Ke Huy Quan (“Everything Everywhere All at Once”)

Brendan Gleeson (“The Banshees of Inisherin”)

Brian Tyree Henry (“Causeway”)

Judd Hirsch (“The Fabelmans”)

Barry Keoghan (“The Banshees of Inisherin”)

Best Animated Feature Film

“Guillermo del Toro’s Pinocchio” — Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley

“Marcel the Shell With Shoes On” — Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey

“Puss in Boots: The Last Wish” — Joel Crawford and Mark Swift

“The Sea Beast” — Chris Williams and Jed Schlanger

“Turning Red” — Domee Shi and Lindsey Collins

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‘Everything Everywhere All at Once’ now the most awarded film in history, report reveals
A24's genre-defying, multiverse-hopping sci-fi hit overtook “Lord of the Rings: The Return of the King” to take the honor
Bryan Ke

March 10, 2023

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Everything Everywhere All at Once via A24
Asian America Daily - in under 5 minutes

“Everything Everywhere All at Once” (“EEAAO”) is now the most-awarded movie ever, having taken the crown from Peter Jackson’s 2003 film “The Lord of the Rings: The Return of the King” (“ROTK”).

Directed by Daniel Kwan and Daniel Scheinert, collectively known as the Daniels, “EEAAO” has, to date, received 158 accolades, according to IGN’s calculations. Meanwhile, the third installment of the original “Lord of the Rings” film trilogy has received 101 major accolades since its release around two decades ago.

As explained by the media outlet, all the awards and nominations “EEAAO” has received this awards season from major award bodies and critics organizations were tallied.

Among the bodies included were the Hollywood Foreign Press Association, which is behind the Golden Globes, and the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA), which is behind the SAG Awards.

In its report, IGN noted “some caveats,” stating:

Not every single critics’ organization made the cut, and neither did things like IGN’s own year-end best-of list. If every single nomination and award was counted, “Everything Everywhere All At Once” would still beat out “Return of the King” in both awards and nominations (336 awards, 691 nominations to 213 awards, 337 nominations).

IGN also noted that “a whole new slew of organizations, critics circles, and websites began giving out their own awards to movies” since the release of “ROTK” in 2003, which is why it “narrowed the list down to only award-giving bodies that recognized both films” to produce a fairer comparison.

“EEAAO” leads this year’s Academy Awards, also known as the Oscars, with 11 nominations in total.

The film is notably competing for Best Picture against the two highest-grossing films of 2022: “Avatar: The Way of Water” and “Top Gun: Maverick.”

It has already garnered several top awards in the lead-up to the Oscars on Sunday. Most recently, the Daniels bagged the Directors Guild of America’s top award before their hit movie won nine Dorian Awards and became the most-awarded film in SAG history.

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Add 7 more awards as icing on that bagel.

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Chinese film star Fan Bingbing makes rare appearance at the Oscars
Fan was ordered to pay US$130 million in taxes and penalties by the Chinese government in 2018 and has largely disappeared from public view
Daniel Kwan and Daniel Scheinert’s indie hit Anything Everywhere All at Once has 11 nominations, including nods for Michelle Yeoh and Ke Huy Quan

Published: 6:40am, 13 Mar, 2023

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China’s Fan Bingbing arrives at the Oscars in Los Angeles on Sunday. Photo: AP
Disgraced Chinese actress Fan Bingbing, who appeared in X-Men films before disappearing amid a tax case in China, is at the Oscars.
Fan was becoming a crossover star with roles lined up in a Bruce Willis film and appeared in a pair of films based on Marvel Comics characters before she was ordered to pay US$130 million in taxes and penalties by the Chinese government in 2018.
Before the fine was levied, Fan went dark on social media, her management offices closed and she largely disappeared from public view.
Fan has had a few recent credits, including the spy thriller The 355, which was released in 2022.
She has re-emerged this year, appearing at the Berlin Film Festival last month with a new film, Green Night.
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Will Smith, right, hits presenter Chris Rock on stage at the Oscars in March last year, at the Dolby Theatre in Los Angeles. Photo: AP
Last year’s Oscars ceremony was arguably eclipsed by Will Smith, who strode on stage and slapped Chris Rock in the face over a comment Rock had made about Smith’s wife, Jada Pinkett Smith, in his speech.
Jimmy Kimmel, the show’s first solo emcee in five years, is hosting for the third time. The late-night comedian has promised to make some jokes about The Slap; it would be “ridiculous” not to, he said.
Bill Kramer, chief executive of the film academy, has said that it was important, given what happened last year, to have “a host in place who can really pivot and manage those moments.”
“Nobody got hit when I hosted the show,” Kimmel boasted, tongue in cheek, on Good Morning America on Thursday. “Everybody was well-behaved at my Oscars.”
Kimmel will preside over a ceremony that could see big wins for the best-picture favourite, Everything Everywhere All at Once. Daniel Kwan and Daniel Scheinert’s action-comedy indie hit comes in with a leading 11 nominations, including nods for Michelle Yeoh and Ke Huy Quan.
Producers are giving some aspects of the Oscars a makeover. The carpet is champagne-coloured, not red. The broadcast has been planned to be more interactive than ever.
There were surprises before the show even got started. Just days after producers had said Lady Gaga would not be performing her nominated song Hold My Hand from Top Gun: Maverick, a person close to the production with knowledge of the performance confirmed on Sunday afternoon that the pop superstar would perform, after all.
And presenter Glenn Close told Associated Press that she would no longer present at the show because she had tested positive for Covid-19.
But the academy, still trying to find its footing after several years of pandemic and ratings struggles, is also hoping for a smoother ride than last year. A crisis management team has been created to help better respond to surprises. The academy has called its response to Smith’s actions last year “inadequate.”
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Harry Shum Jnr, whose mother is from Hong Kong and whose father is from Guangzhou, arrives at the Oscars on Sunday at the Dolby Theatre in Los Angeles. Shum Jnr plays Chad in Everything Everywhere All at Once. Photo: Invision / AP
Neither Rock, who recently made his most forceful statement about the incident in a live special, nor Smith, who’s been banned by the academy for 10 years, are expected to attend.
The Academy Awards will instead attempt to recapture some of its old lustre. One thing working in its favour: This year’s best picture field is stacked with blockbusters. Ratings usually go up when the nominees are more popular, which certainly goes for Top Gun: Maverick, Avatar: The Way of Water and, to a lesser extent, Elvis and Everything Everywhere All at Once.
But the late-breaking contender that may fare well in the technical categories – where bigger films often reign – is Netflix’s top nominee this year: the German WWI epic All Quiet on the Western Front. It is up for nine awards, tied for second most with the Irish dark comedy The Banshees of Inisherin. Netflix’s Guillermo del Toro’s Pinocchio also looks like a shoo-in for best animated film.
The awards will also have some star wattage in the musical performances. Fresh off her Super Bowl performance, Rihanna will perform her Oscar-nominated song, Lift Me Up, from Black Panther: Wakanda Forever. This Is Life, from Everything Everywhere All at Once will be sung by David Byrne and supporting actress nominee Stephanie Hsu with the band Son Lux. Rahul Sipligunj and Kaala Bhairava will perform Naatu Naatu from the Indian action epic RRR. Lenny Kravitz will perform during the In Memoriam tribute.
Last year, Apple TV’s CODA became the first streaming film to win best picture. But this year, nine of the 10 best picture nominees were theatrical releases. After the film business cratered during the pandemic, moviegoing recovered to about 67 per cent of pre-pandemic levels. But it was an up and down year, full of smash hits and anxiety-inducing lulls in cinemas.
At the same time, the rush to streaming encountered new setbacks as studios questioned long-term profitability and re-examined their release strategies. This year, ticket sales have been strong thanks to releases such as Creed III and Cocaine Bear. But there remain storm clouds on the horizon.
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Chinese-American veteran actor James Hong, part of the Everything Anywhere All at Once cast, with April Hong at the Oscars in Los Angeles on Sunday. Photo: Invision / AP
The Writers Guild and the major studios are set to begin contract negotiations March 20, a looming battle that has much of the industry girding for the possibility of a work stoppage throughout film and television.
The Oscars, meanwhile, are trying to reestablish their position as the premier award show. Last year’s telecast drew 16.6 million viewers, a 58 per cent increase from the scaled-down 2021 edition, watched by a record low 10.5 million.
Usually, the previous year’s acting winners present the awards for best actor and best actress. But that will not be the case this time. Who will replace Smith in presenting best actress is just one of the questions heading into the ceremony.

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Cup Noodles Is Releasing a Polarizing New Flavor, and Fans Are Thrilled
You'll either love it or hate it.
By Jelisa Castrodale Published on April 3, 2024

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PHOTO: FOOD & WINE / CUP NOODLES
You just might do a double-take when you see Cup Noodles’ latest release.

Earlier this week, Nissin Foods announced the arrival of its Everything Bagel with Cream Cheese instant ramen, which will be available exclusively at Walmart stores and on Walmart.com for a limited time.

The new microwavable ramen is part of Nissin’s “breakfast club” of first-thing-in-the-morning-inspired flavors. This version combines ramen noodles with that “Everything” combo of caraway seeds, dried onion, garlic, poppy seeds, and sesame seeds — plus a cream cheese-flavored sauce. And like some of the brand’s other polarizing flavors, this is less about the soup-like broth and more about the savory sauce.

"We know noodle fans and foodies are constantly finding ways to elevate their instant ramen with different sauces, seasonings, and unexpected ingredients," Priscila Stanton, senior vice president of marketing at Nissin Foods USA, said in a statement. "More specifically, consumers have been adding a dash of Everything Seasoning to their ramen since the craze took off and we took inspiration from our consumer base to give everyone's favorite noodles a creamy twist."

The new Cup Noodles Everything Bagel with Cream Cheese will be available at Walmart starting next week (although it is already in stock at my local Walmart Neighborhood Market). The suggested retail price is $1.18. Cup Noodles is also briefly bringing back another early morning fave, the pancake, sausage, and egg-flavored Breakfast Ramen which debuted last spring.

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CUP NOODLES
When Breakfast Ramen launched last March, Nissin called it “the first ramen product for the most important meal of the day.” It will return for a limited time next week and will also be sold exclusively at Walmart stores and on Walmart.com. (The sweet-and-savory experience can be a divisive one: a reporter for Japan’s SoraNews24 tried a cup and decided that it was “too out-there” for him to eat a second time.)

Nothing can beat Nissin’s special 50th-anniversary flavor, though. Last autumn, it released Pumpkin Spice Cup Noodles, which is probably a combination of words that no one ever expected to read. The company said that the instant ramen involved “a special pumpkin seasoning that's the perfect blend of sweet, savory, and spiced” and even recommended adding a dollop of whipped cream to the noodles before tucking into them.

So if you want to be really extra, you could always serve your Everything Bagel Cup Noodles on an actual Everything Bagel. We’re not judging.

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