Page 6 of 6 FirstFirst ... 456
Results 76 to 79 of 79

Thread: The Academy Awards

  1. #76
    Join Date
    Jan 1970
    Location
    Fremont, CA, U.S.A.
    Posts
    47,946

    continued from previous post

    Here is the full list of Oscar winners:

    Best Picture

    “Everything Everywhere All at Once” — Daniel Kwan, Daniel Scheinert and Jonathan Wang, producers

    “All Quiet on the Western Front” — Malte Grunert, producer

    “Avatar: The Way of Water” — James Cameron and Jon Landau, producers

    “The Banshees of Inisherin” — Graham Broadbent, Pete Czernin and Martin McDonagh, producers

    “Elvis” — Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, producers

    “The Fabelmans” — Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, producers

    “Tár” — Todd Field, Alexandra Milchan and Scott Lambert, producers

    “Top Gun: Maverick” — Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, producers

    “Triangle of Sadness” — Erik Hemmendorff and Philippe Bober, producers

    “Women Talking” — Dede Gardner, Jeremy Kleiner and Frances McDormand, producers

    Best Lead Actress

    Michelle Yeoh (“Everything Everywhere All at Once”)

    Cate Blanchett (“Tár”)

    Ana de Armas (“Blonde”)

    Andrea Riseborough (“To Leslie”)

    Michelle Williams (“The Fabelmans”)

    Best Lead Actor

    Brendan Fraser (“The Whale”)

    Austin Butler (“Elvis”)

    Colin Farrell (“The Banshees of Inisherin”)

    Paul Mescal (“Aftersun”)

    Bill Nighy (“Living”)

    Best Director

    Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”)

    Martin McDonagh (“The Banshees of Inisherin”)

    Steven Spielberg (“The Fabelmans”)

    Todd Field (“Tár”)

    Ruben Östlund (“Triangle of Sadness”)

    Best Film Editing

    “Everything Everywhere All at Once” — Paul Rogers

    “The Banshees of Inisherin” — Mikkel E.G. Nielsen

    “Elvis” — Matt Villa and Jonathan Redmond

    “Tár” — Monika Willi

    “Top Gun: Maverick” — Eddie Hamilton

    Best Original Song

    “Naatu Naatu” from “RRR” — music by M.M. Keeravaani, lyric by Chandrabose

    “Applause” from “Tell It Like a Woman” — music and lyric by Diane Warren

    “Hold My Hand” from “Top Gun: Maverick” — music and lyric by Lady Gaga and BloodPop

    “Lift Me Up” from “Black Panther: Wakanda Forever” — music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; lyric by Tems and Ryan Coogler

    “This Is a Life” from “Everything Everywhere All at Once” — music by Ryan Lott, David Byrne and Mitski; lyric by Ryan Lott and David Byrne

    Best Sound

    “Top Gun: Maverick” — Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor

    “All Quiet on the Western Front” — Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte

    “Avatar: The Way of Water” — Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges

    “The Batman” — Stuart Wilson, William Files, Douglas Murray and Andy Nelson

    “Elvis” — David Lee, Wayne Pashley, Andy Nelson and Michael Keller

    Best Adapted Screenplay

    “Women Talking” — Sarah Polley

    “All Quiet on the Western Front” — Edward Berger, Lesley Paterson and Ian Stokell

    “Glass Onion: A Knives Out Mystery” — Rian Johnson

    “Living” — Kazuo Ishiguro

    “Top Gun: Maverick” — screenplay by Ehren Kruger, Eric Warren Singer and Christopher McQuarrie; story by Peter Craig and Justin Marks

    Best Original Screenplay

    “Everything Everywhere All at Once” — Daniel Kwan and Daniel Scheinert

    “The Banshees of Inisherin” — Martin McDonagh

    “The Fabelmans” — Steven Spielberg and Tony Kushner

    “Tár” — Todd Field

    “Triangle of Sadness” — Ruben Östlund

    Best Visual Effects

    “Avatar: The Way of Water” — Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett

    “All Quiet on the Western Front” — Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar

    “The Batman” — Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy

    “Black Panther: Wakanda Forever” — Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick

    “Top Gun: Maverick” — Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher

    Best Original Score

    “All Quiet on the Western Front” — Volker Bertelmann

    “Babylon” — Justin Hurwitz

    “The Banshees of Inisherin” — Carter Burwell

    “Everything Everywhere All at Once” — Son Lux

    “The Fabelmans” — John Williams

    Best Production Design

    “All Quiet on the Western Front” — production design by Christian M. Goldbeck, set decoration by Ernestine Hipper

    “Avatar: The Way of Water” — production design by Dylan Cole and Ben Procter, set decoration by Vanessa Cole

    “Babylon” — production design by Florencia Martin, set decoration by Anthony Carlino

    “Elvis” — production design by Catherine Martin and Karen Murphy, set decoration by Bev Dunn

    “The Fabelmans” — production design by Rick Carter, set decoration by Karen O’Hara

    Best Animated Short Film

    “The Boy, the Mole, the Fox and the Horse” — Charlie Mackesy and Matthew Freud

    “The Flying Sailor” — Amanda Forbis and Wendy Tilby

    “Ice Merchants” — João Gonzalez and Bruno Caetano

    “My Year of Dicks” — Sara Gunnarsdóttir and Pamela Ribon

    “An Ostrich Told Me the World Is Fake and I Think I Believe It” — Lachlan Pendragon

    Best Documentary Short Film

    “The Elephant Whisperers” — Kartiki Gonsalves and Guneet Monga

    “Haulout” — Evgenia Arbugaeva and Maxim Arbugaev

    “How Do You Measure a Year?” — Jay Rosenblatt

    “The Martha Mitchell Effect” — Anne Alvergue and Beth Levison

    “Stranger at the Gate” — Joshua Seftel and Conall Jones

    Best International Feature Film

    “All Quiet on the Western Front” (Germany)

    “Argentina, 1985” (Argentina)

    “Close” (Belgium)

    “EO” (Poland)

    “The Quiet Girl” (Ireland)

    Best Costume Design

    “Black Panther: Wakanda Forever” — Ruth E. Carter

    “Babylon” — Mary Zophres

    “Elvis” — Catherine Martin

    “Everything Everywhere All at Once” — Shirley Kurata

    “Mrs. Harris Goes to Paris” — Jenny Beavan

    Best Makeup and Hairstyling

    “The Whale” — Adrien Morot, Judy Chin and Anne Marie Bradley

    “All Quiet on the Western Front” — Heike Merker and Linda Eisenhamerová

    “The Batman” — Naomi Donne, Mike Marino and Mike Fontaine

    “Black Panther: Wakanda Forever” — Camille Friend and Joel Harlow

    “Elvis” — Mark Coulier, Jason Baird and Aldo Signoretti

    Best Cinematography

    “All Quiet on the Western Front” — James Friend

    “Bardo, False Chronicle of a Handful of Truths” — Darius Khondji

    “Elvis” — Mandy Walker

    “Empire of Light” — Roger Deakins

    “Tár” — Florian Hoffmeister

    Best Live Action Short

    “An Irish Goodbye” — Tom Berkeley and Ross White

    “Ivalu” — Anders Walter and Rebecca Pruzan

    “Le Pupille” — Alice Rohrwacher and Alfonso Cuarón

    “Night Ride” — Eirik Tveiten and Gaute Lid Larssen

    “The Red Suitcase” — Cyrus Neshvad

    Best Documentary Feature Film

    “Navalny” — Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris

    “All That Breathes” — Shaunak Sen, Aman Mann and Teddy Leifer

    “All the Beauty and the Bloodshed” — Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov

    “Fire of Love” — Sara Dosa, Shane Boris and Ina Fichman

    “A House Made of Splinters” — Simon Lereng Wilmont and Monica Hellström

    Best Supporting Actress

    Jamie Lee Curtis (“Everything Everywhere All at Once”)

    Angela Bassett (“Black Panther: Wakanda Forever”)

    Hong Chau (“The Whale”)

    Kerry Condon (“The Banshees of Inisherin”)

    Stephanie Hsu (“Everything Everywhere All at Once”)

    Best Supporting Actor

    Ke Huy Quan (“Everything Everywhere All at Once”)

    Brendan Gleeson (“The Banshees of Inisherin”)

    Brian Tyree Henry (“Causeway”)

    Judd Hirsch (“The Fabelmans”)

    Barry Keoghan (“The Banshees of Inisherin”)

    Best Animated Feature Film

    “Guillermo del Toro’s Pinocchio” — Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley

    “Marcel the Shell With Shoes On” — Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey

    “Puss in Boots: The Last Wish” — Joel Crawford and Mark Swift

    “The Sea Beast” — Chris Williams and Jed Schlanger

    “Turning Red” — Domee Shi and Lindsey Collins

    Michelle-Yeoh
    The-Academy-Awards
    Everything-Everywhere-All-At-Once
    Rrr
    Black-Panther-Wakanda-Forever
    Gene Ching
    Publisher www.KungFuMagazine.com
    Author of Shaolin Trips
    Support our forum by getting your gear at MartialArtSmart

  2. #77
    Join Date
    Jan 1970
    Location
    Fremont, CA, U.S.A.
    Posts
    47,946

    Fan at the Oscars

    Chinese film star Fan Bingbing makes rare appearance at the Oscars
    Fan was ordered to pay US$130 million in taxes and penalties by the Chinese government in 2018 and has largely disappeared from public view
    Daniel Kwan and Daniel Scheinert’s indie hit Anything Everywhere All at Once has 11 nominations, including nods for Michelle Yeoh and Ke Huy Quan

    Published: 6:40am, 13 Mar, 2023


    China’s Fan Bingbing arrives at the Oscars in Los Angeles on Sunday. Photo: AP
    Disgraced Chinese actress Fan Bingbing, who appeared in X-Men films before disappearing amid a tax case in China, is at the Oscars.
    Fan was becoming a crossover star with roles lined up in a Bruce Willis film and appeared in a pair of films based on Marvel Comics characters before she was ordered to pay US$130 million in taxes and penalties by the Chinese government in 2018.
    Before the fine was levied, Fan went dark on social media, her management offices closed and she largely disappeared from public view.
    Fan has had a few recent credits, including the spy thriller The 355, which was released in 2022.
    She has re-emerged this year, appearing at the Berlin Film Festival last month with a new film, Green Night.

    Will Smith, right, hits presenter Chris Rock on stage at the Oscars in March last year, at the Dolby Theatre in Los Angeles. Photo: AP
    Last year’s Oscars ceremony was arguably eclipsed by Will Smith, who strode on stage and slapped Chris Rock in the face over a comment Rock had made about Smith’s wife, Jada Pinkett Smith, in his speech.
    Jimmy Kimmel, the show’s first solo emcee in five years, is hosting for the third time. The late-night comedian has promised to make some jokes about The Slap; it would be “ridiculous” not to, he said.
    Bill Kramer, chief executive of the film academy, has said that it was important, given what happened last year, to have “a host in place who can really pivot and manage those moments.”
    “Nobody got hit when I hosted the show,” Kimmel boasted, tongue in cheek, on Good Morning America on Thursday. “Everybody was well-behaved at my Oscars.”
    Kimmel will preside over a ceremony that could see big wins for the best-picture favourite, Everything Everywhere All at Once. Daniel Kwan and Daniel Scheinert’s action-comedy indie hit comes in with a leading 11 nominations, including nods for Michelle Yeoh and Ke Huy Quan.
    Producers are giving some aspects of the Oscars a makeover. The carpet is champagne-coloured, not red. The broadcast has been planned to be more interactive than ever.
    There were surprises before the show even got started. Just days after producers had said Lady Gaga would not be performing her nominated song Hold My Hand from Top Gun: Maverick, a person close to the production with knowledge of the performance confirmed on Sunday afternoon that the pop superstar would perform, after all.
    And presenter Glenn Close told Associated Press that she would no longer present at the show because she had tested positive for Covid-19.
    But the academy, still trying to find its footing after several years of pandemic and ratings struggles, is also hoping for a smoother ride than last year. A crisis management team has been created to help better respond to surprises. The academy has called its response to Smith’s actions last year “inadequate.”

    Harry Shum Jnr, whose mother is from Hong Kong and whose father is from Guangzhou, arrives at the Oscars on Sunday at the Dolby Theatre in Los Angeles. Shum Jnr plays Chad in Everything Everywhere All at Once. Photo: Invision / AP
    Neither Rock, who recently made his most forceful statement about the incident in a live special, nor Smith, who’s been banned by the academy for 10 years, are expected to attend.
    The Academy Awards will instead attempt to recapture some of its old lustre. One thing working in its favour: This year’s best picture field is stacked with blockbusters. Ratings usually go up when the nominees are more popular, which certainly goes for Top Gun: Maverick, Avatar: The Way of Water and, to a lesser extent, Elvis and Everything Everywhere All at Once.
    But the late-breaking contender that may fare well in the technical categories – where bigger films often reign – is Netflix’s top nominee this year: the German WWI epic All Quiet on the Western Front. It is up for nine awards, tied for second most with the Irish dark comedy The Banshees of Inisherin. Netflix’s Guillermo del Toro’s Pinocchio also looks like a shoo-in for best animated film.
    The awards will also have some star wattage in the musical performances. Fresh off her Super Bowl performance, Rihanna will perform her Oscar-nominated song, Lift Me Up, from Black Panther: Wakanda Forever. This Is Life, from Everything Everywhere All at Once will be sung by David Byrne and supporting actress nominee Stephanie Hsu with the band Son Lux. Rahul Sipligunj and Kaala Bhairava will perform Naatu Naatu from the Indian action epic RRR. Lenny Kravitz will perform during the In Memoriam tribute.
    Last year, Apple TV’s CODA became the first streaming film to win best picture. But this year, nine of the 10 best picture nominees were theatrical releases. After the film business cratered during the pandemic, moviegoing recovered to about 67 per cent of pre-pandemic levels. But it was an up and down year, full of smash hits and anxiety-inducing lulls in cinemas.
    At the same time, the rush to streaming encountered new setbacks as studios questioned long-term profitability and re-examined their release strategies. This year, ticket sales have been strong thanks to releases such as Creed III and Cocaine Bear. But there remain storm clouds on the horizon.

    Chinese-American veteran actor James Hong, part of the Everything Anywhere All at Once cast, with April Hong at the Oscars in Los Angeles on Sunday. Photo: Invision / AP
    The Writers Guild and the major studios are set to begin contract negotiations March 20, a looming battle that has much of the industry girding for the possibility of a work stoppage throughout film and television.
    The Oscars, meanwhile, are trying to reestablish their position as the premier award show. Last year’s telecast drew 16.6 million viewers, a 58 per cent increase from the scaled-down 2021 edition, watched by a record low 10.5 million.
    Usually, the previous year’s acting winners present the awards for best actor and best actress. But that will not be the case this time. Who will replace Smith in presenting best actress is just one of the questions heading into the ceremony.
    Where-in-the-world-is-Fan-Bingbing
    The-Academy-Awards
    Everything-Everywhere-All-At-Once
    Gene Ching
    Publisher www.KungFuMagazine.com
    Author of Shaolin Trips
    Support our forum by getting your gear at MartialArtSmart

  3. #78
    Join Date
    Jan 1970
    Location
    Fremont, CA, U.S.A.
    Posts
    47,946

    cyber-bullying?

    More of the protest call

    Martial arts star Donnie Yen claims Oscars petition was 'cyber-bullying'
    Petition author says Yen is a public figure, and his comments could mislead the global public.
    By Jojo Man for RFA Cantonese
    2023.04.04


    Donnie Yen arrives at the Oscars on March 12, 2023, at the Dolby Theatre in Los Angeles.
    Credit: Associated Press
    Hong Kong martial arts superstar Donnie Yen has hit back at more than 100,000 people who signed a petition calling for his removal from last month's Oscars ceremony due to his public support for Beijing, claiming the move was part of "cancel culture."

    "I’m allowed to love my own culture, love my own country," Yen said in a recent interview with Variety. "Why cannot I be patriotic?"

    "This whole online cyber-bullying/cancel culture has got to stop," he said of the petition calling on the Academy Awards to remove him as an award presenter after he called the 2019 pro-democracy movement in Hong Kong "a riot."

    "You can’t own somebody’s thoughts. And you want to silence them? It’s totally hypocritical," Yen said.

    Yen presented an award at the March 12 ceremony despite public criticism and street protests from pro-democracy activists and Chinese dissidents, who displayed photos of Yen shaking hands with Chinese President Xi Jinping in a celebrity line-up.

    The protest, which was attended by former 1989 student leader Wang Dan, came as more than 110,000 people signed a petition on Change.org calling for Yen to be dropped from the ceremony.

    Yen had earlier told GQ Hype magazine in a recent interview after being asked about the boycott of his movies and his view of the 2019 protest movement: “It wasn’t a protest, OK, it was a riot.”

    “A lot of people might not be happy for what I’m saying, but I’m speaking from my own experience,” said Yen, using very similar language to official descriptions of the protests.

    ‘Form of silencing’

    Taiwan-based petition co-author Tong Wai Hong, who was acquitted of “rioting” charges linked to his role in the 2019 protest movement, said creating and signing a petition was just a way for people to express their opinions, and didn't amount to cyber-bullying.

    "He has the freedom to say what he likes, and we citizens are also free to use such methods to express our opposition to his remarks and his actions," Tong said.


    Activists and Chinese dissidents demonstrate outside the Dolby Theater in Los Angeles on March 12, 2023, with banners satirizing actor Donnie Yen’s support for the Chinese Communist Party. Credit: Provided by Wang Dan

    "As an artist, he is a public figure, so his comments could mislead a lot of people and distort the truth, and were therefore irresponsible," he said.

    Tong said the aim of the petition had never been to silence Yen.

    "Instead, I would like to ask people in Hong Kong, people in the movie industry ... why they can't even talk about not being able to make [certain] movies, and why some films the public want to see can't be screened," he said.

    "If the voices of the poorest and of all citizens aren't being heard, is that not also a form of silencing?" Tong said. "I think he should consider that instead."

    Tong said that while the petition hadn't been successful in getting Yen removed from the Oscars ceremony, it was a rare example of a Hong Kong rights issue making world headlines.

    "Usually, it's very rare for a Hong Kong human rights issue to make an international appearance," he said.

    ‘100% Chinese’

    Yen was born in the southern city of Guangzhou, settling in Hong Kong at the age of 2, and emigrating to the United States at 12.

    He renounced his American citizenship in 2010, saying publicly that he was "100% Chinese."

    He was admitted as a delegate to the Communist Party's Chinese People's Political Consultative Conference in January 2023, following in the footsteps of Jackie Chan.

    Many Hong Kongers started boycotting Yen's movies over his pro-Beijing stance during the 2019 protest movement against the erosion of Hong Kong's promised freedoms and judicial independence.


    An online petition at Change.org called for removing Hong Kong actor Donnie Yen from last month's Oscars ceremony due to his public support for Beijing. Credit: RFA screenshot
    They grew into pitched street battles between protesters armed with bricks, Molotov cocktails, catapults and other makeshift weapons against riot police who fired tear gas, rubber bullets and occasionally live rounds of ammunition at protesters and journalists.

    Rights groups and protesters alike criticized the unsafe and indiscriminate use of tear gas and other forms of police violence during the months-long protest movement, as well as rampant abuses of police power and abuse of detainees.

    Police violence against young and unarmed protesters early in the movement brought millions onto the city's streets and prompted the occupation of its international airport.

    In other incidents, unarmed train passengers were attacked by both armed riot police at Prince Edward station and by white-clad mobsters at Yuen Long, who laid into passengers and protesters with rods and poles while police took 39 minutes to answer hundreds of distress calls from the scene.

    Translated by Luisetta Mudie. Edited by Malcolm Foster.
    Donnie Yen: Uber Awesome !!
    The-Academy-Awards
    Gene Ching
    Publisher www.KungFuMagazine.com
    Author of Shaolin Trips
    Support our forum by getting your gear at MartialArtSmart

  4. #79
    Join Date
    Jan 1970
    Location
    Fremont, CA, U.S.A.
    Posts
    47,946

    And the nominees are...

    THE 96TH ACADEMY AWARDS | 2024
    Dolby Theatre at Ovation Hollywood
    Sunday, March 10, 2024
    Honoring movies released in 2023


    ACTOR IN A LEADING ROLE
    NOMINEES
    BRADLEY COOPER
    Maestro
    COLMAN DOMINGO
    Rustin
    PAUL GIAMATTI
    The Holdovers
    CILLIAN MURPHY
    Oppenheimer
    JEFFREY WRIGHT
    American Fiction

    ACTOR IN A SUPPORTING ROLE
    NOMINEES
    STERLING K. BROWN
    American Fiction
    ROBERT DE NIRO
    Killers of the Flower Moon
    ROBERT DOWNEY JR.
    Oppenheimer
    RYAN GOSLING
    Barbie
    MARK RUFFALO
    Poor Things

    ACTRESS IN A LEADING ROLE
    NOMINEES
    ANNETTE BENING
    Nyad
    LILY GLADSTONE
    Killers of the Flower Moon
    SANDRA HÜLLER
    Anatomy of a Fall
    CAREY MULLIGAN
    Maestro
    EMMA STONE
    Poor Things

    ACTRESS IN A SUPPORTING ROLE
    NOMINEES
    EMILY BLUNT
    Oppenheimer
    DANIELLE BROOKS
    The Color Purple
    AMERICA FERRERA
    Barbie
    JODIE FOSTER
    Nyad
    DA'VINE JOY RANDOLPH
    The Holdovers

    ANIMATED FEATURE FILM
    NOMINEES
    THE BOY AND THE HERON
    Hayao Miyazaki and Toshio Suzuki
    ELEMENTAL
    Peter Sohn and Denise Ream
    NIMONA
    Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary
    ROBOT DREAMS
    Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz
    SPIDER-MAN: ACROSS THE SPIDER-VERSE
    Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal

    CINEMATOGRAPHY
    NOMINEES
    EL CONDE
    Edward Lachman
    KILLERS OF THE FLOWER MOON
    Rodrigo Prieto
    MAESTRO
    Matthew Libatique
    OPPENHEIMER
    Hoyte van Hoytema
    POOR THINGS
    Robbie Ryan

    COSTUME DESIGN
    NOMINEES
    BARBIE
    Jacqueline Durran
    KILLERS OF THE FLOWER MOON
    Jacqueline West
    NAPOLEON
    Janty Yates and Dave Crossman
    OPPENHEIMER
    Ellen Mirojnick
    POOR THINGS
    Holly Waddington

    DIRECTING
    NOMINEES
    ANATOMY OF A FALL
    Justine Triet
    KILLERS OF THE FLOWER MOON
    Martin Scorsese
    OPPENHEIMER
    Christopher Nolan
    POOR THINGS
    Yorgos Lanthimos
    THE ZONE OF INTEREST
    Jonathan Glazer

    DOCUMENTARY FEATURE FILM
    NOMINEES
    BOBI WINE: THE PEOPLE'S PRESIDENT
    Moses Bwayo, Christopher Sharp and John Battsek
    THE ETERNAL MEMORY
    FOUR DAUGHTERS
    Kaouther Ben Hania and Nadim Cheikhrouha
    TO KILL A TIGER
    Nisha Pahuja, Cornelia Principe and David Oppenheim
    20 DAYS IN MARIUPOL
    Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath

    DOCUMENTARY SHORT FILM
    NOMINEES
    THE ABCS OF BOOK BANNING
    Sheila Nevins and Trish Adlesic
    THE BARBER OF LITTLE ROCK
    John Hoffman and Christine Turner
    ISLAND IN BETWEEN
    S. Leo Chiang and Jean Tsien
    THE LAST REPAIR SHOP
    Ben Proudfoot and Kris Bowers
    NǍI NAI & WÀI PÓ
    Sean Wang and Sam Davis

    FILM EDITING
    NOMINEES
    ANATOMY OF A FALL
    Laurent Sénéchal
    THE HOLDOVERS
    Kevin Tent
    KILLERS OF THE FLOWER MOON
    Thelma Schoonmaker
    OPPENHEIMER
    Jennifer Lame
    POOR THINGS
    Yorgos Mavropsaridis

    INTERNATIONAL FEATURE FILM
    NOMINEES
    IO CAPITANO
    Italy
    PERFECT DAYS
    Japan
    SOCIETY OF THE SNOW
    Spain
    THE TEACHERS' LOUNGE
    Germany
    THE ZONE OF INTEREST
    United Kingdom

    MAKEUP AND HAIRSTYLING
    NOMINEES
    GOLDA
    Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue
    MAESTRO
    Kazu Hiro, Kay Georgiou and Lori McCoy-Bell
    OPPENHEIMER
    Luisa Abel
    POOR THINGS
    Nadia Stacey, Mark Coulier and Josh Weston
    SOCIETY OF THE SNOW
    Ana López-Puigcerver, David Martí and Montse Ribé

    MUSIC (ORIGINAL SCORE)
    NOMINEES
    AMERICAN FICTION
    Laura Karpman
    INDIANA JONES AND THE DIAL OF DESTINY
    John Williams
    KILLERS OF THE FLOWER MOON
    Robbie Robertson
    OPPENHEIMER
    Ludwig Göransson
    POOR THINGS
    Jerskin Fendrix
    MUSIC (ORIGINAL SONG)

    NOMINEES
    THE FIRE INSIDE
    from Flamin' Hot; Music and Lyric by Diane Warren
    I'M JUST KEN
    from Barbie; Music and Lyric by Mark Ronson and Andrew Wyatt
    IT NEVER WENT AWAY
    from American Symphony; Music and Lyric by Jon Batiste and Dan Wilson
    WAHZHAZHE (A SONG FOR MY PEOPLE)
    from Killers of the Flower Moon; Music and Lyric by Scott George
    WHAT WAS I MADE FOR?
    from Barbie; Music and Lyric by Billie Eilish and Finneas O'Connell

    BEST PICTURE
    NOMINEES
    AMERICAN FICTION
    Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, Producers
    ANATOMY OF A FALL
    Marie-Ange Luciani and David Thion, Producers
    BARBIE
    David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, Producers
    THE HOLDOVERS
    Mark Johnson, Producer
    KILLERS OF THE FLOWER MOON
    Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, Producers
    MAESTRO
    Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, Producers
    OPPENHEIMER
    Emma Thomas, Charles Roven and Christopher Nolan, Producers
    PAST LIVES
    David Hinojosa, Christine Vachon and Pamela Koffler, Producers
    POOR THINGS
    Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, Producers
    THE ZONE OF INTEREST
    James Wilson, Producer

    PRODUCTION DESIGN
    NOMINEES
    BARBIE
    Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
    KILLERS OF THE FLOWER MOON
    Production Design: Jack Fisk; Set Decoration: Adam Willis
    NAPOLEON
    Production Design: Arthur Max; Set Decoration: Elli Griff
    OPPENHEIMER
    Production Design: Ruth De Jong; Set Decoration: Claire Kaufman
    POOR THINGS
    Production Design: James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek

    ANIMATED SHORT FILM
    NOMINEES
    LETTER TO A PIG
    Tal Kantor and Amit R. Gicelter
    NINETY-FIVE SENSES
    Jerusha Hess and Jared Hess
    OUR UNIFORM
    Yegane Moghaddam
    PACHYDERME
    Stéphanie Clément and Marc Rius
    WAR IS OVER! INSPIRED BY THE MUSIC OF JOHN & YOKO
    Dave Mullins and Brad Booker

    LIVE ACTION SHORT FILM
    NOMINEES
    THE AFTER
    Misan Harriman and Nicky Bentham
    INVINCIBLE
    Vincent René-Lortie and Samuel Caron
    KNIGHT OF FORTUNE
    Lasse Lyskjær Noer and Christian Norlyk
    RED, WHITE AND BLUE
    Nazrin Choudhury and Sara McFarlane
    THE WONDERFUL STORY OF HENRY SUGAR
    Wes Anderson and Steven Rales

    SOUND
    NOMINEES
    THE CREATOR
    Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic
    MAESTRO
    Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic
    MISSION: IMPOSSIBLE - DEAD RECKONING PART ONE
    Chris Munro, James H. Mather, Chris Burdon and Mark Taylor
    OPPENHEIMER
    Willie Burton, Richard King, Gary A. Rizzo and Kevin O'Connell
    THE ZONE OF INTEREST
    Tarn Willers and Johnnie Burn

    VISUAL EFFECTS
    NOMINEES
    THE CREATOR
    Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould
    GODZILLA MINUS ONE
    Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima
    GUARDIANS OF THE GALAXY VOL. 3
    Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek
    MISSION: IMPOSSIBLE - DEAD RECKONING PART ONE
    Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould
    NAPOLEON
    Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould

    WRITING (ADAPTED SCREENPLAY)
    NOMINEES
    AMERICAN FICTION
    Written for the screen by Cord Jefferson
    BARBIE
    Written by Greta Gerwig & Noah Baumbach
    OPPENHEIMER
    Written for the screen by Christopher Nolan
    POOR THINGS
    Screenplay by Tony McNamara
    THE ZONE OF INTEREST
    Written by Jonathan Glazer

    WRITING (ORIGINAL SCREENPLAY)
    NOMINEES
    ANATOMY OF A FALL
    Screenplay - Justine Triet and Arthur Harari
    THE HOLDOVERS
    Written by David Hemingson
    MAESTRO
    Written by Bradley Cooper & Josh Singer
    MAY DECEMBER
    Screenplay by Samy Burch; Story by Samy Burch & Alex Mechanik
    PAST LIVES
    Written by Celine Song
    Did we discuss any of these beyond Godzilla Minus One?
    Gene Ching
    Publisher www.KungFuMagazine.com
    Author of Shaolin Trips
    Support our forum by getting your gear at MartialArtSmart

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •