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Thread: Differences in the forms between lineages

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  1. #1
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    Differences in the forms between lineages

    This question is for Sifu Phil Redmond:

    I was on your website http://wingchunkwoon.com/ and noticed that the videos you have of the forms look quite different from the the way I've been taught them. In particular, there's less shifting(none, maybe?), and much more footwork/stepping movements. Is this characteristic of the William Cheung method of ving tsun? Do you guys do this to emphasize mobility?

  2. #2
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    Anyone else want to field this?

  3. #3
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    Don't know if I would be of any help

    Hello,

    I do not know if I would be of any help as your question seems to focus on the TWC method. I am affiliated with Sifu Chung Kwok Chow of NYC and his forms have progressed over the years. In addition I also trained in WT several years ago, I left that org around 1991 and I was also trained back in 82 by a student of Augustine Fong in Seattle. Each system provided some differences but the essence followed similar ideas. With the exception of Sifu Chow reversing the Wu and Fook Sau in the first form.

    PM me if you wish to discuss this in more detail or open this thread up to other lineages.

    Peace,

    Dave

    BTW: Are you of the TWC line?? If not what lineage do you draw your art from?

  4. #4
    Dave- I think it's an offshoot of Moy yat's teaching.
    An inference from the profile and location.

    His question is not specific enogh for me. A general answer--- mobility is very important without being sloppy.

  5. #5
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    I've been training in TWC since 1989.

    If by "shifting" you mean pivoting or sliding the feet as opposed to taking steps, then you are correct - TWC just about always steps, lifting the feet when moving. One rationale is that this requires you to be less dependent on the quality of the surface you are on and your footwear. There are arguments for and against this rationale.

    Other lineages have different philosophies and methods - and every one has advantages and tradeoffs. That the style has a coherent and logical set of methods that work as a whole is less important than the actual details. Also different styles suit different people.
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  6. #6
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    differences in forms

    hi kung fu fighter, i startd training in a modified wsl way back in 1976, i was first taught sil lin toa tan sau relaxed , and flat coming from the centerline ete,
    than after i left that sifu trained at williams for a little bit , williams school"S use the raised tan becuase william belive"S that chines are in genral shorter people so your block should be at the pont of contact, sifu phil and victor willl correct me if i am wrong. than my sifu randy teaches yet another way and as he say's it not what it is wrong or right it what work for you , yip taught in different stage"s and as a young man he used power as a older person he used footwork remember it is
    not the postion of the block that 's impotant it is when the blow come's in and you bloack that punch that's the important , thing don't get cuaght up in being to complex in fighting keep it simple russellsherry
    russellsherry

  7. #7
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    Quote Originally Posted by Grond
    This question is for Sifu Phil Redmond:

    I was on your website http://wingchunkwoon.com/ and noticed that the videos you have of the forms look quite different from the the way I've been taught them. In particular, there's less shifting(none, maybe?), and much more footwork/stepping movements. Is this characteristic of the William Cheung method of ving tsun? Do you guys do this to emphasize mobility?
    The forms are different from most 'mainstream' Yip Man WC. I know because I studied other Yip Man lineages for 13 years and even taught a different WC before I met Sifu Cheung in 1983. We don't shift because the surface you're on might not allow it. You may have to fight on an uneven surface like in a field, a rocky surface, or even on a plush carpet. And yes, we emphasize mobility as does most WC. The things that most comment on is our tan sau which covers the upper gate, the fuhk sau which has the path going away from the center, and the bong sau with the wrist straight. If you have any more queries please feel free to ask.
    PR
    Last edited by Phil Redmond; 03-07-2005 at 10:20 PM.
    Sifu Phillip Redmond
    Traditional Wing Chun Academy NYC/L.A.
    菲利普雷德蒙師傅
    傳統詠春拳學院紐約市

    WCKwoon
    wck
    sifupr

  8. #8
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    Thanks Sifu Phil. Thanks to all of ya'll as well...

    Sihing73, as Vajramusti surmised I'm from si-tai-gung Moy Yat's lineage. Is that a specific enough statement?

  9. #9
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    We don't only shift!

    More than only Chor Ma and Tor Ma there are other ways to move in "non TWC Wing Chun"!...
    *my line's footwork also includes:
    - Sheung ma (biu Ma)...a step!
    -Toi ma
    -Forward and backward bracing (combinations front and back steps with shifting)
    -inside and outside facing steps (combnations side steps with shifting)
    -Juen Ma (180 degree turn)
    -Crab stepping

    All of this =mobility

  10. #10
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    Post

    Quote Originally Posted by old jong
    More than only Chor Ma and Tor Ma there are other ways to move in "non TWC Wing Chun"!...
    *my line's footwork also includes:
    - Sheung ma (biu Ma)...a step!
    -Toi ma
    -Forward and backward bracing (combinations front and back steps with shifting)
    -inside and outside facing steps (combnations side steps with shifting)
    -Juen Ma (180 degree turn)
    -Crab stepping

    All of this =mobility
    Great post.

    Again, it is not important what we choose to do, but I feel it IS important to understand why something is done a certain way. This is not to turn into a Vs. post, just an informed one:

    Why do I drag the foot? To develop power. To develop that spring I need to launch myself in different directions while in combat. Why do I shift? It's like a tree blowing in the wind - the roots stay and the top moves while the branches are free to do what they want. Plus getting a little bit of power and reach also helps.

    I think this takes time to develop and it's no easy task when your back leg is burning all to h3ll. But noone said it'd be easy. !

    And as Old Jong said, there's many more ways to move.

    Happy training,
    Kenton Sefcik
    “An ounce of action is worth a ton of theory.” – Friedrich Engels

  11. #11
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    Quote Originally Posted by couch
    Great post.

    Again, it is not important what we choose to do, but I feel it IS important to understand why something is done a certain way. This is not to turn into a Vs. post, just an informed one:

    Why do I drag the foot? To develop power. To develop that spring I need to launch myself in different directions while in combat. Why do I shift? It's like a tree blowing in the wind - the roots stay and the top moves while the branches are free to do what they want. Plus getting a little bit of power and reach also helps.

    I think this takes time to develop and it's no easy task when your back leg is burning all to h3ll. But noone said it'd be easy. !

    And as Old Jong said, there's many more ways to move.

    Happy training,
    Kenton Sefcik
    Try dragging your foot and doing a Jo Ma (running horse), while an opponent is quickly back peddling away from you. Then doing the same thing while try lifting your foot. You'll see which one gets you to the opponent faster. Then try draging your foot on a plush carpet or an uneven surface like on rocks on ground with holes in it. Also, try shifting while someone pushes you laterally just at the moment of your shift. then do the same thing while stepping to the side and absorbing the force.
    I'm against shifting or dragging because of my experience with doing it for 13 years. To me dragging the foot is like driving a car with the emergency brake on. I see no other contact fighters doing this. But of course people will say but their not WC. Then I'll say but they're fighting and winning. If I'm wrong then you should be able to drag your foot against a really fast and mobile boxer. It's funny because EVERY WC person that I've met in person can't catch up to me when dragging their foot. I'll put money on it
    PR
    Last edited by Phil Redmond; 03-08-2005 at 09:08 AM.
    Sifu Phillip Redmond
    Traditional Wing Chun Academy NYC/L.A.
    菲利普雷德蒙師傅
    傳統詠春拳學院紐約市

    WCKwoon
    wck
    sifupr

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