my first teacher's (hung gar) lesson is what I've kept over the years. It seems to concur with what -N- is saying on the other thread.
you will have sharp exhalations of breath at times as you execute technique.
sometimes you may make a sound naturally but should never focus on making a sound because then you are focusing on the sound and not what you're doing.
I have heard of some internal stylists who are supposed to make specifically pitched sounds with some movements. i've heard this is to open up meridians??????
one experience i did have was being in the presence of some of those big crystal bowls that someone takes a wooden dowel and runs it around the lip and the bowls start singing. different sized bowls were of course different pitches and were supposed to open up different chakras. I will say that the sounds were definitely piercing and I did feel different things with each one.
"George never did wake up. And, even all that talking didn't make death any easier...at least not for us. Maybe, in the end, all you can really hope for is that your last thought is a nice one...even if it's just about the taste of a nice cold beer."
"If you find the right balance between desperation and fear you can make people believe anything"
"Is enlightenment even possible? Or, did I drive by it like a missed exit?"
It's simpler than you think.
I could be completely wrong"