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Thread: Bruce Lee Memorials

  1. #166
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    Again from the Wing Luke Museum

    THE BRUCE LEE EXHIBIT
    SAVE THE DATE for the All New Bruce Lee Exhibit
    Day in the Life of Bruce Lee: Do You Know Bruce? Part 3 opens October 1, 2016.

    Day in the Life of Bruce Lee: Do You Know Bruce? Part 3 was created in partnership with the Bruce Lee Foundation and with the generous support of many sponsors, donors and partners.
    THE BRUCE LEE EXHIBIT
    Preview Bash Tickets

    Members, reserve your tickets to the Preview Bash on Friday, September 30, 2016, 3-8pm! Grab your time-slot to see the Day in the Life of Bruce Lee: Do You Know Bruce? Part 3 exhibit before it opens to the public and party the night away with fun events including:
    Collector's Corner, highlighting special Seattle connections
    Special remarks from Shannon Lee
    Jams supplied by Integrals DJ
    Bruce Tea tasting and giveaways
    Photo booth fun, hor d'oeuvres, create your own Definite Chief Aim with Desert Jewels, and more!
    Become a member to get unlimited FREE admission, a limited edition Bruce Lee membership card, discounts to tours and more.

    Bruce Lee's Chinatown Tour

    Plan for a tour beginning Saturday, October 1!
    Get to know Bruce better. Retrace his footsteps through the Chinatown-International District, his old stomping ground. His first practice space, his first martial arts studio, and his hangouts - see how he became a part of the local community.

    Tour includes guided access of the Bruce Lee exhibit, a meal of Bruce Lee's favorite dishes at a neighborhood restaurant*, and entry into all galleries at The Wing. Advanced reservations online of at least 24 hours are required.

    *Limited food substitutions may be made for severe food allergies and dietary restrictions if booked at least one week in advance.

    Book Now


    Duration: 3 hours
    Tour times: Tuesday - Saturday: 10:15am
    Recommended for: All ages
    Prices: Adults: $41.95
    Seniors: $35.95
    Students (13-18 or with student ID): $25.95
    Children (5-12): $25.95
    Under 5: Free
    I should split Museum items to their own thread soon. Jackie has a dedicated thread to his museum, but that's all him. These special shows to Bruce are different.
    Gene Ching
    Publisher www.KungFuMagazine.com
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  2. #167

    Tracing Bruce Lee's lineage

    For several decades after Bruce Lee’s death, there were claims about Bruce Lee’s mixed lineage. Some said that he was a quarter German, others claimed his grandmother was a Russian and few others argued that he was a quarter English, etc. The earliest claim that stated Bruce was a quarter German, came from a Bruce Lee biography – “The Man Only I Knew” written by Linda Lee in 1975, followed by Bruce Thomas' – “Bruce Lee: Fighting Spirit” and the list went on.

    After some extensive research, the answer to Bruce Lee’s lineage has become more vivid. Bruce Lee’s father – Lee Hoi-Chuen was 100% Chinese but Bruce's mother was an Eurasian (Chinese father, Caucasian mother). So, let’s take a look at Grace Lee’s lineage before deriving a conclusion to Bruce’s lineage.

    Grace Lee’s Biological Parents
    ========================
    According to the book “Ho Kom-Tong - A Man For All Seasons” published in 2003, Grace Ho Oi-Yu (1907-1996) was an adopted daughter of Ho Kom-Tong (1866-1950) and his last mistress - Cheung King-Sin (1866-1960) who was a Russian-Eurasian woman (i.e. her father was Chinese with surname Cheung and mother, a Russian). Grace’s adopted background was also mentioned in "Tracing My Children's Lineage" written by Eric Peter Ho in 2010.

    Cheung King-Sin in fact, was the paternal cousin of Clara Ho Tung (her original name was Clara Cheung Lin-Kok (1875–1938) and Clara Ho Tung was the maternal cousin of Margaret Mak, first wife of Sir Robert Ho Tung who in turn took Clara as his concubine). Cheung Kin-Sin lived in Shanghai most of her life, probably at the Shanghai International Settlement (aka English & American Concession). However, Cheung was never officially accepted by Ho Kom-Tong as his concubine, but Ho Kom-Tong gave her an allowance, which she collected each month from his nephew Shai-Kim (Edward Ho Tung), Sir Robert Ho Tung's son.

    Ho Kom-Tong and Cheung King-Sin had total 4 children together including Grace who was the youngest, but two of them died young. Cheung and her daughters Grace and Josephine moved to HK in the 1920's and lived at a place called "The Falls". In 'Tracing My Children's Lineage,' it mentioned that Grace lived at the Ho Tung Garden in the Peak under the care of Clara Ho Tung, i.e.her aunt. Since Grace’s mother was Ho Kom Tong’s mistress and was never been officially recognized, thus, she and her family could only stay at a different location from Ho Kam Tong’s 13 concubines who lived at Sai UK, the official residence of Ho’s on Conduit Road. In all, Grace had 28 siblings and several half-siblings which sum up to over 30 siblings.

    Ho Kom Tong adored Grace and provided her with all the necessary material needs but he was utterly disappointed when Grace decided to marry an opera actor, Lee Hoi-Chuen (1902-1965) against his wish. They did not stay in close contact after Grace married to Lee Hoi-Chuen. Ho Kom-Tong died in 1950, not able to witness his maternal, non-biological grandson, Lee Siu-Lung’s (Bruce Lee) future superstardom.

    Since Grace Ho/Lee was just adopted by Ho Kom Tong and Cheung King-Sin, thus, both Ho and Cheung were not Bruce Lee’s biological grandparents. On 29 March 1941, while registering for the birth certificate of her baby son, Bruce, Grace told the U.S. officer that her own father was a Chinese and her mother, a full English. She then said her ownl mother died 7 years ago at Shanghai. i.e. 1934.

    This implies that Grace was referring to her biological mother who was an English woman and not her foster mother, Cheung King-Sin who died in 1960. Lee Chow-Kun (1926 - ), Bruce’s eldest paternal cousin said auntie Grace did mention the same thing to her when she was staying with Lee Hoi Chuen’s family. However, there were no further details of her biological parents.

    Conclusion
    =========
    So, the truth is, Bruce was 3/4 Chinese and 1/4 English and possessed no German, Dutch or Russian blood as previously claimed in several of Bruce’s biographies including Linda Lee’s “Bruce Lee - The Man Only I Knew.”

  3. #168
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    Haunted by the Dragon

    Enter the dragon: Urban explorer opens window into Bruce Lee's former Hong Kong mansion - after it was turned into a seedy love hotel

    Urban explorer, Steve, entered the abandoned final home turned love-hotel of film icon Bruce Lee
    Snapshots show the derelict home in the in Kowloon Tong neighborhood has been left to crumble into ruin
    Billionaire philanthropist tycoon Yu Panglin bought the property in 1974, allowed it to be used as love-hotel
    Hong Kong government quietly knocked back plans to turn it into a major tourist attraction in 2011

    By NELSON GROOM FOR DAILY MAIL AUSTRALIA
    PUBLISHED: 05:55 EST, 27 October 2016 | UPDATED: 11:46 EST, 27 October 2016

    Left to crumble into ruin while the garden grows into a forest, these stunning images pry open a window into Bruce Lee’s abandoned mansion in Hong Kong.
    An urban explorer has stepped foot in the final home turned love-hotel of the martial-arts icon, which is tucked away in the upscale leafy Kowloon Tong neighborhood.
    Snapshots show the derelict two-storey home is a shadow of its former glory, in the wake of the Hong Kong government quietly knocking back plans to turn it into a major tourist attraction honoring the film icon in 2011.


    An urban explorer entered the abandoned final home turned love-hotel of martial-arts icon Bruce Lee in Hong Kong


    Snapshots show the derelict home is a far cry from its former glory Left to crumble into ruin while the garden grows into a forest


    The abandoned home is tucked away in the in Kowloon Tong neighborhood on the Kowloon peninsula

    US urban explorer Steve said he was compelled to investigate after discovering his idol's property had plunged into disrepair.
    ‘For this to be abandoned shocks me. When I came to Hong Kong I did not expect that at all,' Steve says in a video.
    'I don’t think I would be where I’m at travelling the world if not for his philosophies, and for him being a role model.'
    Billionaire philanthropist tycoon Yu Panglin snapped up the property in 1974 before allowing it to be used as a love-hotel - a place where couples rent rooms for sex.
    ‘I am exploring this place because I respect Brice Lee a lot, I love Bruce Lee. I just want to make people aware, because not too many people know about this.’
    Yu then put the two-storey, 5,699-square-foot town house up for sale but later changed his mind.


    US urban explorer Steve said he was compelled to investigate after discovering his idol's former home had plunged into disrepair


    The Hong Kong government knocking back plans to turn it into a major tourist attraction honoring the martial-arts icon in 2011

    Billionaire philanthropist tycoon Yu Panglin bought the property in 1974 and allowed it to be used as a love-hotel: a place where rooms are rented out by the hour for couples to use privately


    Yu put the two-storey, 5,699-square-foot town house in an upscale leafy Kowloon suburb up for sale but later changed his mind


    Bruce Lee is revered both by martial arts adherents and movie buffs the world over for popularizing the Kung Fu cinematic genre

    Despite a campaigs by fans, the Hong Kong government did little to preserve Lee’s legacy in his adopted city beyond erecting a statue along the city's famous waterfront.
    American-born but raised in Hong Kong, Lee died of brain swelling aged just 32 at the peak of his fame. His most popular film, the global smash-hit Enter the Dragon, was released just six days after his death in 1973.
    He is hailed a hero in both the martial arts and movie worlds and credited with shedding light on the the Kung Fu cinematic genre.
    Quite the fixer-upper. I wish they'd do something with it.
    Gene Ching
    Publisher www.KungFuMagazine.com
    Author of Shaolin Trips
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  4. #169
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    Eternal Bruce Lee - January 27–February 4, 2017 - The Museum of Modern Art



    Eternal Bruce Lee
    January 27–February 4, 2017
    The Museum of Modern Art

    Bruce Lee (1940–1973) passed away at the peak of his career, yet decades later he remains a larger-than-life icon of global cinema. The star exhibits an impulsive, instinctual fighting style rarely seen in kung fu films, a genre that typically reveres moralistic masters who embody both bodily and mental discipline. While Lee plays characters motivated by justice and pride (both cultural and national), he often fights with absolute abandon, allowing a primordial spirit to take center stage. In his final film, Enter the Dragon, Lee’s character describes an “emotional content” essential to a martial artist. It is this emotional content that makes him uniquely sensational. The swiftness of his movement, the power of each strike, his breathtaking mastery of the nunchaku (a weapon made of two sticks connected by a chain), his signature high-pitched feline shriek, and his ability to bring men of far more imposing physiques—many of them foreigners—to their knees made him an unusually thrilling performer. His charisma and preternatural physical gifts have garnered many millions of fans around the world, redefining Asian masculinity and empowering those who feel oppressed and marginalized.

    Born in San Francisco and raised in Hong Kong, Lee was introduced to showbiz by his father, a Chinese opera and film actor. He appeared in more than 20 films as a child and began martial arts training at the age of 13. Lee returned to the US when he was 18, and studied philosophy and drama at the University of Washington in Seattle, where he began to teach martial arts. Before long he had earned acting roles in film and television, most memorably as Kato on the TV series The Green Hornet. When the series was discontinued, Lee returned to Hong Kong and was approached by legendary producer Raymond Chow to star in The Big Boss (1971) for Golden Harvest. The low-budget film catapulted him to instant stardom, and Hollywood took notice; Enter the Dragon (1973) became the first-ever Hong Kong-Hollywood coproduction. Yet in a tragedy that shocked the entire world, Lee passed away suddenly, a month before the film’s scheduled release, due to a fatal reaction to a pain medication.

    This series features all five films Lee starred in at his prime. It includes the North American premieres of new 4k restorations of The Big Boss (1971), Fist of Fury (1972), The Way of the Dragon (1972), and Game of Death (1978). Enter the Dragon (1973) is also featured, in a weeklong run.

    Organized by La Frances Hui, Associate Curator, Department of Film. Special thanks to Warner Bros. and Fortune Star.

    The exhibition is supported by the Annual Film Fund.

    Upcoming events


    *Fist of Fury.* 1972. Hong Kong. Directed by Lo Wei. © 2010 Fortune Star Media Limited
    Fist of Fury (aka The Chinese Connection). 1972. Directed by Lo Wei
    Friday, January 27, 7:00 p.m.
    North American premiere of 4K restoration
    Sunday, January 29, 6:00 p.m.
    North American premiere of 4K restoration
    The Museum of Modern Art


    *Game of Death.* 1979. Hong Kong. Directed by Bruce Lee, Robert Clouse, Sammo Hung. © 2010 Fortune Star Media Limited
    Game of Death. 1978. Directed by Robert Clouse, Bruce Lee, Sammo Hung
    Saturday, January 28, 2:30 p.m.
    North American premiere of 4K restoration
    Thursday, February 2, 7:00 p.m.
    North American premiere of 4K restoration
    The Museum of Modern Art


    *The Big Boss.* 1971. Hong Kong. Directed by Lo Wei and Wu Chia Hsiang. © 2010 Fortune Star Media Limited
    The Big Boss (aka Fists of Fury). 1971. Directed by Lo Wei
    Saturday, January 28, 4:30 p.m.
    North American premiere of 4K restoration
    Friday, February 3, 7:00 p.m.
    North American premiere of 4K restoration
    The Museum of Modern Art


    *The Way of the Dragon.* 1972. Hong Kong. Directed by Bruce Lee. © 2010 Fortune Star Media Limited
    The Way of the Dragon. 1972. Directed by Bruce Lee
    Saturday, January 28, 7:00 p.m.
    North American premiere of 4K restoration
    Saturday, February 4, 7:00 p.m.
    North American premiere of 4K restoration
    The Museum of Modern Art


    *Enter the Dragon.* 1973. Hong Kong/USA. Directed by Robert Clouse. Courtesy of Warner Bros.
    Enter the Dragon. 1973. Directed by Robert Clouse
    Sunday, January 29, 3:30 p.m.
    Monday, January 30, 7:00 p.m.
    Tuesday, January 31, 7:00 p.m.
    4 more upcoming occurrences
    The Museum of Modern Art
    Film
    The perfect way to celebrate Chinese New Year!
    Gene Ching
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  5. #170
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    Apex exhibition

    Bruce Lee exhibition brings back “cracking memories” at the Apex
    12:10 29 January 2017Chris Shimwell chris.shimwell@archant.co.uk


    Craig Bacon and sons Cameron, 8, and Mackenzie, 10 look at the photographs of Bruce Lee.

    Shoppers stepped away from the bustling high street in Bury St Edmunds this weekend to get a glimpse into the history of a martial arts legend.

    Paul Collins by one of the iconic prints
    Paul Collins by one of the iconic prints

    The Apex’s exhibition of Bruce Lee prints and objects is a fascinating insight into the man perhaps most noted for his performance in the film Enter the Dragon.

    The exhibition includes his world-famous Vale Todo Gloves, featured in the opening fight sequence of the film, which are on display in the UK for the first time.

    Deputy mayor at St Edmundsbury Borough Council Terry Clements attended the launch of the exhibition last week.

    He praised martial arts for encouraging young people to get active.


    Lucas Harvey examines the Vale Todo Gloves worn by Lee in Enter the Dragon

    “I thought it was very good, and it brought back cracking memories,” he said of the Apex’s exhibition.

    “There’s photograph galleries, and different things. It sparks your memory and reminds you of what can be done and how to keep yourself fit.”

    Attending the launch, the 65-year-old said he was able to pull off a high kick of his own to astonish his fellow borough councillor Patrick Chung, who was also there.

    He said the age range of martial arts was huge, meaning all ages of people could take part.


    Steve and Tricia Forbes look at the exhibition

    “I think it’s brilliant it’s in Bury,” he said.

    The exhibition is now open daily until March 5 and is free to view. It is upstairs in the first-floor gallery of the Apex.

    To celebrate the exhibition, the Apex will be screening Enter The Dragon, on Monday, February 13.

    It is a 1973 Hong Kong-American martial arts film starring Bruce Lee alongside John Saxon and Jim Kelly and was the star’s final film appearance before his death on July 20, 1973. It is often considered one of the greatest martial arts films of all time.

    Mr Clements said he would be extremely surprised if tickets for the event did not sell out beforehand.

    This event also features an exclusive and extended display of iconic memorabilia relating to the film, which can only be viewed by attendees of the screening.

    The film has an 18 certificate and the pre-film exhibition starts at 6pm.

    Tickets cost £12.50 and the film starts at 7.30pm.

    The exhibition has been put on by Kudos Memorabilia.
    'Vale Todo gloves'...
    Gene Ching
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  6. #171
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    Bruce Lee Paradise revisited

    Remembering The World’s Greatest Martial Artist At Bruce Lee Paradise
    by Jamie Collins


    The following article “Remembering the World’s Greatest Martial Artist at Bruce Lee Paradise” is courtesy of guest contributor Jamie Collins. If you are interested in contributing to thislifeintrips.com send me an email!

    There have been only a handful of individuals who were able to influence both the Eastern and Western hemisphere in such a way that it changes the history of the world for good. One of those chosen few is Bruce Lee.

    Bruce Lee, aka The Dragon, is considered by many experts as the greatest martial artist of all time and recognized as the ‘grandfather of mixed martial arts’. And there’s no better place to experience the life and works of The Dragon than at Bruce Lee Paradise. Situated in Guangdong, China just next to Hong Kong, this theme park is a fitting tribute to one of the world’s most influential figureheads.

    Named by South China Morning Post as one of the country’s most unique theme parks, the site houses the biggest statue of the martial arts icon which stands at roughly 19 meters. Cao Chong’en, regarded as among the nation’s top sculptors, was the maestro behind the bronze masterpiece. The characters at the bottom spell out the title King of Kungfu.

    Elsewhere in the park, tourists may visit the Bruce Lee Commemorative Museum to get a larger dose of all things Bruce Lee. The aforementioned sculptor has an area dedicated to his other works as well at Cao Chong’en Sculpture Gallery.

    Additionally, a martial arts academy has been established to accommodate people who practice various art forms. Numerous fighting styles are taught here, but the main is Jeet Kune Do, the style created and popularized by Lee.

    Seeing as kung fu bases many of its fundamentals on nature, Bruce Lee Paradise also doubles up as an eco resort, housing lakes, mountains and fields of lush vegetation. Top China Travel specified that there are around 60 species of birds which inhabit the area, with the most popular being egrets.


    source: Survive Travel

    The Dragon had a huge appreciation for nature, and took inspiration from it that helped form his philosophies and outlook on life. In fact, Lee stated in one of his most famous quotes, “You must be shapeless, formless, like water. Become like water my friend.”


    (source: Accidental Travel Writer)

    But although Lee became famous through his martial arts, he did so much more than just popularize kung fu. For instance, a book shared by Academia, entitled Beyond Bruce Lee, talked about how the cultural icon’s prominence affected societal and political issues, and likened him to figures such as Che Guevara and Jimi Hendrix. He redefined the image of Asians in the public consciousness, and whilst living in times when racism was rampant, Lee advocated for equality regardless of ethnicity, thus becoming instrumental in letting the voices of minority groups be heard.

    Today, Lee is celebrated in several works including books like the aforementioned. Furthermore, action movies were never the same again after his films became popular. Virtually every film today featuring hand-to-hand combat sequences has roots, one way or another, in Lee’s methods. The classic Tarantino film Kill Bill even paid homage to the martial artist by making the outfit of the protagonist similar to the iconic yellow jumpsuit worn by Lee in his unfinished film, Game of Death, according to MTV News.

    Lee’s almost legendary quickness and kung fu mastery are also interpreted in various ways throughout numerous video games inspired by the martial artist. The Post Game highlighted Bruce Lee: Enter the Game which pits players against skilled AI opponents. On the flipside, the iconic high kick pose of the master is featured as a symbol in the Bruce Lee slot title hosted on Slingo. Regardless of being the main element or a design theme in relevantly inspired works, Lee’s image and status will continue to garner people’s admiration throughout the coming years.


    (source: Trip Advisor)

    Of all the tributaries to The Dragon, however, Bruce Lee Paradise ranks as the best example in terms of honoring the martial arts icon. And whether you’re a casual visitor or a die-hard Bruce Lee and kung fu fan, Bruce Lee Paradise certainly has something for everyone.
    Seems nice. We should really make the journey...
    Gene Ching
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  7. #172
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    John Tsang has my vote

    Does HK have an electoral college?

    John Tsang open to naming street or place after Bruce Lee, if elected as Hong Kong’s chief executive
    The race’s popular underdog says in Facebook Live chat that kung fu movie icon inspired him as a youth in America
    PUBLISHED : Thursday, 16 February, 2017, 10:52pm
    UPDATED : Thursday, 16 February, 2017, 11:42pm



    Yonden Lhatoo yonden.lhatoo@scmp.com

    John Tsang Chun-wah has made an unexpected campaign promise, committing himself to officially honouring kung fu legend Bruce Lee if he is elected as the next chief executive.

    During his Facebook Live interview with the Post yesterday, Tsang sounded enthusiastic about addressing fans’ long-running complaints about the city’s failure to even name a road or building after its most famous son.
    “I think naming a street, a road, or an avenue after Bruce Lee would be welcomed in Hong Kong. I would love it, I would love to see that,” he said.
    Asked if he would act on it if he wins next month’s election, the former finance minister replied: “I would certainly give consideration to that ... And I think we need to work harder on it, and really consider that.”
    Fans of Bruce Lee, frustrated by the government’s seeming reluctance to give the martial arts movie icon the full recognition they feel he deserves, have speculated that an official taboo exists following his death in mysterious circumstances in 1973. But Tsang, a martial arts enthusiast who has written about his passion, denied that was the case.
    Instead, he acknowledged the wider cultural and social impact that Lee had on the global stage, and how in his youth, he was personally inspired by the star.
    “Growing up in the US, I know that very well,” he said. “As you know in the US, there are a lot of stereotypes – a type of view of Asians in America – and with Bruce Lee, it changed a lot of that.
    “He gave Asians manhood, and that’s something that has never happened in America.”
    Tsang added that he had personally experienced racism, but had fought back. “I lived in the US for almost 20 years and had many fights in the streets because of these insults. You win some and lose some – can’t win them all.”
    Gene Ching
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  8. #173
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    Visit Seattle | Reflect + Play | Wing Luke Museum

    Gene Ching
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  9. #174
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    Kung Fu Wildstyle, an exhibition at the Smithsonian in Washington

    Exploring kung fu culture
    Kung Fu Wildstyle, an exhibition at the Smithsonian in Washington, showcases the extent of Bruce Lee’s influence on New York street culture
    By RICHARD JAMES HAVIS APRIL 1, 2017 10:00 AM (UTC+8) 1822


    Bruce Sextet, One Red, Fab 5 Freddy, 2012

    Fans of hip hop music may be surprised to discover that kung fu movies had a big influence on the development of the genre in New York in the 1970s and early 1980s – and even influenced the wider street art scene.

    “All the guys who were part of the original hip hop and graffiti scene used to watch kung fu movies,” says Tom Vick, the organiser of Kung Fu Wildstyle, an exhibition at the Smithsonian’s Arthur M. Sackler Gallery in Washington DC. “Admission prices for kung fu films were cheap, and they would watch them in cinemas in Times Square. The films had a lot of energy, and everyone got into them. Even some breakdancing moves were directly influenced by martial arts moves.”

    The Smithsonian is presenting the Kung Fu Wildstyle exhibition – which originally showed in Hong Kong before travelling to Shanghai and New York – as part of a program surrounding the new National Museum of African American Art and Culture, which opened in Washington last September. “We’re doing a year-long celebration with the other Smithsonian institutions to welcome the new museum,” says Vick. “We thought this would be great way to make a connection between African American and Asian culture, because of the intertwined history of kung fu and early hip hop, and street art.”

    The show features the artwork of Fab 5 Freddy (real name Fred Braithwaite), one of New York’s original graffiti artists, and MC Yan, a Hong Kong hip hop artist and graffiti artist. Freddy’s artwork depicts Bruce Lee, who was a major influence on the nascent hip hop culture of the 1970s. Yan merges the idea of graffiti with the style of Chinese painting. “Fab 5 Freddy’s idea was to take the principles of hip hop sampling and apply them to art,” says Vick. “There’s a repetition in the images, a kind of layering – it’s a kind of visual equivalent of hip hop in a painting. MC Yan does a similar thing. His paintings are multiple-panel assemblages made with magic markers and spray paint, so his work is connected to street-art materials.”


    Suicide Kick, by MC Yan, 2012 Suicide Kick, by MC Yan, 2012

    Freddy and Yan originally met over the internet and became friends due to an interest in art and hip hop, as well as a shared admiration for Bruce Lee. Freddy was intrigued by Yan’s interest in African American music. “Yan came out of an underground scene that was inspired by urban New York,” says Vick. “He restructured what he saw, and applied it to his own culture and the political scene in Hong Kong. Fab found it interesting, because Yan’s culture had originally influenced Fab himself. It had kind of come full circle.”

    The major connector between the two cultures he adds, is Bruce Lee, an iconic figure in both Hong Kong and African American culture. “Lee became a symbol of oppressed people everywhere. They related to the way he fought back against authority in his films. He was certainly a cool martial arts guy, but he was more than that – he was a political figure. The hip hop community and graffiti artists responded to that, as those ideas are deeply embedded in hip hop and graffiti art.”


    Triple Green Bruce Fab 5, Fab 5 Freddy, 2012 Triple Green Bruce Fab 5, Fab 5 Freddy, 2012

    The Kung Fu Wildstyle exhibition also features an event with Shaolin Jazz, a DJ group that mixes a live soundtrack of hip hop, soul and funk to accompany classic kung fu movies. “This shows how the two cultures have evolved together over the years,” notes Vick.

    Hip hop group Wu Tang Clan, who debuted in the 1990s, are an example of how the relationship between African American music and kung fu developed, he adds. “Wu Tang Clan based their whole mythos on the idea of brotherhood that they got from kung fu movies. The idea of clans that defend themselves, defend each other, and have codes of honour was directly lifted from kung fu movies. Martial arts was was not just a physical influence, it was a philosophical one, too.”
    Honestly now, which 'fans of hip hop music may be surprised to discover that kung fu movies had a big influence on the development of the genre in New York'? Dumb hip hop fans who have no sense of hip hop history?
    Gene Ching
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  10. #175
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    More on Kung Fu Wildstyle

    Two Art Exhibits Show The Hip-Hop, Kung Fu Connection
    BY STAFF IN ARTS & ENTERTAINMENT ON APR 12, 2017 2:30 PM


    MC Yan and Fab 5 Freddy (Courtesy of the Sackler)
    By DCist contributor Elena Goukassian

    What do hip-hop and kung fu have in common? That question may be answered by two new exhibitions at the Sackler and Hyphen DC, a new gallery in Ivy City. Both shows focus on the paintings of Fab 5 Freddy and MC Yan, two figures largely known for their work in music and graffiti.
    New York’s Fab 5 Freddy (Fred Brathwaite) was a pioneer of hip-hop culture in the late 1970s. He was friends with people like Jean-Michel Basquiat, Keith Haring, and Lee Quiñones, and was name-checked in Blondie’s 1980 hit “Rapture.” It was Freddy who famously painted the giant Campbell’s soup cans (an homage to Andy Warhol) on a subway car. He was also the original host of “Yo! MTV Raps,” the first hip-hop music show on MTV, but he may be best known as the man behind the 1983 film, Wild Style, the first ever “hip-hop movie,” which showed the music, graffiti, dancing, and general culture of early New York hip-hop.
    On the other side of the word, Hong Kong’s MC Yan (Chenguang Ren)—just a kid when Freddy was at his height—was first exposed to graffiti and hip-hop culture while at art school in France, and he was immediately hooked. Back home, he joined the influential Cantonese hip-hop group, LMF. These days, Yan plays music, makes art, and designs for brands like Nike. According to Hyphen DC’s bio, Yan may even have tagged the Great Wall of China and government buildings in Hong Kong.
    Freddy and Yan first met through a mutual friend in 2012. After several Skype conversations, they realized just how much each had been influenced by the culture of the other—Freddy by kung fu movies in the ’70s and Yan by American hip-hop several years later. They both zoomed in on Bruce Lee as the epitome of that influence.
    “I used to watch a lot of kung fu movies and realized what Bruce Lee really meant and what influence he had on the American urban culture,” Freddy told Hypebeast in a 2012 interview. “You could detect his influence in movies and music. Just take James Brown’s lyrics in ‘The Payback’: ‘I don’t know karate, but I know ka-razy’ or ‘Kung Fu Fighting.’ Kung fu’s influence went all the way up to the hip-hop culture. Fu-Schnickens and Wu-Tang Clan had a kung fu vibe early on in their careers.”
    Meanwhile in Hong Kong, Yan noted that Bruce Lee was still a rather controversial figure, largely because of his politics and personal life.
    The exhibit Kung Fu Wildstyle includes five paintings by each artist, and touring the world since 2012, Freddy and Yan incorporated aspects of each other’s cultures into works that can easily be read as unconventional portraits of Bruce Lee.
    Freddy’s paintings almost exclusively use one of the most famous photos of Lee from Enter the Dragon—where he’s grimacing and flexing in preparation for a fight, with three red scratch marks on his chest. The bloody marks in Freddy’s paintings are bedazzled with rhinestones, with Lee (or multiple Lees) floating over a background collage of boomboxes, tags, and the now-defunct RR and RJ subway trains. In one painting, Freddy’s rhinestoned self-portrait appears in the middle of the canvas, flanked by a Bruce Lee in each corner.


    MC Yan, Shaolin #3 (detail) Courtesy of Hyphen DC

    Yan’s paintings go even further with the collage idea. Made up of small, square canvases, they’re assembled together tightly and slightly overlapping, kind of like the dense rooftops of Hong Kong. Painted on the canvas collage are sponge-paint-like images of Bruce Lee’s signature moves, but if you look closer, you’ll also see drawn outlines of traditional Chinese architecture.
    Back in Ivy City, the two artists show off their most recent works. Freddy uses the same style of popping paintings off the wall with rhinestones for portraits of famous African Americans like Huey Newton, Jack Johnson (the boxer, not the singer), Bumpy Johnson (the Prohibition-era Harlem mob boss), and martial artist Jim Kelly, who co-starred with Bruce Lee in Enter the Dragon.
    Yan has also largely stuck with the same style, although his rooftops at Hyphen are much more pointed, with a focus on the drawings of traditional Chinese architecture, and added surveillance cameras popping up in random places. It creates the illusion of jumping from roof to roof, always under the watchful eye of the Chinese government. As an added bonus, Yan tagged one of the gallery walls at the opening party with similar rooftops rounding the corner—although, apparently he only did it because his paintings got stuck in customs and were unable to make it in time for the gallery opening.
    So what do hip-hop culture and kung fu have in common? As Fab 5 Freddy told the Film Society of Lincoln Center in 2012: “They share a rebellious nature—a flamboyant way of expression.”

    Kung Fu Wildstyle runs through April 30 (daily, 10 am-5:30 pm) at the Arthur M. Sackler Gallery, 1050 Independence Ave. SW.
    Fab 5 Freddy & MC Yan: New Work 2017 runs through April 29 (Thursday-Saturday, 1-6 p.m,) at Hyphen DC, 1402 Okie St. NE.
    Plus Fab 5 Freddy & MC Yan: New Work 2017. Tempted to split this into an indie thread...
    Gene Ching
    Publisher www.KungFuMagazine.com
    Author of Shaolin Trips
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  11. #176
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    want

    A pen that pays homage to Bruce Lee
    A pick of the best, the latest, the greenest, the quirkiest, the most luxurious... that money can buy
    BY FORBES INDIA
    PUBLISHED: Apr 12, 2017



    STYLE
    Enter the pen
    Montegrappa’s reinvention of its Dragon pen—made of 18-karat gold and set with diamonds—pays homage to Bruce Lee. The pen features a body and cap made of cinnamon celluloid, red with black veining. Topping the cap is the yin-yan symbol. The cap and the barrel feature carved dragons in precious metal. The nib features the profile of Lee. This set consists of a fountain pen, roller ball, and inkwell.
    montegrappa.com
    I would totally forego my Uzi tactical pen for one of these.
    Gene Ching
    Publisher www.KungFuMagazine.com
    Author of Shaolin Trips
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  12. #177
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    Three's a charm

    Time to split the Kung Fu Wildstyle posts off into their own independent thread from the Bruce Lee Memorials. It is the Smithsonian, after all.

    “KUNG FU WILDSTYLE” BRIDGES THE EAST AND THE WEST
    “Kung Fu Wildstyle,” a new exhibition and event series, reveals the cross-cultural influence of classic action films on Hip Hop—and vice versa.
    Miss Rosenby Apr 24th, 2017


    Artwork: Boom Box Bruce (detail), 2012; Fab 5 Freddy (detail)

    Back in the days, when the Broadway theaters along the Deuce had been reconfigured as movie houses, kung fu films reigned supreme. Born in Hong Kong as a backlash against the supernatural elements of traditional wuxia storytelling, Kung fu rejected the fantasy clichés and cheap effects in favor of the ancient stories of youxia, the knight-errants of a warrior’s quest.

    By the 1970s, kung fu films reached their greatest heights as Hong Kong flowered in the midst of a major economic boom. With the 1971 release of Bruce Lee’s first feature-length film, Big Boss, Kung fu broke out of the regional market and reached international audiences. Lee’s anti-imperialist stance, which was grounded in the principles of the Tao, spoke not only to his native communities but also to the African-American audiences in the United States.



    Kung fu captured the imagination of a new generation of Americans coming up in the wake of the Civil Rights movement and the Vietnam War. A new narrative was born, one that fit the times as the ethos of Do It Yourself became words to live by. The struggles of the hero, classic plotting, the wicked fights, the cartoonish villains, and the wonky dubbing all made for a fantastic film-going experience.

    At a time where one could post up in a movie theater all day and night, watching films one after another with only having to pay admission once—catching the latest kung fu flicks became a popular form of entertainment back when there were only 5 or 6 television channels and no Internet.

    Invariably, the strength of kung fu culture left an indelible impression on the emerging Hip Hop generation. While pop culture classics like “Kung Fu Fighting” hit the airwaves, the underground would emerge in just a few years with the global takeover of the Wu-Tang Clan.

    In celebration, Kung Fu Wildstyle reflects on this classic period of pop culture, and the way it spawned a cross-cultural, multi-generational dialogue between the East and the West through the works of Hip-Hop impresario Fab 5 Freddy and MC Yan, the Godfather of Chinese Hip-Hop.

    Currently on view at the Smithsonian’s Arthur M. Sackler Gallery, Washington, D.C., through April 30, 2017, Kung Fu Wildstyle looks at the influence of Bruce Lee and kung fu on 1970s New York street culture and Hip Hop—which, in turn, came full circle in the 1990s, inspiring a new generation of Hong Kong street culture.

    In speaking with Hypebeast, Fab 5 Freddy described the similarities between the different worlds: “It is the attitude. If you think of the early development of the American pop culture, especially movies, then you have the idea of the Western as a genre with the good guy/bad guy theme, with the Native Americans being unfairly labeled as the bad ones. After the Western, the gangster movie genre arrived, which was highly popular in America as well. Then, all of a sudden, you have this brand new thing carrying the same the good guy/bad guy gene but put in a completely new world featuring these Chinese guys with the cool kung fu gear and these great fighting skills set within this amazing culture. Every kid wanted to emulate every move. It was a phenomenal thing. Its energy made me realize how and why it resonated to our culture.”

    The exhibition has included a series of events that present art works, film, music, and performance together, showcasing the consistent intersections between the cultures over the past 40 years. From Enter the Dragon (1973) to Wild Style (1983) visitors have been able to reconnect with the independent spirit that launched a brand new culture to the world. On Thursday, April 27, the Smithsonian will host The LA Uprising 25 Years Later at the Oprah Winfrey Theater at the National Museum of African American History and Culture.

    "Kung Fu Wildstyle" exhibit at Arthur M. Sackler Gallery


    Dan McCoy, 1936-, Photographer. 42nd Street, just west of Seventh Avenue, New York, 1970. Courtesy of Wikimedia Commons.


    Big Boss movie poster.


    Bruce Sextet, One Red, 2012, by Fab 5 Freddy.


    Wild Style movie poster.


    Boom Box Bruce, 2012. By Fab 5 Freddy.
    Miss Rosen is a journalist covering art, photography, culture, and books. Her byline has appeared in L’Uomo Vogue, Vogue Online, Whitewall, The Undefeated, Dazed Digital, Jocks and Nerds, and L’Oeil de la Photographie. Follow her on Twitter @Miss_Rosen.
    9
    Gene Ching
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  13. #178
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    Bruce Lee: Kung Fu ‧ Art ‧ Life closes next year

    Tourists keep looking for Bruce Lee in the one place that can’t seem to remember him

    Don't turn your back on me. (Bobby Yip/Reuters)

    WRITTEN BY
    Vivienne Chow
    May 21, 2017

    When Bruce Lee was just a few months old, his family moved from San Francisco to Hong Kong’s Kowloon area, where he went to school, got into scraps, and began training in martial arts. Yet traces of the legendary fighter and movie star in the city are surprisingly rare, and the city’s most significant homage to him might soon be gone.
    Efforts to create a Bruce Lee museum have never gotten off the ground, but in the last few years, visiting fans seeking to commune with their idol have been able to do that at Bruce Lee: Kung Fu ‧ Art ‧ Life, an exhibition at Hong Kong’s Heritage Museum slated to close July 2018.
    Critics of the city’s lack of a permanent homage to Lee say this is the time to put fresh efforts into building a museum for the star, who still has a massive global following decades after his unexpected death at the age of 32.
    If the show closes as planned or goes on tour—a possibility his daughter Shannon Lee told Quartz she is considering—tourists looking for Bruce Lee in Hong Kong will have to content themselves with gazing at this statue (below), or this waxwork figure of him at Hong Kong’s Madame Tussaud’s.


    Bruce Lee statute Hong Kong Heritage MuseumA statue of Bruce Lee was unveiled at the Hong Kong Heritage Museum during the opening of a five-year exhibition about him, which coincided with the anniversary of his death 40 years earlier. (Bobby Yip/Reuters)

    The end of the Hong Kong Bruce Lee exhibition

    The Heritage Museum exhibit opened in 2013, 40 years after the death of the Enter the Dragon star and founder of Jeet Kune Do, a system of martial arts and philosophy. It was a joint effort between the city’s Leisure and Cultural Services Department, which runs the public museums of Hong Kong, and the Bruce Lee Foundation, headed by daughter Shannon Lee.
    The show highlights more than 600 exhibits ranging from school photos and enrollment records, to drawings and diaries of the San Francisco-born icon, to a choreography notebook that lists “cha cha fancy steps.” Around 400 exhibits chronicling the life of the kung fu legend were provided on loan by the foundation, founded in 2002 by his wife Linda Lee Caldwell and his daughter. The rest came from individual collectors. These include costumes and props from movie sets for some of the star’s most famous titles, including Game of Death, in production when Bruce Lee suddenly died.
    The Leisure and Cultural Services Department said the exhibition has had more than 2 million visitors since its inception, and the department is exploring the possibility of extending the show with the foundation.
    But the foundation might have other thoughts. Shannon Lee, who recently approved a new biopic of her father, told Quartz in an email that a decision regarding the future of the exhibition is yet to be made. She said she was open to extending the show but taking the show to other destinations is also a possibility. “We are about to enter into discussions with the Heritage Museum about the exhibition,” she said.
    Meanwhile, the foundation is working on building a Bruce Lee Action Museum in Seattle where the star met his future wife, had a family, opened a martial arts school and is buried.


    A woman walks past the former Kowloon Tong home of kung fu star Bruce Lee, at the time a motel frequented by couples. The billionaire owner’s death has left the property in dispute among his heirs—and in danger of being demolished. (Tyrone Siu/Reuters)

    The “love hotel” that never became a Bruce Lee Museum

    There could’ve a museum in Hong Kong too, only the plan was scrapped. Before his death, Bruce Lee lived for a while at a house on 41 Cumberland Road, in the city’s Kowloon Tong district.
    In 2008, real estate billionaire Yu Panglin, who had bought the house in 1974, agreed to donate the property, affectionately known as The Crane’s Nest by the Lee family, to the government. Over the years it had become a motel frequented by couples. The move was hailed by the Hong Kong tourism board, Reuters reported at the time, and the government launched a competition asking people to submit their ideas for restoring the home.
    But by 2011, the government abandoned the effort after it failed to agree on the terms of the donation with Yu. The businessman’s demands to expand the floor space in order to build a larger museum would have breached land regulations.
    Instead, the government put its efforts towards the exhibition staged at the Heritage Museum instead as a form of compensation to the people of Hong Kong.
    Wong Yiu-keung, chairman and founder of the fan group the Bruce Lee Club established in 2000 said Hong Kong should now revisit the original museum plan. “I’m sure most people in Hong Kong would agree that we should have a museum dedicated to Bruce Lee,” he said, calling it “long overdue.”
    But that looks harder than ever, at least at the Crane’s Nest site, after Yu died in 2015. Since then, Yu’s family has been embroiled in a legal dispute over the ownership of his estates.

    A D-I-Y Bruce Lee experience


    Robert Lee, younger brother of martial art icon Bruce Lee and honorary president of the Bruce Lee Club, in front of a statue of his famous sibling on the Kowloon waterfront.

    Meanwhile, another option has vanished. The Bruce Lee Club used to run a small shop offering memorabilia and souvenirs in Yau Ma Tei district as a treat for fans visiting from overseas. But the shop closed last September due to skyrocketing rent.
    “This is really pathetic,” said Wong. “Perhaps after the end of the exhibition, the only place fans can go is the bronze statue in Tsim Sha Tsui.”
    The statue, funded by the fan club and modeled after a pose from the classic Fist of Fury, was erected near the Tsim Sha Tsui harbor in 2005. It was moved to the nearby Garden of Stars in 2015 due to construction work on the original site.
    For now, visitors to Hong Kong looking for Bruce Lee better follow the example of die-hard fans who curate their own experiences.
    “The Bruce Lee Way,” a walking trail planned by the Bruce Lee Club, highlights six locations connected to the legacy of the late star.
    These include the La Salle Primary School and St. Francis Xavier’s College—the two schools he attended; a toilet in West Kowloon where Lee’s skills were first recognized when a teacher caught him fighting inside; Ocean Terminal, where a set of photos of Lee were taken for film studio Golden Harvest; Tsing Shan Monastery, where Enter The Dragon was shot; and Tsim Sha Tsui’s Bruce Lee statue.
    Fans can also explore Kom Tong Hall, in the city’s Mid-Levels area, once owned by a prominent businessman who was a manager at opium-and-tea trading firm Jardines as well as being Bruce Lee’s grandfather, or take a few cues from the web site Bruce Lee Was Here. But as for the home he lived at when he was very young, the Katherine Building on Nathan Road, the Prudential Centre apparently now stands on its former site.
    Wong, of the fan club, said the government should negotiate with the heirs to the Crane’s Nest, which is at risk of being sold to a developer who might demolish the home.
    “We should learn our lessons and figure out a permanent plan that can keep Bruce Lee’s legacy alive in Hong Kong,” said Wong.
    'a toilet in West Kowloon'? srsly?
    Gene Ching
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  14. #179
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    Bmw m4 gts

    Gene Ching
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  15. #180
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    The Bruce Lee Project

    'The Bruce Lee Project' Competition Series From Keanu Reeves, Shannon Lee Set for India, Middle East
    1:23 AM PDT 7/12/2017 by Karen Chu


    Photofest
    Bruce Lee

    The series will feature training drills and challenges inspired by quotes and philosophies of the late martial arts icon.
    An original fight competition series called The Bruce Lee Project, produced by a joint venture between the production firms of Keanu Reeves and Lee's daughter Shannon, is set to launch in India and the Middle East.

    With competitors training at The Bruce Lee Center, the series will feature training drills and challenges inspired by quotes and philosophies of the late martial arts icon, the companies said Wednesday.

    The Bruce Lee Project is presented by So You Think You Know Kung Fu LLC (SYTYKKF), the joint venture between Company Films (co-owned by Reeves and Stephen Hamel), Shannon Lee's Bruce Lee Entertainment LLC, Benaroya Pictures, Metan Global Entertainment Group, which created the series and oversees the global rights and licensing of the format worldwide, and 8K Miles Media Group, a South Asia focused media enterprise headquartered in the U.S.

    The 13-episode series will be produced by 8K Miles Media Group and distributed for five seasons in India, Pakistan, Nepal, Bangladesh, Sri Lanka, Dubai, Saudi Arabia and the United Arab Emirates. It is targeted to debut in multiple Indian languages across the globe in 2018. Sales and development for the project is handled by E! Entertainment Television founder and Metan president and CEO Larry Namer.

    The goal of the series is not to find the next Bruce Lee, but to search for male and female “warriors of life” who are physically accomplished as well as thoughtful and spiritual. The training at the Bruce Lee Center is designed to help competitors prepare and condition their body, mind and spirit. The show will consist of 12 hourlong episodes and a 90-minute live finale.

    "Bruce Lee has a legacy of inspiration," Reeves said. "It is exciting to see this legacy of inspiration have the opportunity to reach a new generation in The Bruce Lee Project."
    Here's a different Bruce Lee Memorials
    Here's the official website. Nothing there yet.

    Shannon seems to be turning eyes to India with many projects - The Bruce Lee Project and Little Dragon - Bruce Lee Biopic from Shannon Lee to be directed by Indian filmmaker Shekhar Kapur. Perhaps in the wake of the Indian Bruce Lee flicks like Borivali Ka Bruce Lee, Ram Gopal Varma's Bruce Lee, Tollywood's Bruce Lee - The Fighter and ram gopal varma on bruce lee biopic.
    Gene Ching
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