Okay. You see a connection to the Ip Man pole in what they do and you do, as do I. And I also see the connection of what I have seen in my own lineage too.
---Great! I figure there are only so many ways to move when holding a long heavy pole at one end!
But out of interest, how does your training utilize this huen gwan method seen in the Tang Yik set??
----For training increased "tip control" over the weapon. For moving the tip of the opponent's weapon off-line in application.
This is the 'nimble footwork' you are talking about? This is also very common in basic baat gwa gwan practise, something that isn't even commonly considered to be within Wing Chun pole especially from Ip Man
----The sideways movements where he is almost running on his tip-toes? Yeah, not seen in Ip Man WCK pole that I know of.
So, please show me ANY Ip family that 'use' this mobility method in empty hand training like you are suggesting.
---I never suggested that it was used in empty hand training. It wouldn't be necessary in empty hand training. It is used to quickly reposition a long weapon, which requires moving your body across a bigger space. One could argue even that is not necessary. But it is pretty cool! In empty hand application we would just use "facing" footwork.
My Sigung was over 60 in his clip and the set as he played it in the clip is at a very basic level with a solid staff, no flex as this was all that was available to him on the day!
----Tang Yik was over 60 in that clip as well. And yes, your clip showed some very basic level stuff. Which was my point. Why are you then surprised that more people are impressed by Tang Yik's clip than the clip of your Sigung?
You lose my interest with the last part of your comment. I have heard the twirling thing so much and even when I mention we are practising stick/cudgel plays I am still hearing it lol!
---Then why did you post it as an example of your system's pole methods?