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Othal,
I like the way you "flow" through that form. Very nice!
I only see one difference in the way I learned the form from my instructor, Mike Biggie, and that is in the way you do and apply 登 山 左 插 掌, deng shan zuo cha zhang/ascend mountain, left thrust palm. Is the 左 衝 爪 zuo chong zhao/left colliding claw before the 插 掌 cha zhang/thrust palm how you were taught the form, or is a personal innovation?
Either way I think it is very interesting! It was nice to see that application.
Thank you for sharing!
Richard
Last edited by mooyingmantis; 11-27-2009 at 06:25 PM.
Reason: i thunk a somethin else
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I agree with Richard, Sifu Thomas.
A very fluid and skillful version of Bung Bu. It is always nice to see the applications as well.
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Last edited by seung ga faat; 04-29-2011 at 01:35 AM.
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Othal,
Interesting explanation of the "suspend" and "crashing" keyword theories. 
How long have you practiced chut sing tang lang? You apparently have many years experience.
All,
I think one of the most interesting differences in the three styles that I compared is the TJPM "smoothly lead the sheep" (WHF 7* calls this double seal hands).
In the 7* PM and CCK TJPM the action ends in a Horse or Riding Tiger Stance, while in TJPM the practitoner faces the opposite direction in an Ascend Mountain stance. The final position looks almost like the practitioner is performing a right gwa and a left uppercut strike, yet it is actually akin to the double seal hands.
Any thoughts on this?
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