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Thread: American Masters: Hollywood Chinese

  1. #1
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    American Masters: Hollywood Chinese

    I caught this last night. It's quite good. There's a video preview if you follow the link.
    March 20th, 2009
    Hollywood Chinese
    Introduction

    From the sexed-up Suzie Wong to the kung fu fighting Bruce Lee, THIRTEEN’s American Masters tackles issues of race and representation in Hollywood Chinese.

    The 90-minute film illuminates a century of Chinese American cinematic history, from rare silent classics such as Marion Wong’s The Curse of Quon Gwon (1916) to the contemporary critical and commercial success of Ang Lee’s Brokeback Mountain (2005). Timed for broadcast during Asian Pacific American Heritage Month, American Masters: Hollywood Chinese premieres nationally Wednesday, May 27, 2009 at 9 p.m. (ET) on PBS (check local listings). The film features a treasure trove of clips, punctuated with personal accounts from the movie industry’s most accomplished Chinese and Chinese American talent.

    “American Masters is proud to share with our viewers the extraordinary stories of pioneering Chinese and Chinese American artists in Hollywood,” says Susan Lacy, creator and executive producer of American Masters, a six-time winner of the Emmy Award for Outstanding Primetime Non-Fiction Series. “Their immeasurable contribution to American cinema continues today with a new wave of critically-acclaimed Asian films and Oscar-winning blockbusters. The film gives strong perspective to this little-known chapter of motion picture history.”

    American feature films often portray the Chinese as exotic and devious characters – or simply the “other” – reflecting the entertainment industry’s inherent racial prejudices as well as its fascination with the Far East. Hollywood Chinese features candid interviews and back lot stories from artists in front of and behind the camera, including Joan Chen, James Hong, David Henry Hwang, Nancy Kwan, Ang Lee, Christopher Lee, Justin Lin, Luise Rainer, Amy Tan, Wayne Wang, and BD Wong.

    The documentary chronicles the full gamut of Chinese representation in Hollywood. It brings to light the controversial yellowface casting of Luise Rainer in The Good Earth (1937) and the stereotyped caricatures played by Chinese American actors such as James Hong in Bloodsport 2 & 3 (1996 and 1996). It also addresses the eventual trend of Asian empowerment in films such as Flower Drum Song (1961) staring Nancy Kwan and the film-adaptation of Amy Tan’s The Joy Luck Club (1993) directed by Wayne Wang.

    American Masters: Hollywood Chinese is a production of DeepFocus Productions, Inc. Productions in association with WNET.ORG and the Center for Asian American Media for PBS. The film is produced, directed, written, and edited by Arthur Dong. Susan Lacy is the creator and executive producer of American Masters.

    American Masters is produced for PBS by THIRTEEN. To take American Masters beyond the television broadcast and further explore the themes, stories, and personalities of masters past and present, the companion Web site offers interviews, essays, photographs, outtakes, and other resources. American Masters is made possible by the support of the National Endowment for the Arts and by the Corporation for Public Broadcasting. Additional funding for American Masters is provided by Rosalind P. Walter, The Blanche & Irving Laurie Foundation, Jack Rudin, The André and Elizabeth Kertész Foundation, and public television viewers.

    Major funding for Hollywood Chinese provided by Center for Asian American Media, Ford Foundation, California Council for Humanities’ California Stories Initiative, National Endowment for the Arts, Media Arts Fellowship, Gee Family Foundation, Independent Television Service, with funds from the Corporation for Public Broadcasting and public television viewers.

    For more about Chinese American culture, explore the Chinese American Museum online or at its home in historic downtown Los Angeles. Beginning October 23, 2009, Arthur Dong, director of AMERICAN MASTERS: HOLLYWOOD CHINESE, will present Hollywood Chinese: The Arthur Dong Documentary Collection at the museum.
    Gene Ching
    Publisher www.KungFuMagazine.com
    Author of Shaolin Trips
    Support our forum by getting your gear at MartialArtSmart

  2. #2
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    RIP Jadin Wong

    I'm not sure that Jadin was featured in this documentary as I only caught part of it. She certainly deserves some spotlight.



    Jadin Wong - pioneering Asian performer - dies
    Carolyn Jones, Chronicle Staff Writer
    Wednesday, May 12, 2010

    Jadin Wong was so devoted to entertainment that, in the throes of World War II, she jumped out of an airplane about to go down and into German territory, snuck across the Black Forest and made her evening appointment to perform with Bob Hope for U.S. troops, her family said.

    Ms. Wong, who died March 30 at age 96, will be honored May 24 at the Museum of Chinese in America in New York, where she spent much of her life after launching her career in San Francisco.

    "She was a real firecracker. She took that stereotype of the demure Asian female and turned it on its head," said Cynthia Lee, director of exhibitions at the Museum of Chinese in America. "She really felt she had a mission that went much beyond just a career for herself."

    Ms. Wong was born in Marysville (Yuba County) in 1913 and moved to Stockton as a child. Her father worked for the railroads while her mother raised the family's six children.

    As early as age 5, Ms. Wong knew she wanted to be a performer, her brother Wally Wong of New York said. Ms. Wong would go to the local park and sing and dance for nickels, which she saved to pay for dance and voice lessons.

    "Jadin was really a born dancer, a born performer," he said. "She was always totally devoted to the art form."

    Her parents, however, were not so enamored of her career choice, which they said was unbecoming for a young woman, Wong said. They forbade her from going into show business, and Ms. Wong ran away from home at 17 to pursue a performing career.

    "At that time, there were almost no performing jobs for Asian Americans, so she had to make a stand in her own family as well as in Hollywood," Lee said.

    She was caught by a truant officer after a few months and brought home, at which point she ran away again. This time she headed for Hollywood, with $45 secretly given to her by her mother, Wong said. Unable to find work, Ms. Wong slept on park benches and tap danced for spare change.

    A producer for 20th Century Fox spotted her and she was cast in her first film, "Mr. Moto Takes a Vacation," Wong said. She went on to appear in dozens of movies, including "Year of the Dragon" in 1985 and, most recently, at age 92, "The Pink Panther."

    She was also a star on the nightclub circuit, performing at San Francisco's legendary Forbidden City on Sutter Street, among other gigs on what was known at the time as the "Chop Suey Circuit."

    When live theater began to falter with the advent of television, Ms. Wong opened a talent agency, specializing in finding jobs for Asian American performers in movies, TV and Broadway. She worked until she became paralyzed by a stroke four years ago, Wong said.

    "She always told people, if you have talent ... and you're willing to train and work hard, you can perform any role you want," her brother said.

    Undeterred by the often racist nature of early roles for Asian Americans, Ms. Wong believed that any role for Asian Americans brought diversity to mainstream entertainment and would eventually lead to better roles, Lee and Wong said.

    In San Francisco, Ms. Wong was remembered for her independent spirit and for opening doors for other Asian Americans entertainers.

    "Jadin Wong ... defied tradition and broke racial and gender stereotypes to pursue an unconventional path," said Sue Lee, director of the Chinese Historical Society of America in San Francisco. "We owe much to her brazen nature for carving a path in show business for Asian Americans today."

    Ms. Wong outlived two husbands. She is survived by her brother and several nieces and nephews.

    E-mail Carolyn Jones at carolynjones@sfchronicle.com.
    Gene Ching
    Publisher www.KungFuMagazine.com
    Author of Shaolin Trips
    Support our forum by getting your gear at MartialArtSmart

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