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Thread: Sha Po Lang 3: Paradox

  1. #1
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    Paradox

    Tony Jaa + Sammo Hung. 'Nuf said, right?

    The working title of this film is Fate.

    From Jaa's fb page:

    Tony Jaa Official
    Like This Page · October 26 · Edited ·
    Fight choreography practice for the film Fate which is now shooting.
    คม ชัด แรงส์ - ซ้อมก่อนถ่าย จากกอง Fate หนังใหม่ที่กำลังถ่ายทำอยู่ตอนนี้ครับ
    Tony Jaa Official with Wilson Yip and Sammo Hung.
    October 21 at 6:34pm ·
    Sometimes the action is more real than you think. I need to remember to watch out for the ceiling when I jump.
    Tony Jaa Official
    October 21 at 5:30am ·
    Getting ready to shoot with the amazing Sammo Hung
    เตรียมถ่ายทำหนังใหม่ร่วมกับ "พี่ใหญ่" หงจินเป่า ครับ!


    Gene Ching
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    Re-titled Paradox

    Tony Jaa Official
    Like This Page · November 3 ·

    Thats a wrap for me on Paradox (formally called Fate). What a great time working with Sammo Hung, Louis Koo, Wu Yue, the incredible Wilson Yip (Director) and a fantastic stunt team.

    Tony is done. Too bad. He's been leaking all the pix so far.
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    巴福斯發行《貪狼 Paradox》|前導預告 Teaser Trailer

    Gene Ching
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    Louis Koo


    Hong Kong Actor Louis Koo Makes 1st Action Movie ‘Paradox’

    Vittorio Hernandez | Mar 15, 2017 01:14 AM EDT


    Hong Kong Actor Louis Koo Promotes TAG Heuer Watch In Shenyang (Photo : Getty Images)

    Hong Kong actor Louis Koo stars in his first action film titled “Paradox.” He plays a police negotiator looking for his kidnapped daughter in Bangkok. While in Thailand, he discovers an organ trafficking gang.
    The movie, which also features Thai boxing champion Tony Jaa – who was last seen in “xXx: Return of Xander Cage” – also stars Gordon Lam, Sammo Hung, Jacky Chai, Wu Yue and Chris Collins, Toggle reported. Despite the film being Louis Koo’s first action movie, fight director Sammo Hung gave his thumbs up to the actor as an action star.
    For his part, Louis Koo admitted it was difficult for him at the start causing him a few days to shoot a scene in which he fought a dozen foes. However, as the shooting progressed, he had less difficulty shooting the scenes. But Louis Koo teased that he was better off not shooting action films.
    Gordon Lam shared that even if he memorized his line which were in Thai language, the production crew nevertheless laughed because he sounded like he was cursing. Jacky Chai refused to discuss her separation from Gregory Wong which was already in the past.
    According to Screen Anarchy, Sammo Hung choreographed the 2005 movie “SPL” which jumpstarted the international career of Donnie Yen who also was in “xXx: Return of Xander Cage” and “Rogue One: A Star Wars Story.” Sammo Hong and “SPL” director Wilson Yip are reunited in “Paradox.

    Ong Bak Star as Thai Cop

    To help the character of Louis Koo search for his abducted daughter is “Ong Bak” star Tony Jaa who plays a Thai policeman. The entertainment website noted that Wilson Yip goes back to his down and dirty approach to directing movies which is better than the polite approach required by his recent films with period and historical setting.
    Koo has done action before. Heck, he was just in Call of Heroes and Sammo directed action for that too.
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  5. #5
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    Sha Po Lang 3: Paradox

    Gene Ching
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    SPL 3: PARADOX Chinese Trailer (2017) Martial Arts Movie

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    Second-Biggest Single-Market Film Ever After 'Force Awakens'

    Wolf Warrior 2 continues to dominate - plus some news on Sha Po Lang 3: Paradox


    Doubt it'll catch Force Awakens though.

    China Box Office: 'Wolf Warrior 2' Becomes Second-Biggest Single-Market Film Ever After 'Force Awakens'
    8:14 PM PDT 8/20/2017 by Patrick Brzeski


    Courtesy of Well Go USA Entertainment
    'Wolf Warrior 2'

    The Chinese juggernaut climbed to $769 million and nudged aside 'Avatar' in the single-territory charts, with only 'Star Wars: The Force Awakens' having earned more from one territory.

    Wolf Warrior 2 devoured the competition for a fourth consecutive weekend at the Chinese box office.

    The runaway action phenomenon, starring and directed by Wu Jing, added $35.7 million, lifting its local total to an astonishing $768.5 million after 25 days. The blockbuster also climbed higher in the all-time record books, nudging aside Avatar ($760.5 million) to become the second-biggest film ever in a single market. Only Star Wars: The Force Awakens earned more from one territory (($936.7 million, North America).

    Hong Kong-Chinese genre vehicle Paradox — the third film in Wilson Yip's SPL action franchise — came closest to unseating Wolf Warriors to date, earning $31.6 million from Friday to Sunday. The crime film, which stars Louis Koo and Thailand's Tony Jaa, opened Thursday and actually topped Wolf Warriors on its first two days. But it quickly fell far behind on Saturday and Sunday to finished the weekend in second place. The film's Thursday-to-Sunday debut totaled $41.4 million, just a notch below the $43.4 million four-day opening of its predecessor, SPL II: A Time for Consequences (2015).

    Twenty Two, a documentary about the lives of the last surviving Chinese women who experienced forced prostitution at the hands of the Japanese military during WWII, opened Monday (Aug. 14) with just $610,000. But heavy buzz on social media helped the film expand throughout the week, lifting it to third for the weekend with $9 million. By Sunday, Twenty Two's six-day total sat at $18.6 million — an uncommonly strong showing for a nonfiction film in China.

    Other new releases included iQiyi Pictures' animated franchise title Seer Movie 6: Invincible Puni, which opened in fourth with $9.3 million, just ahead of Tencent's animated sequel One Hundred Thousand Bad Jokes 2 at $8.6 million.

    China's annual policy of blocking Hollywood releases during the late-summer blockbuster season — known locally as "domestic film industry protection month" — will come to a close this week when Luc Besson's Valerian, Disney's Cars 3 and Sony's Baby Driver open simultaneously Friday.
    Gene Ching
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    Big Wilson Yip interview from SCMP

    Hong Kong director Wilson Yip on SPL instalment Paradox, Wu Jing’s rise and Bruce Lee’s key part in the upcoming Ip Man 4
    Filmmaker explains his casting of Louis Koo in a martial arts action film, says he’s not surprised SPL stars Donnie Yen and Wu Jing have become superstars, and talks about Ip Man 4’s focus on the relationship between Ip Man and Lee
    PUBLISHED : Wednesday, 23 August, 2017, 2:16pm
    UPDATED : Wednesday, 23 August, 2017, 4:58pm
    Edmund Lee
    edmund.lee@scmp.com



    Fans of Chinese kung fu cinema will recall the deadly fight scene between Donnie Yen Ji-dan and Wu Jing in the 2005 action film SPL – Hong Kong director Wilson Yip Wai-shun’s ambitious attempt to blend the gritty narrative of crime thrillers with bone-crunching violence delivered by top martial arts actors.

    “In my opinion, that scene in particular looked like it’s coming from a wuxia film – even though the characters are in contemporary clothing,” says Yip. “Some of Johnnie To’s films, like Running Out of Time, also play like wuxia movies. SPL is a bit similar to that in style.”



    While SPL was – even by Yip’s own account – “quite a weird movie”, it struck a chord with many movie fans, who have since seen both its main actors rise to superstardom – Yen via the Ip Man films, also directed by Yip, including Ip Man 3 , and Rogue One: A Star Wars Story and Wu with the record-breaking Wolf Warrior 2 .



    Yip, 53, handed the directing duties to close friend and long-time work partner Soi Cheang Pou-soi (The Monkey King 2) when a sequel to SPL was made in 2015. By reshuffling its plot elements for a new story, SPL2: A Time for Consequences – on which Yip served as both producer and script consultant – provided an efficient template for future instalments to follow.
    In new film Paradox – which Yip curiously refuses to call “SPL3” but is really just that in all but name – the franchise’s fixation on karma and destiny finds a new expression with the recasting of the previous chapter’s villain as the film’s hero: just as Wu Jing went from playing the protagonist’s nemesis in SPL to the hero in SPL2, Louis Koo Tin-lok has followed the same path between SPL2 and Paradox.

    “It’s a coincidence,” says Yip, who reveals that his original intention was to tell the origin story of Koo’s character in SPL2 – the evil leader of an organ-trafficking syndicate – until he realised that this amoral tale was never going to get past the censors. Instead, the director turned to an idea that had been gestating since he watched the Liam Neeson vehicle Taken in 2008.
    “It’s true that Taken has a considerable influence on me,” he admits. “I remember very well that I showed it to Sammo Hung Kam-bo when we were shooting the first Ip Man film; it’s a really great movie. I’ve kept the story inside me as a potential idea. … Here, I’ve used a father’s search for his daughter as the story’s starting point, but after that, our films [diverge].”

    In Paradox, Koo plays a Hong Kong policeman who arrives in Thailand to look for his teenage daughter after she is abducted there. As a widower who can’t afford to see his only child in peril, Koo turns into a vengeful killing machine on his way to tracking down the organ traders responsible for his daughter’s disappearance.

    The casting of Koo in the intense action film – featuring splendid action choreography by Hung – represents a statement of sorts by Yip, who explains that he wanted to show he “could still make an SPL film even without a brilliant martial arts actor in the lead”.
    “I would just as comfortably label a film SPL even if it’s all gunfights. I think of this simply as an action series with strong dramatic elements,” the director says.



    While it remains to be seen whether Koo will replicate the meteoric rise of Yen and Wu after their respective star turns in SPL and SPL2, Yip isn’t surprised by the subsequent success of his regular leading men.

    “Actually, you could see the signs,” he says. “After Yen made SPL, people in the industry were all waiting for him [to make it big]; we all considered him a really capable veteran.



    “Wu, at that time, was also doing great. He didn’t have many scenes in [Tsui Hark’s] The Legend of Zu (2001), but [as a] teenager [he] was already very eye-catching. [These actors] need time [to develop] – and 20 years after [he started his acting career], Wu Jing is taking flight. As a martial arts actor, you usually need some time [to make the next step].”

    Yip will reunite with Yen on Ip Man 4, his next directorial project. The filmmaker is currently developing the script, and hopes to start shooting in 2018 and release the film by the end of that year.
    “In Ip Man 4, I’m inclined to show how Ip Man views his relationship with Bruce Lee,” Yip says of the real-life teacher-student pair around which the film will be based. Danny Chan Kwok-kwan is – if his schedule allows – Ip’s preferred actor to reprise his role in Ip Man 3 as Lee, who, Yip says, will have “a very important presence” in the new film.



    “[The story] won’t be just about Ip Man,” says Yip. “How in reality did Chinese martial arts practitioners live after they went overseas in the 1960s and ’70s? [The film will explore this] through Lee and his martial arts school the Jun Fan Gung Fu Institute, and his relationship with Ip.”



    In the meantime, the SPL series is also set to roll on for a fourth instalment, which is still in the scriptwriting stage and won’t be ready for shooting until next year at the earliest. To many people, the fact SPL2’s Soi Cheang will return to direct the fourth instalment may be less of a surprise than Yip’s decision to label that film SPL3.

    “I don’t treat Paradox as SPL3,” he reiterates. “I don’t know why, but I didn’t include the name ‘SPL’ [in the Chinese film title] at first. It’s only when I wanted to tell the audience about the tone of my film that I added SPL to it.”
    (From left) Tony Jaa, Louis Koo and Wu Yue in Paradox.
    I tell Yip that his resolve to name the fourth instalment SPL3 is going to cause a great deal of confusion for everyone involved. “Never mind, we’ll deal with it when it’s here. That’s fate,” he says with a chuckle, before adding: “Or maybe we should call that SPL4 instead? It’s just a name.”

    Paradox opens on August 25
    SPL3: Paradox + Wolf Warrior 2 & Ip Man 4
    Gene Ching
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    Congrats to Louis Koo!

    Hong Kong star Louis Koo finally wins best actor award after 25 years


    PHOTO: Instagram/LouisKhoo

    SETO KIT YAN
    THE STAR/ASIA NEWS NETWORK Mar 21, 2018

    Louis Koo has finally won his very first best actor award after 25 years of making movies. And it was at the 12th Asian Film Awards, held at The Venetian Macao in Macau on March 17.

    “I’ve appeared in over 200 movies, and this is the first time I’ve won an award,” Koo said, while accepting his award.

    As one of the most prolific and highest-earning film actors in Hong Kong, Koo is rarely considered a film award contender and has garnered fewer than 10 nominations over the years.


    Photo: Weibo/Louis Koo

    The popular Hong Kong actor nabbed the award for his role as a cop seeking vengeance for his missing daughter in action flick Paradox (2017), which is the third instalment of the SPL: Sha Po Lang franchise.

    Koo, 47, beat South Korea’s Kim Yoon-seok (1987: When The Day Comes), Thailand’s Sukollawat Kanarot (Malila: The Farewell Flower), India’s Rajkummar Rao (Newton), and China’s Duan Yihong (The Looming Storm) to nab the much-coveted acting prize.

    The famously-reticent heartthrob is the second Hong Kong actor to win the award. The first was Hong Kong’s most-decorated film actor Tony Leung Chiu Wai, who won in 2008 for his role as a special agent in the spy thriller Lust, Caution.

    昨晚導演會春茗,由小红姐頒發最佳男主角獎項给我倍感開心!

    The ferociously action-packed Paradox, which was directed by Wilson Yip with action direction by Sammo Hung, also won for Best Action film.

    Meanwhile, Koo is also in the running for best actor for his Paradox role at the 37th Hong Kong Film Awards, which will take place at the Hong Kong Cultural Centre, Kowloon on April 15. He will be up against Ronald Cheng (Concerto Of The Bully), Andy Lau (Shock Wave), Tian Zhuang zhuang (Love Education), and Ling Man-lung (Tomorrow Is Another Day).

    Koo’s next big cinema project will be the sci-fi epic Warriors Of Future. He will produce and star in the Hong Kong-China co-production about a meteorite crashing on an Earth bringing with it a fast-growing alien lifeform.

    THREADS:
    Asian Film Festivals and Awards
    Paradox
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    Well Go USA has US distribution rights

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    Kudos for Koo

    Our Time Will Come wins five awards, including best film, at star-studded Hong Kong Film Awards
    Wartime drama had 11 nominations going into city’s equivalent of the Oscars
    PUBLISHED : Sunday, 15 April, 2018, 7:52pm
    UPDATED : Monday, 16 April, 2018, 1:07am
    Raymond Yeung



    Ann Hui On-wah’s wartime epic Our Time Will Come was the big winner at the 37th Hong Kong Film Awards on Sunday evening, bagging five awards out of 11 nominations, including best film and best director.

    Meanwhile, three of the four recipients of best actor and actress awards – whether in a leading or supporting role – were maiden winners, including Teresa Mo Sun-kwan, who finally got the nod in her third nomination for best actress.


    Jackie Chan (left) and actress Zhou Wei (right) on the red carpet. Photo: K.Y. Cheng

    Paradox , which earned Louis Koo Tin-lok his first best actor trophy, took home three prizes, while Chasing the Dragon and Tomorrow is Another Day snatched two each.

    Hundreds of local and overseas fans swarmed the entrance to the Cultural Centre in Tsim Sha Tsui on Sunday, the biggest night in the city’s film industry calendar, hoping to catch a glimpse of their favourite stars on the red carpet.

    Organisers of Hong Kong’s equivalent of the Oscars were hoping to see less political tension this year, after their live broadcasts of the past two events were partially censored in mainland China over films deemed sensitive.


    Zhou Xun (left) in Our Time Will Come. Photo: Handout

    The patriotic undertones of Our Time Will Come, based on the heroics of a resistance group fighting Japanese occupation in wartime Hong Kong, were not expected to stir controversy however.

    Already named best picture of 2017 by the Hong Kong Film Critics Society, the espionage thriller also helped Hui, who turns 71 in May, get the best director nod for the sixth time.

    Fellow director Sylvia Chang Ai-chia was left disappointed after the film she directed and starred in, relationship drama Love Education , went home with only best screenplay after securing nine nominations.

    But it was all smiles for Koo, who was presented the best actor trophy by Indian superstar Aamir Khan for his performance in Paradox.

    “I have been thinking how we can all make Hong Kong film thrive,” Koo said in a heartfelt speech. “Hongkongers must be united … the industry needs your support.”

    Also a first-time winner, Mo shed tears as she walked onto the stage to receive the top actress award for the first time.


    Director Ann Hui On-wah (third from left) and actress Deanie Ip (fourth from left) on the red carpet. Photo: Edward Wong

    The 57-year-old, who has starred in numerous comedies, played the mother of an autistic and mentally handicapped teenager in Tomorrow is Another Day.

    The awards this year were broadcast live – with simultaneous English translation – to audiences in 30 territories around the world, including a number of South American countries.


    Song Ning (left) and Lang Yueting star in Love Education. Photo: Handout

    Once again, coverage by mainland Chinese media will be a focal point. The best film at the 35th edition of the awards, Ten Years , touched a raw nerve with Beijing authorities for its dystopian portrayal of Hong Kong’s future sociopolitical development under the Chinese Communist Party. The segment during which the result was announced was completely taken off the air.


    Indian actor Aamir Khan arrives at the awards. Photo: AP

    Trivisa , winner the following year, was also censored during the ceremony, believed to be due in part to the fact co-director Jevons Au Man-kit had also directed one of five short films which made up Ten Years.
    THREADS:
    Paradox
    Hong Kong Film Awards
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    Props to Sammo & Chasing the Dragon too!

    Our Time Will Come wins big at Hong Kong Film Awards, director Ann Hui says her 'heart can't bear it'


    Hong Kong director Ann Hui (left) and actress Deanie Ip posing with their Best Director and Best Supporting Actress awards.PHOTO: REUTERS
    PUBLISHED APR 16, 2018, 2:26 PM SGT UPDATED 6 HOURS AGO

    HONG KONG - Our Time Will Come, Ann Hui's wartime drama, won Best Film at the Hong Kong Film Awards on Sunday night, and Hui was honoured as Best Director for the sixth time.

    The movie, about the little-known resistance movement of leftist guerillas in Hong Kong during the Second Sino-Japanese War, collected five prizes in total, including Best Art Direction, Best Score and a third Best Supporting Actress award for Deanie Ip.

    And Sunday proved third time lucky for Louis Koo and Teresa Mo, who finally won Best Actor and Best Actress in their third attempts, said Ming Pao Daily News.

    Koo's win, for his portrayal of a police negotiator looking for his missing daughter in Thailand in Paradox, was expected. So was Mo's, for her portrayal of a housewife taking care of an autistic son in Tomorrow Is Another Day.

    On stage, Koo clenched his fists, sighed, and produced a note from his pocket, said Ming Pao. He said he had been reflecting on "how Hong Kong people are to make Hong Kong movies", especially when veteran director, writer and actor Chor Yuen was honoured with a lifetime achievement award earlier in the evening.

    He remembered Chor giving him a piece of advice on the set of a TVB show, which "I have been learning from till today": "Remember to never give up on any scene, and any line of dialogue. Go over it once and again and yet again because you can't give up making a good movie."

    Thanking his family, Koo, 47, also said: "I'm a full-grown adult who still lives with my family. Every morning my mother wakes me up. I can't not live with my family because a person needs his family's support, just as Hong Kong cinema needs everyone's support to do better."



    Mo said she did not prepare a speech because she was afraid she would be disappointed again. She thanked her bosses; "everyone who voted for me"; close friends including actresses Ada Choi, Candice Yu and Margie Tsang; her two daughters; and her husband, director Tony Au.

    Mo, 58, said of Au, 64: "He helped me a lot with this movie and gave me a lot of opinions. I know you're not satisfied, but I want to tell you, 'I got it,' and I promise to do better in future."

    Hui, surprised to win Best Director again, said: "I don't want to be nominated again, my heart can't bear it."

    The 70-year-old thanked her cast and crew, "especially guest actor Ray Lui, for supporting me in my wish to film Hong Kong history".

    Besides Our Time Will Come, Wilson Yip's action thriller Paradox and Sylvia Chang's generational drama Love Education had come to the ceremony as strong contenders. In addition to Best Actor, Paradox won Best Action Choreography for Sammo Hung and Best Sound Design. Love Education won Best Screenplay for Chang.

    The crime drama Chasing The Dragon went home with cinematography and editing awards.

    Philip Keung was named Best Supporting Actor for the bomb disposal thriller Shock Wave. Theatre actor Ling Man Lung won Best New Performer for his role as the autistic son in Tomorrow Is Another Day and theatre actress Kearen Pang, Best New Director for an adaptation of her one-woman play 29+1.

    In an emotional acceptance speech, Keung, 51, said: "It's really me. I've never had good luck. But in recent years, I've met many good people, prosperous people, so many that I was scared I would die."

    He thanked a list of people, including his co-star Andy Lau, director Herman Yau, and his boss Louis Koo.

    Chor, 83, made a rare public appearance on Sunday, accompanied by his wife, actress Nan Hong, and their young granddaughter, said Ming Pao. Despite rumours that he was suffering from a degenerative brain disease, he gave quite a speech.

    "In being given this prize, I'm being forced to say, 'I am not worthy,'" said the director of Shaw movies such as Killer Clans (1976) and Death Duel (1977).

    Recalling his ups and downs, he said: "I once broke the Hong Kong box office record. The company signed a new contract with me, increased my pay by 10 times, and made me the luckiest director.

    "Ten years later, after shooting a few poorer films, I wanted to shoot Demi-Gods And Semi-Devils. On the opening day of the shoot, Mona Fong came to tear up the notice and tell me not to shoot. She said, 'Who let you shoot? Will you pay for the loss? Chor Yuen doesn't understand the art of film at all.' I then became the most embarassing director of Shaw Brothers Studio."

    Life is made of cheers and tears, and he believes in constantly looking ahead, he said. "I'm so old that I'm no longer working. This time I've got my senior citizen card, and it should be okay to 'pay no mind to thousands of things in the world, but laugh quietly twice or thrice in an idle moment'."
    THREADS:
    Paradox
    Hong Kong Film Awards
    Chasing the Dragon
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    37th Hong Kong Film Awards 2018: Tony Jaa & Ken Lo reaching out best action director

    Gene Ching
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    Our latest sweepstakes. Enter to WIN!

    Enter to win KungFuMagazine.com's contest for Paradox Blu-Ray™+DVD Combo Pack! Contest ends 5:30 p.m. PST on 7/5/2018.

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    Our winners are announced!

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