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Thread: Year of the Pig 2019

  1. #31
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    I give up - it's on NPR

    Why It's The Year Of Peppa Pig In China
    February 5, 20196:09 PM ET
    Maureen Pao, photographed for NPR, 17 January 2019, in Washington DC.
    MAUREEN PAO


    YouTube

    It's the Year of the Pig — Peppa Pig, that is. The popular porcine British cartoon character is being boosted to new heights — in part thanks to an unusual movie trailer that's become a runaway viral hit in China.

    A British import, the Peppa Pig TV show debuted in China in 2015 and follows the exploits of plucky piglet Peppa, Mummy, Daddy and brother George Pig, and her menagerie of friends. Kids have gone crazy for her; her likeness gracing toys, watches, backpacks, temporary tattoos and, eventually, memes that temporarily sullied her reputation in China (more on that later.)

    And now, in the Year of the Pig, Peppa is on her way to becoming a full-fledged movie star. Peppa Pig Celebrates Chinese New Year opened in China on Tuesday, the first day of the Lunar New Year.

    But for now, people are talking about the promotional trailer more than the film.

    Titled "What Is Peppa?" the five-minute live-action trailer tells the story of a grandfather in rural China and his quest to find the perfect gift for his city-dwelling grandson to celebrate Lunar New Year. It's the most important holiday in China, and one that is, above all, about family. For some, it is the only time of year they are able to travel back to their hometown.


    People walk past a Peppa Pig pop-up shop in the Yu Yuan gardens, a popular tourist spot in Shanghai.
    Matthew Knight/AFP/Getty Images

    "What is brilliant about this video is that it changes Peppa into a certain feeling, of bringing people together," says Manya Koetse, an Amsterdam-based Sinologist and editor-in chief of What's on Weibo, a website that reports on social media trends in China. "More than just the pig being the film or a toy or a commodity, it shows the gap between the Chinese urban areas and rural areas."

    The trailer opens on a hillside with an elderly man, Li Yubao, talking on his cellphone with his 3-year-old grandson about the upcoming New Year visit. The man's simple clothes immediately signal that he's one of China's more than half-a-billion rural citizens. The grandfather wants to know what the boy wants as a present. He answers, "Pei Qi" — before Li Yubao's outdated phone cuts out when the antenna — yes, antenna — falls off.

    Thus Grandfather Li's quest begins: What is Pei Qi? (That's Peppa's name in Chinese.) His devotion to answering this question is at the emotional heart of the trailer.
    continued next post
    Gene Ching
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  2. #32
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    Continued from previous post


    A father spent hours creating a Peppa Pig out of snow for his young daughter.
    YouTube

    He looks in the dictionary. He uses the village P.A. system to ask if anyone has a clue. (He repeats the announcement to be sure everyone heard, you know, as grandpas often do.)

    In Chinese, Pei Qi sounds similar to other words: Is it a shampoo? A kind of Chinese checkers? No one knows — until, finally, a breakthrough: A neighbor's wife worked as a nanny in Beijing. She'll know.

    And she does. She describes the little pink pig to Li, who at first literally tries to paint a live pig. That will not do.

    So he makes a gift ... and waits. Awakened by firecrackers on New Year's Day, he gets ready for his family to visit. He wraps dumplings, alone. As others greet their returning relatives, the man sweeps his courtyard, alone. Waiting.

    Nonspoiler alert: you'll have to watch it to find out how it ends.

    With over 1 billion hits since its Jan. 17 debut on Weibo, China's version of Twitter, the trailer is clearly a hit. But there were some who criticized it for being unrealistic or romanticizing rural life.

    "That's nonsense," says Koetse. Director Zhang Dapeng has said he used nearly all nonprofessional actors for the trailer, which was filmed in two days in a Hebei province village. The locals wore their own clothes. The story was set in their own homes.

    "So it couldn't be much closer to the truth," Koetse says.

    That realism is part of why Chinese audiences loved the trailer — and extends to how the mini-drama hits hot-button social issues.

    "There is a gap, and it's not just an urban-rural gap but also a gap between young people and older people, in a time where the digitalization of China is going so, so fast," Koetse says. "And especially the older people, and especially those in rural areas, are quick to be left behind if they don't catch up with the latest technology."

    But perhaps the trailer's greatest strength is the pull of nostalgia — and of family. In China, grandparents traditionally play a prominent role in raising their grandchildren.

    "Now with the rapid urbanization of China, you see that this is not always possible anymore," says Koetse, as younger generations leave for the cities — and more opportunities — leaving their elders behind.

    To Koetse, another part of the genius of "What Is Peppa?" is how it takes the idea of quintessentially British Peppa and wraps her up in Chinese traditions and values about familial bonds.

    "Peppa has never been this Chinese before," Koetse says.
    continued next post
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  3. #33
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    Continued from previous post


    Peppa fever extends even to China's People's Liberation Army, as soldiers in Hong Kong assume a pig formation.
    YouTube

    It's not been all muddy puddles and spaghetti for Peppa. (Those are two of her favorite things.) She made headlines, and not in a good way, when she was co-opted by the Chinese youth subculture known as shehuiren -- which literally means "society person" but actually refers to anti-authority slackers.

    Koetse explains that this subculture took Peppa as their symbol — and in memes and unauthorized videos, depicted her smoking cigarettes, wearing sunglasses, "making her into something different" and, in the eyes of Chinese authorities, undesirable. As a result, some 30,000 unofficial videos of Peppa were removed from Douyin, a popular short-video platform in China, last year.

    But that hasn't stopped the #WhatIsPeppa juggernaut. Social media users opined that it made them homesick and want to treat their grandparents better.

    Some pig, indeed.

    Wanyu Zhang contributed reporting to this story.
    Peppa Pig gets its own thread, independent of our Year of the Pig thread.
    Gene Ching
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  4. #34
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    $27.5 m

    I'm still pulling The Wandering Earth to win the box for Year of the Pig



    Chinese Sci-Fi Blockbuster Draws Crowds on Opening Day
    ‘The Wandering Earth’ — a big-budget adaptation of a Liu Cixin novel — is expected to spark deeper interest in homegrown science fiction.
    Yin Yijun
    Feb 06, 2019 3-min read

    JIANGSU, East China — Chinese film fans ushered in the Year of the Pig with a new single-day box-office record on Tuesday, with the country’s first big-budget sci-fi blockbuster, “The Wandering Earth,” contributing a significant share.

    In all, eight movies were released yesterday, garnering total box-office takings of 1.46 billion yuan ($207 million), breaking the previous record of 1.28 billion yuan set on the first day of Lunar New Year 2018. The much-anticipated “The Wandering Earth” took an estimated 186 million yuan ($27.5 million), according to ticketing site Maoyan.

    Based on a short novel of the same name by Liu Cixin — China’s first science-fiction author to win the prestigious Hugo Award — “The Wandering Earth” has been four years in the making and cost around $50 million to make. The story takes place in an apocalyptic future where, as the sun dies, the world government decides to physically move Earth away from destruction and embark on a centuries-long voyage to a new solar system. But humanity is threatened with annihilation almost immediately, when scientists discover that Earth is on an apparent collision course with Jupiter. In the end, it is left to a rebellious young man named Liu Qi — played by up-and-coming actor Qu Chuxiao — and his father, a Chinese astronaut, to come to the rescue.

    “The Wandering Earth” has attracted attention both at home and abroad for being China’s first big-budget sci-fi blockbuster. Science fiction as a whole is becoming increasingly popular in China, partly thanks to the success of Liu Cixin’s award-winning trilogy “The Three-Body Problem.” But although the country’s domestic movie industry is growing rapidly — churning out around 1,000 titles per year, according to consulting firm Askci — Hollywood films still constitute the bulk of the country’s sci-fi releases.

    The early signs indicate that “The Wandering Earth” is a hit. At a series of promotional screenings before its official release, critics praised its visual effects and gripping storyline. And on Douban, the movie currently has a score of 8.3 out of 10 points, higher than most other movies in the same genre.

    On Tuesday afternoon at a movie theater in Lianyungang, a coastal city in the eastern Chinese province of Jiangsu, a near-full house flocked to see the first screening of “The Wandering Earth.” Thirty-seven-year-old Qiao, a self-professed fan of science fiction and Liu Cixin’s works in particular, took his wife and 10-year-old daughter to see the movie. He, too, lauded the plot and eye-catching special effects.

    Qiao is familiar with smaller-budget Chinese attempts at sci-fi, such as 1980’s “Death-Ray on the Coral Island,” but claims that “The Wandering Earth” is “the first true Chinese sci-fi movie.” He added that “The Wandering Earth” held its own against movies like “The Day After Tomorrow” and “2012” — two of the best-known examples of overseas sci-fi in China. “But we shouldn’t compare ourselves with movies from previous years, now that filmmaking technology is developing so fast,” he said, adding that he was cautiously optimistic about the future of homegrown sci-fi.

    Not all reviews of “The Wandering Earth” have been positive, however. On Douban, certain netizens complained about what they perceived as the film’s overly patriotic tone, and about their dislike of Wu Jing, the actor who plays Liu Qi’s father and also stars in the bombastic “Wolf Warrior” action movies.

    With a host of other homegrown sci-fi movies set for release this year, some Chinese film critics and media outlets have dubbed 2019 “year one” for the genre’s development in the country. Another Liu Cixin adaptation, the sci-fi comedy “Crazy Alien,” was also released yesterday, taking 404 million yuan on its opening day. And further examples of the genre are scheduled for screening later this year, including “Shanghai Fortress,” which sees the eastern megacity defend itself against invading aliens, and “Pathfinder,” about an interstellar adventure on a desert-like planet.

    Contributions: Wang Yiwei; editor: Matthew Walsh.

    (Header image: A promotional poster for the film “The Wandering Earth.” From Weibo user @电影流浪地球)
    Gene Ching
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  5. #35
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    Police scramble to capture wild boar

    Gene Ching
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  6. #36
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    Ftw

    Quote Originally Posted by GeneChing View Post
    Next up for Spring Festival - The Wandering Earth - my money is on this one to win out this year, mostly because of the momentum of Wu Jing.
    I love to say 'I told ya so'

    FEBRUARY 10, 2019 11:48AM PT
    ‘Wandering Earth’ Sci-Fi Film Earns $300 Million Chinese New Year Victory
    By PATRICK FRATER
    Asia Bureau Chief


    CREDIT: COURTESY OF JINGXI CULTURE AND MEDIA

    China’s first large-scale sci-fi film, “Wandering Earth” came to dominate the box office over the Chinese New Year holidays – though it started from behind.

    Over the full six days of the holiday, the picture earned $304 million. Some $187 million of that came over the Friday-Sunday period, making “Wandering Earth” far and away the top scoring film worldwide over the weekend.

    In comparison, “How to Train Your Dragon: The Hidden World” earned $38.2 million in six international territories. The Lego Movie 2: The Second Part” topped the North American charts with $34.4 million.

    Eight locally-made films opened in Middle Kingdom cinemas on Tuesday (Feb. 5), the first day of Chinese New Year. The initial leader was Ning Hao-directed comedy “Crazy Alien” with $60 million (RMB405 million,) according to data from tracking service, China Box Office. “Wandering Earth” placed only fourth with $27.8 million (RMB188,) behind “Pegasus” and “New King of Comedy.”

    The following day, “Crazy Alien” kept the lead, but with a score diminished to $42.3 million (RMB284 million). “Wandering Earth” increased its score, to $38.2 million (RMB257 million).

    On Thursday, “Wandering Earth” snatched first place and did not relinquish it. Its daily scores improved in each session until Saturday, when it took $61.6 million.

    Giant screen operator, Imax played three Chinese films on its 604 commercial screens in the Middle Kingdom, and adjusted its schedules over the period as audience preferences became easier to read.

    “Imax’s record performance during this year’s Chinese New Year is proof that demand for Imax’s premium entertainment experience is alive and well in China,” said Rich Gelfond, CEO, Imax, in an emailed statement. “’Wandering Earth’ is the first blockbuster sci-fi film to be made in China. As China makes more high quality, blockbuster content, we believe audiences will continue to seek out the Imax experience.”

    Over the full six-day period, “Crazy Alien” scored $215 million for second place. “Pegasus,” directed by celebrity blogger and race driver Han Han, earned $156 million.

    “New King of Comedy,” a remake of Stephen Chow 1989 title, fell well short of the RMB1 billion ($148 million) milestone that these days marks a blockbuster in China. It earned only $78.6 million (RMB531 million) for fourth place, ahead of animation franchise title “Boonie Bears: Blast Into the Past” which earned $69 million (RMB466 million).

    Jackie Chan-starring “Knight of Shadows: Between Yin and Yang” faded quickly, as “Wandering Earth” prevailed. “Knight” earned only $19.1 million ($129 million) over six days. Still, that was marginally better than much hyped animation “Peppa Pig,” which despite being timed for the new Chinese Year of the Pig, earned only $16.6 million (RMB112 million).

    “Integrity” brought up the rear, earning $14.1 million (RMB95 million) over six days. No Hollywood titles received new releases during the period and none broke through to figure in the chart.
    Gene Ching
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  7. #37
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    When bacon bites back

    There is an astonishing amount of pig news on the web. Who knew?

    Russian woman 'eaten by pigs' after collapsing
    7 February 2019


    SCIENCE PHOTO LIBRARY
    Media reports say an investigation into the incident has been launched. File image

    A 56-year-old woman has been eaten by pigs after collapsing in their pen, Russian media report.

    After venturing out to feed the animals in a village in the central Russian region of Udmurtia, the farmer reportedly fainted or suffered an epileptic seizure.

    Her husband later found the body. She reportedly died of blood loss.

    Their farm is in a village in the Malopurginsky district of Udmurtia, east of the city of Kazan.

    Local media say the husband had gone to bed early the day before as he was feeling unwell.

    After waking to find his wife missing, he came upon her body in the pen.

    Media reports say an investigation into the incident has been launched.
    Bacon!!!!!!
    Year of the Pig 2019
    Gene Ching
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  8. #38
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    Shaolin can be cold...

    Tourists visit Shaolin Temple in China's Henan during Spring Festival holiday
    Source: Xinhua| 2019-02-09 07:34:15|Editor: mmm







    CHINA-HENAN-SHAOLIN TEMPLE-TOURISM (CN)
    Tourists visit Shaolin Temple, the cradle of the Chinese martial arts, during the Spring Festival holiday in Dengfeng City, central China's Henan Province, Feb. 8, 2019. (Xinhua/Li An)

    THREADS
    Happy New Year Shaolin
    Year of the Pig 2019
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  9. #39
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    More CNY Lion Dance



    LUNAR NEW YEAR
    GOING, GOING, GONG: WHY IS LION DANCE DYING IN SINGAPORE AND HONG KONG, BUT ROARING BACK TO LIFE IN CHINA?
    The lion dance has a storied history of more than 1,000 years and is a regular feature of Lunar New Year celebrations by the Chinese diaspora
    But troupes are struggling to attract young talent, due in part to tough training regimes and parents who prioritise education over arts and sport
    BY DEWEY SIM
    10 FEB 2019



    With small, steady steps, Samuel Sim sauntered towards the stage in downtown Singapore, just as he had in his first lion dance competition two years ago. But unlike his previous attempts, in which he fell from the high poles multiple times, Sim was not prepared to fail.

    Clad in the same fur-lined pants illuminated by hundreds of gold sequins, Sim thrust himself into the air as his partner, Ang Junming, tugged tightly at his waist. With each beat of the drum and sound of the gong, the 19-year-old performers executed their well-rehearsed hoists, drawing a roar of appreciation from the home crowd.

    The young lion dancers were one of seven teams that took part in an annual international lion dance competition held at Kreta Ayer Square last month, in the city state’s bustling Chinatown.

    Sim and Ang are part of an increasingly rare group of people in Singapore, where a growing lack of interest for the traditional Chinese performance, especially among young people, has led to a recruitment crisis.


    Members of Singapore’s Nam Sieng Lion Dance Troupe cheer on Samuel Sim and Ang Junming, both 19, who were representing Singapore at the 12th International Lion Dance Festival. The duo were runners-up. Photo: Dewey Sim

    The number of troupes had fallen from 323 in 2016 to 265 by late last year, according to the Singapore Wushu Dragon and Lion Dance Federation.

    Sim, who trains at the Nam Sieng Dragon and Lion Dance Activity Centre, picked up lion dancing after watching a competition.

    But he said many of his peers were “not interested in traditional dances like these”.

    Calvin Loke, who coaches Nam Sieng’s 60-member troupe, said there were only five new members last year in what was the smallest enrolment since its formation in 1990.

    “We used to have about 20 to 30 new members every year in the past,” he said.

    A REGIONAL PROBLEM

    The lion dance has a storied history of more than 1,000 years, and is performed at auspicious occasions to usher in good fortune and wealth, and ward off evil spirits. It is a regular feature of Lunar New Year celebrations in Singapore – as well on the mainland, in Hong Kong, and regions where Chinese communities have settled – and is also performed at the launch of new businesses or at housewarming events.


    Lion dance performances in Singapore often draw a middle-aged crowd. Photo: Dewey Sim

    Lion dance groups like the Sheng Hong Lion Dance Athletes Troupe said they tend to be busiest during the Lunar New Year, with performances lined up back to back.

    Co-founder Threuno Goh said the troupe books an average of 60 performances over the two-week festive period every year. They can earn anywhere from S$688 (US$500) to S$2,888 for each show, depending on factors such as the number of performers and the difficulty of the stunts involved.

    Performances range from basic acts with only four dancers to those involving high poles and flags, Goh said. But he admitted he has found it a challenge to recruit youth. “Not a lot of young people like traditional things such as lion dance.”

    Singaporean troupes are not alone in their struggles to recruit young people. Declining interest is a regional phenomenon, said Philemon Loh, who is part of Chinatown Festivals, a government-backed body that organises events to promote Chinese culture in Singapore.

    “It is worrying to see how youths around the world are not participating as much in the traditional dance as they were in the past,” Loh said. “As more and more younger people turn away from the dance, it is going to be a challenge passing the culture down.”

    In Hong Kong, lion dance can be hard to promote because it is seen as an art form rather than a sport, said Ivan Wong, founder and coach of Team-A Sports Association. He added that Hongkongers’ focus on education was also a factor limiting its popularity.

    “Education and school [are] the priority for many parents here in Hong Kong, with sports and the arts taking a back seat,” Wong said. His association, once 160 members strong, now has just 80 members.


    Lion dance troupes in Singapore are holding annual competitions to engage and attract young dancers from as young as eight. Photo: Dewey Sim

    Joseph Low, secretary general of the Singapore Wushu Dragon and Lion Dance Federation, said the gruelling training regime causes many young people to lose interest because they see it as tedious and strenuous.

    Dancers train four days a week on average, and sometimes as often as six days a week if there is a competition, said 20-year-old lion dancer Jarrell Tock, whose father is the founder and coach of Yiwei Athletic Association.

    “Training can be extremely tiring, but if you treat you as a hobby, you will get used to it and will make time for it,” he said.

    Funding challenges also stymie attempts to grow troupes.

    Lau Ming Fung, founder of an eponymous lion dance association in Hong Kong, wants the government to do more to support it.

    “There is also a lack of venue and spaces for troupes to train at and troupes face a lot of restrictions,” Lau said.

    Low, of the Singapore Wushu Dragon and Lion Dance Federation, said its lion dance arm has not received funding from Sport Singapore, an agency under the Ministry of Culture, Community and Youth tasked with developing a national sports culture. Sport Singapore did not respond to questions on funding.

    In the absence of top-down support, the federation is trying to actively engage children from as young as eight through activities such as holding annual lion dance competitions for different age groups.

    The initial stages of these competitions are typically held in residential areas, Low said. “By doing so, we are bringing lion dance to the heartlands for residents to watch.”


    Divers perform an underwater Lion Dance to celebrate Lunar New Year in Kuala Lumpur. Photo: AP
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  10. #40
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    Continued from previous post

    C’MON KIDS

    China has managed to overcome the youth problem with a combination of government and community initiatives. Guo Qian Rong, who heads Nam Sieng’s China arm, said: “Compared to a decade ago, the lion dance scene in China is more vibrant, robust and professional now, with more troupes joining the trade.”

    Exposing children to lion dance and cultivating interest from a young age is key to promoting it, said Guo, who is based in Guangdong Province, where the lion dance originated.

    What the mainland has done, as part of a broader push to promote tradition to the masses, Guo said, is to incorporate lion dance as part of the curriculum in primary and secondary schools, with some kindergartens also introducing it to children through targeted activities.

    In Hong Kong, some troupes have introduced new, creative elements to modernise the ancient tradition.

    Tiffany Au Yeung, the founder of Ha Kwok Cheung Dragon and Lion Dance Troupe, said her troupe worked with Swarovski to put together a lion made of crystal.

    “We also tried to introduce different music genres such as hip-hop to the dance,” she said, adding that about half of the troupe’s 300 members were recruited in the past few years.

    In Singapore, the Wenyang Sports Association has incorporated sports such as football and other team-building activities as part of its training programme, while the Yiwei Athletic Association has planned occasional overseas welfare trips, chalet stays and bowling sessions.

    Other Singaporean troupes are bringing in non-Chinese dancers to preserve the tradition in the multicultural nation.

    WE CAN TRY AS HARD AS WE CAN TO ATTRACT YOUTHS, BUT IF THEY ARE NOT PASSIONATE ABOUT LION DANCE, WE WILL NOT BE ABLE TO TIE THEM DOWN FOREVER
    Kiefer Teo, Yiwei Athletic Association
    The Teng Yang Lion Dance Troupe has attracted youths from the Indian community, while the Kuo Chuan Arts Cultural group has more than 40 members ranging from the ages of eight to 38, all of whom are Malay.

    “I started this troupe because I wanted my friends from the Malay community to learn something new and benefit ... even though the dance is a Chinese custom,” said Jamsairi Kamaruddin, Kuo Chuan’s founder.

    “During the Chinese New Year period, members of the troupe can also earn some extra cash and use the money purposefully such as paying off their school fees,” he said, adding that the troupe has more than 150 performances lined up during the two-week festive period this year.

    “We follow the traditional way of lion dance, but we try to be creative by adding in a bit of freestyle.”

    There is little promotion, and recruitment is mostly done through word of mouth.

    The troupe gets one or two new members every month, Jamsairi said. He isn’t bothered by concerns whether groups such as Kuo Chuan are seen to be wrestling for business with its traditional Chinese counterparts amid a dying trade.

    “Singapore places a strong emphasis on our multiracial society,” said Jamsairi. “The art of lion dancing is a passion to us.”

    For new recruits, sustaining the passion is the challenge, said veteran Singaporean lion dance coach Hiew Yun Cheong. Few can endure the hours of training. Many drop out within their first year.

    “Most of them join out of initial curiosity, which can die down very quickly,” he said.

    Kiefer Teo, an assistant leader at Yiwei Athletic Association, said: “We can try as hard as we can to attract youths, but if they are not passionate about lion dance, we will not be able to tie them down forever.”

    Sim, the 19-year-old performer, admits his passion for the tradition has been tested many times.

    He has sustained injuries such as a sprained ankle, a bruised tailbone, and a chipped tooth during training.

    But the teenager is now flying the Singapore flag high – his team came second in the lion dance competition, and he will head to Thailand later this year for another international competition.

    “I hope that by winning such competitions, it will inspire younger Singaporeans to take up lion dancing,” Sim said. “And hopefully we will be able to revive this dying tradition and proudly pass it on.” ■

    THREADS
    Year of the Pig 2019
    Chinese Lion Dance
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  11. #41
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    $557 m

    ASIA FEBRUARY 18, 2019 2:43AM PT
    China Box Office: ‘Wandering Earth’ Reaches $557 Million in Second Week
    By PATRICK FRATER
    Asia Bureau Chief


    CREDIT: THE WANDERING EARTH

    The winning films during China’s Lunar New Year holiday period remained on top of the local box office in their second normal weekend of release. Locally made sci-fi film “The Wandering Earth” pushed its total to $557 million.

    “Wandering Earth” earned $88.8 million between Friday and Monday, according to data from Asian film industry consultancy Artisan Gateway. That was more than half of the $160 million of the entire market.

    “Wandering Earth” surpassed “Avengers: Infinity War” on Saturday to become the highest-grossing Imax release ever in China. After adding $7.2 million from 603 Imax screens over the four-day weekend, the Imax cumulative for the film now stands at $43.7 million in China, and $44.7 million globally.

    “Crazy Alien” was unchanged in second place. It earned $25.8 million over the weekend, and advanced its 13-day cumulative to $292 million.

    Han Han’s “Pegasus” was similarly unchanged in third place. It earned $23.6 million, for a cumulative of $219 million.

    “Boonie Bears: Blast Into the Past” held on to fourth place, earning $9.5 million. That takes it to $94.7 million, and puts its $100 million reported target in reach.

    The week’s only significant new release, New Classics Media’s “Fall in Love at First Kiss,” opened in fifth position. Including its earnings from Thursday – Valentine’s Day – the film earned $19.2 million in four days.
    This is playing in the U.S. via AMC
    Wandering Earth
    Wandering Earth
    2 HR 5 MIN NR
    Based on a short story by Liu Cixin. In the future, Earth's survival is threatened, so large thruster engines are built to propel the planet through the solar system toward another sun-like star.



    THREADS
    The Wandering Earth
    Year of the Pig
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  12. #42
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    Our winners are announced!

    Gene Ching
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  13. #43
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    Pork chops as weapons

    This is so random that I can't resist posting it.

    Frozen pork chop as blunt instrument: woman arrested after hurling hunk of solid meat at her Valentine
    By THERESA BRAINE
    | NEW YORK DAILY NEWS |
    FEB 14, 2019 | 6:44 PM


    Jennifer Brassard (Pasco County Sheriff's Office)

    A Florida woman was charged with domestic battery after hurling a frozen pork chop at her boyfriend’s face, hitting him above the eyebrow.

    Jennifer Brassard, 48, got into an argument around 9:45 p.m. on Feb. 1 with her beloved, WFLA reported.

    She flung the meat and hit him in the eyebrow, giving him a half-inch laceration, WFLA said, citing the arrest report. Brassard left the home soon after and was arrested the next day.
    THREADS
    Bacon!!!!!!
    Year of the Pig 2019
    Gene Ching
    Publisher www.KungFuMagazine.com
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  14. #44
    Join Date
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    It's all about sacrifice

    INSPIRING
    The Sorrow and Sacrifices of Lion Dance Performers That Most People Don’t Know
    Published 6 days ago on February 15, 2019 By Ling Kwan


    Source: Facebook

    Chinese New Year wouldn’t be the same without the ear-deafening drumming and gong-playing that happen during the lion dance performances. However, did you know that behind those colourful lion dance costumes, there are a bunch of exhausted youngsters who don’t get enough recognition and appreciation?


    Source: The Star

    On 15 February, a netizen who’s a lion dance performer in Negeri Sembilan shared a heartfelt confession on Facebook about how their community has always been associated with many negative stereotypes. Here’s the brief translation of what he wrote.
    “Due to various reasons, many lion dance performers are often perceived negatively by the society and are often labelled as trouble-makers who smoke, fight or have tattoos. But what you don’t see is that these ‘trouble-makers’ are the ones who sacrificed their reunion time with their family on Chinese New Year to perform at your house.
    “They perform under the hot sun while sweating profusely. Their hands are blistered from moving the heavy lion head around; their legs are tired and sore from too much dancing. Some get injured by the firecrackers while others are left gasping for air after inhaling the smoke from the firecrackers.

    Source: Facebook

    “On the first day of CNY, when you are playing cards and eating cookies in the air-conditioned room, they are working under the hot sun with empty bellies. You scold them when they didn’t arrive on time, but do you know how little ang pau they get?
    “You can dress up in your new clothes and take a family portrait with your loved ones, but lion dance performers will miss this opportunity as they are going from house to house to perform. They won’t even have the chance to visit their friends and relatives.


    The netizen added that the only reason why these performers stay committed to this back-breaking role is that they want to preserve this precious culture that has been around for 1,000 years so that the next generation will have the chance to see it in real life. “If you come across any of these performers, please don’t be stingy. Buy them some drinks or cheer for them. Be more understanding when they’re running a little late because nobody likes to be shouted at during CNY,” he added.


    Source: Facebook

    These are the unsung heroes during CNY as they sacrifice their precious time with their family to give us a cheerful celebration. Honestly, without lion dance performances, the atmosphere will never be the same. Don’t you guys think so? #Respect!
    I wrote a little about my Lion Dancing sacrifices in Chinese New Year 2012 YEAR OF THE DRAGON: She Takes Her Fan and Throws it in the Lion's Den

    THREADS
    Year of the Pig 2019
    Chinese Lion Dance
    Gene Ching
    Publisher www.KungFuMagazine.com
    Author of Shaolin Trips
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  15. #45
    Join Date
    Aug 2010
    Location
    Great Lakes State, U.S.A.
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    Quote Originally Posted by GeneChing View Post
    This is so random that I can't resist posting it.



    THREADS
    Bacon!!!!!!
    Year of the Pig 2019
    Heartwarming to hear that she didn't get away with her temper tantrum which was probably one of her trademark personality traits.. What a bone-head, time for that guy to make himself scarce around her or he's a glutton for punishment. She has that crazy look in her eyes. I'm sure she wouldn't like being knocked over the head with a frozen turkey leg.
    Last edited by PalmStriker; 02-23-2019 at 01:34 AM.

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