Results 1 to 11 of 11

Thread: Censored Chinese Films

  1. #1
    Join Date
    Jan 1970
    Location
    Fremont, CA, U.S.A.
    Posts
    48,085

    One Second at Berlin Film Festival

    Not an Asian Film Festival, but Zhang Yimou's international clout makes One Second worthy of note. Anyone know any other of these films?

    FILM FESTIVALS JANUARY 17, 2019 5:26AM PT

    Berlin Adds ‘Vice,’ New Films by Zhang Yimou and Andre Techine to Official Lineup

    By ROBERT MITCHELL


    CREDIT: MATT KENNEDY

    Five new titles, including the latest films from Zhang Yimou and Andre Techine, have joined the official selection of this year’s Berlin Film Festival. Adam McKay’s “Vice” has also been added, but will screen out of competition.

    “Vice” has already won a Golden Globe for star Christian Bale’s portrayal of former U.S. Vice President Dick Cheney and picked up six BAFTA nominations last week, including for Bale, supporting actor Sam Rockwell and supporting actress Amy Adams. The festival screening will mark its German premiere.

    The new additions to the main competition lineup include the world premieres of Zhang’s “One Second” and Nadav Lapid’s “Synonyms.” Techine’s “Farewell to the Night,” which stars Catherine Deneuve, also receives its world premiere at the Berlinale but will play out of competition. Alan Elliott’s documentary “Amazing Grace,” about Queen of Soul Aretha Franklin, will screen out of competition as well, receiving its European premiere.

    Berlin announced the additions Thursday, finalizing its Competition and Berlinale Special sections for the festival’s 69th edition in February. The competition section features 23 titles, with 17 competing for the Golden Bear. Seven of the 17 competing titles were directed by female filmmakers, including Lone Scherfig’s “The Kindness of Strangers,” which will open the festival on Feb. 7.

    The other competition titles are Marie Kreutzer’s “The Ground Beneath My Feet”; Wang Xiaoshuai’s “So Long, My Son”; Isabel Coixet’s “Elisa & Marcela”; Fatih Akin’s “The Golden Glove”; Teona Strugar Mitevska’s “God Exists, Her Name is Petrunya”; Francois Ozon’s “By the Grace of God”; Angela Schanelec’s “I Was at Home, But”; Emin Alper’s “A Tale of Three Sisters”; Agnieszka Holland’s “Mr. Jones”; Wang Quan’an’s “Ondog”; Claudio Giovannesi’s “Piranhas”; Denis Cote’s “Ghost Town Anthology”; Nora Fingscheidt’s “System Crasher”; and Hans Petter Moland’s “Out Stealing Horses.”

    Wagner Moura’s “Marighella,” Agnes Varda’s documentary “Varda by Agnes,” and Yuval Adler’s “The Operative” all receive out-of-competition screenings alongside “Vice,” “Farewell to the Night,” and “Amazing Grace.”

    Three titles have been added to the Berlinale Special program, including the world premieres of new documentaries by Jean Michel Vecchiet (“Peter Lindbergh – Women Stories”) and Cordula Kablitz-Post (“You Only Live Once – Die Toten Hosen On Tour”). Also added to the section is Ritesh Batra’s “Photograph,” which receives its European premiere in Berlin.

    The 69th Berlin Film Festival runs Feb. 7-17.
    Gene Ching
    Publisher www.KungFuMagazine.com
    Author of Shaolin Trips
    Support our forum by getting your gear at MartialArtSmart

  2. #2
    Join Date
    Jan 1970
    Location
    Fremont, CA, U.S.A.
    Posts
    48,085

    Some how I had a feeling this would get interesting

    Now I really want to see it.

    FEBRUARY 11, 2019 10:00PM PT
    Banned in Berlin: Why China Said No Go to Zhang Yimou
    By PATRICK FRATER
    Asia Bureau Chief


    CREDIT: MARIA LAURA ANTONELLI/REX/SHUTTERSTOCK

    Chinese executives and international film festival programmers are scratching their heads to understand why Zhang Yimou’s “One Second” was withdrawn from the Berlin Film Festival’s main competition just days before its premiere.

    The Berlinale echoed the film’s official social media site Monday in saying that the highly anticipated film was being withdrawn for “technical reasons.” Zhang’s color-drenched martial arts film “Hero” from 2002 will takes its slot on Friday evening, but will play out of competition.

    The phrase “technical reasons” is both a euphemism and a reality for Chinese filmmakers, none of whom can ever be said to have completed their movie until regulators sign off on every detail. No Chinese director or producer, however skilled, acclaimed or wealthy, has final say over his or her movie. That rests with the Chinese government.

    In the case of “One Second,” it is possible that the subject matter, rooted in Mao Zedong’s 1966-76 Cultural Revolution, was the problem. The ruling Communist Party has acknowledged that the period was an economic and social disaster. But it remains a highly sensitive subject.

    Zhang’s movie depicts an escaped prisoner and an orphan girl who has stolen a newsreel containing the one second of footage that the man desperately wants to see. Zhang had framed the story as his tribute to cinema.

    The film’s historical setting and storyline must have been known to film industry regulators several months ago, when “One Second” cleared its first step, script approval. The question now is what happened to spark the embarrassing last-minute withdrawal from the Berlin fest.

    One potential reason is administrative. The so-called “Dragon Seal,” a title card shown ahead of every film confirming that it has cleared all local and national censorship processes, may no longer be enough on its own for a film to premiere at a foreign festival. The film must receive an additional travel permit. Once that is granted, the film’s length and dialog cannot be changed, and additional producers and investors cannot come on board.

    This process is understood to have been introduced in 2017, as part of China’s Film Industry Promotion Law, but only to have been strictly applied from this year. It’s believed that the Wang Quan’an film “Ondog,” which played in competition in Berlin on Friday, and the Wang Xiaoshuai film “So Long, My Son,” which premieres in Berlin on Thursday, both obtained exit permits. It’s not clear that “One Second” had completed that extra step.

    Other reasons are political. Responsibility for the entertainment sector in China shifted last year from the State Council to direct control by the Communist Party’s Propaganda Department. That has meant a tightening of ideological oversight.

    Presenting his own potentially inflammatory film depicting rioting, corruption and murder, director Lou Ye revealed that getting “The Shadow Play” approved had taken two years of negotiation with censors. The film plays in Berlin’s Panorama section.

    “This was the most complicated material I’ve ever presented. And it was the most difficult censorship process I’ve ever lived through,” he said Monday at a Berlin press conference. “Over the past 10 years, I’ve been asked about censorship more than any other topic. My position on censorship has not changed: Film should be free.”

    In the past, both Zhang and Lou have been considered by authorities as troublemakers. Zhang, who was sent for re-education during the Cultural Revolution, saw his 1994 epic “To Live” banned in China, despite winning awards in Cannes that year. Though Westerners may not understand the message, Zhang’s “Hero” was criticized in some quarters for an ending that in some eyes supported the Communist Party narrative.

    Zhang was only fully rehabilitated in 2008 when he choreographed the opulent opening and closing ceremonies of the Olympic Games in Beijing that year. In 2015, Zhang was fined over $1 million for violation of China’s one-child policy, which the government officially dropped the following year.

    But if Zhang himself is the problem, why was his last film “Shadow” allowed to play at both Venice and Toronto, seemingly without problem?

    “One Second” is the second mainland Chinese film to be withdrawn from the Berlinale in the space of a week. On the eve of the festival, it was announced that youth film “Better Days” would also not be able to play. Sources have told Variety that the reason was censorship-related.

    While the fate of Zhang’s picture remains a mystery, one thing is for sure: Festival programmers selecting Chinese movies need to have contingency plans.
    Gene Ching
    Publisher www.KungFuMagazine.com
    Author of Shaolin Trips
    Support our forum by getting your gear at MartialArtSmart

  3. #3
    Join Date
    Jan 1970
    Location
    Fremont, CA, U.S.A.
    Posts
    48,085

    Not at Cannes

    Cannes: The Buzz Films That Won't Be at the Festival
    4:22 AM PDT 4/18/2019 by Scott Roxborough


    Andrew Cooper
    Quentin Tarantino's 'Once Upon a Time in Hollywood' will not be ready for Cannes, the festival said.

    There will likely be no Quentin Tarantino on the Croisette, even though the festival says his latest film could still make the cut if the director finishes it soon, with high-profile omissions from the lineup including Ari Aster's 'Midsommar,' Benh Zeitlin's 'Wendy' and Hirokazu Kore-eda's 'The Truth.'

    Cannes, once the undisputed heavyweight champion of international film festivals, has been on the ropes of late.

    Last year's lineup included some impressive titles — Palme d'Or winner Shoplifters and Alice Rohrwacher's Happy as Lazzaro were two standouts — but the buzz and awards attention were elsewhere, thanks in part to the festival's ongoing spat with Netflix, which sent Alfonso Cuaron's Roma to Venice for its world premiere.

    Netflix is skipping Cannes again this year, so the French festival will have to do without such potential awards contenders as Martin Scorsese's mob epic The Irishman, Meryl Streep starrer The Laundromat from director Steven Soderbergh and Noah Baumbach’s period drama The King, starring Timothee Chalamet.

    But Netflix's absence was expected. More surprising were the high-profile omissions from the 2019 lineup that many had predicted were sure things for the Croisette this year.

    Top of the list is Quentin Tarantino's Once Upon a Time In Hollywood, which looked like a lock for the 72nd edition of the Cannes festival. But the feature — which stars Leonardo DiCaprio, Brad Pitt, Margot Robbie and Timothy Olyphant —wasn't ready in time, the festival said Thursday. Cannes artistic director Thierry Fremaux said the post-production on the film, which Tarantino shot in traditional 35 mm, has been particularly time-consuming and he was “in a sprint” to finish it in time for its scheduled release this summer. Fremaux did hold out a smidgen of hope that the movie could still be a late addition to Cannes, should it be ready before the festival kicks off on May 14.

    Another surprising absence this year is The Truth, Hirokazu Kore-eda's follow-up to Shoplifters, which won Cannes' Palme d'Or just last year. Sources near the Japanese filmmaker said Kore-eda had been angling for a Cannes opening- night slot — the film is his first feature shot outside Japan and features French stars Catherine Deneuve and Juliette Binoche. Cannes said the movie was not ready in time. The Truth will now likely premiere in Venice instead.

    One Cannes regular who won't be making the trip this year is James Gray, whose Ad Astra was not among the 19 competition titles announced Thursday. The American auteur has bowed four of his past five films in Cannes and, with Fox setting a May 24 release date for his new sci-fi picture starring Brad Pitt and Ruth Negga, most expected Ad Astra to touch down on the Croisette. It was not to be.

    Ad Astra was just one of several hotly-anticipated U.S. features that were tipped for Cannes, but will be missing the fest. Midsommar, Ari Aster's follow-up to Hereditary, will not be scaring folks on the French Rivera this year. Fans of Benh Zeitlin's Beasts of the Southern Wild will have to wait a bit longer for his second feature, Wendy, about two children from different worlds stranded on a mysterious island where aging and time have come unglued. And First Cow, indie film heroine Kelly Reichardt's adaptation of Jonathan Raymond’s The Half-Life: A Novel, a period drama set in the 1820s Pacific Northwest, will also not be making the trek to Cannes.

    Fans of Justin Kurzel — many of whom discovered him in Cannes, where he premiered both The Snowtown Murders and Macbeth — hoped the Australian director would return to the festival with The True History of the Kelly Gang, an adaptation of the Peter Carey book starring Russell Crowe, Nicholas Hoult and Charlie Hunnam. But the film didn't make the 2019 cut. Perhaps the movie is a bit too mainstream for Cannes' liking. Or maybe the festival is still recovering from Kurzel's video-game adaptation Assassin Creed.

    On a more serious note, Zhang Yimou's One Second will also not screen in Cannes. The drama was slated to premiere at the Berlin Film Festival before being ignominiously yanked at the last minute, officially for “technical reasons.” It is widely assumed Chinese censors have blocked the movie, which is set during the politically sensitive period of China's Cultural Revolution. There had been hope that a version of the film would be available for Cannes. Now it is unclear if the movie will be seen at all.

    Cannes Film Festival poster 2019

    SCOTT ROXBOROUGH
    Scott.Roxborough@THR.com
    sroxborough
    THREADS
    Cannes
    Once Upon a Time in Hollywood
    One Second by Zhang Yimou
    Gene Ching
    Publisher www.KungFuMagazine.com
    Author of Shaolin Trips
    Support our forum by getting your gear at MartialArtSmart

  4. #4
    Join Date
    Jan 1970
    Location
    Fremont, CA, U.S.A.
    Posts
    48,085

    S.i.f.f. 2019

    Shanghai Festival to Open With WWII Epic 'The Eight Hundred,' Wu Jing to Serve as Ambassador
    1:38 AM PDT 6/4/2019 by Patrick Brzeski


    Huayi Brothers Media
    'The Eight Hundred'

    Notably, given Donald Trump's ongoing U.S.-China trade war, not a single film from North America is included in the Chinese festival's main competition sections this year.
    The Shanghai International Film Festival (SIFF), China's most established cinema event, has unveiled the opening titles and competition selection for its 2019 edition.

    The festival will kick off on June 15 with a double bill of Chinese WWII epic The Eight Hundred and local drama Beautiful Voyage from filmmaker Zhang Jiarui.

    Landing The Eight Hundred as an opener is something of a coup for the Shanghai event. The film, produced by Huayi Brothers with a lavish budget of over $80 million, is the first Chinese action film shot entirely on Imax cameras, and it is expected to become one of the country's biggest event movies of the summer when it opens wide on July 5.

    Chinese action hero Wu Jing, star of Chinese mega-blockbuster Wolf Warrior 2 and The Wandering Earth, will bring the star power to Shanghai's opening red carpet, serving as the event's official 2019 ambassador. English actor Tom Hiddleston, already well known to local filmgoers as Loki from the Avengers franchise, will help wrap up the festivities by attending the closing ceremony on June 24.

    Other stars slated to walk the carpet and participate in SIFF events include X-Men star Nicholas Hoult, Milla Jovovich, Taiwanese actor Chen Bolin, Japanese stars Ayaka Miyoshi and Mao Inoue, and a slew of Chinese talent, including actresses Yao Chen, Ni Ni, Deng Jiajia, Zhou Dongyu and Yong Mei.

    Turkish filmmaker Nuri Bilge Ceylan, winner of the 2014 Cannes Palme d’Or, is presiding over the jury that will decide the winners of SIFF's annual Golden Goblet Awards.

    Ceylan is joined on the jury by Chinese actress Zhao Tao, Italian director Paolo Genovese (whose 2016 film Perfect Strangers was remade as Chinese thriller Kill Mobile, earning $93 million last year), Russia’s Aleksey German Jr. (director of the period biopic Dovlatov), Indian hitmaker Rajkumar Hirani (3 Idiots), Mexican producer Nicolas Celis (Roma) and Chinese actor Wang Jingchun (winner of this year's Berlin Silver Bear for best actor).

    Shanghai's competition lineup includes a broad sampling of world cinema, with a discernible emphasis on filmmaking from countries located along Chinese president Xi Jinping's geopolitical Belt and Road infrastructure and soft-power project. Notably, given the ongoing U.S.-China trade war and controversy over Canada's arrest of a top executive from Huawei, not a single film from North America made Shanghai's selection this year — a sharp contrast from recent years.

    Main competition titles include Russian director Pavel Lungin's war drama Leaving Afghanistan (also known as Brother), Iranian film Castle of Dreams, German family drama Many Happy Returns, Chinese crime film Vortex and Mexican actor Gael García Bernal's directorial debut Chicuarotes, which recently bowed at Cannes (the full SIFF competition lineup is below).

    The festival's Asian New Talent Awards, which honor emerging film professionals from the region, will be handed out by a jury headed by Chinese star director Ning Hao (Crazy Alien).

    SIFF's documentary and animation sections (see lineups below), meanwhile, will be assessed by juries lead by Russian director Viktor Kossakovsky (Aquarela) and Irish filmmaker Tomm Moore (The Breadwinner, The Secret of Kells), respectively.

    Altogether, SIFF will screen approximately 500 films across its key competition categories, country specific sidebars and historical retrospectives. Festival organizers said they received more than 3,900 film submissions from 112 countries and regions this year. Local state media were keen to note that nearly half of the applications, over 1,800 titles from 53 countries, came from countries and territories participating in Xi's Belt and Road Initiative.

    Below is the Shanghai festival's lineup.

    Main Competition Section

    BROTHERHOOD (Russia), by Pavel Lungin

    CASTLE OF DREAMS (Iran), by Reza Mirkarimi

    CHICUAROTES (Mexico), by Gael García Bernal

    THE GREAT SPIRIT (Italy), by Sergio Rubini

    INHALE-EXHALE (Georgia/ Russia/ Sweden),by Dito Tsintsadze

    LANE 4 (Brazil), by Emiliano Cunha

    LITTLE NIGHTS, LITTLE LOVE (Japan), by Rikiya Imaizumi

    MANY HAPPY RETURNS (Germany), by Carlos A. Morelli

    PACARRETE (Brazil), by Allan Deberton

    THE RETURN (China), by QIN Hailu

    ROSA (Italy/ Slovenia), by Katja Colja

    SHYRAKSHY: GUARDIAN OF THE LIGHT (Kazakhstan), by Yermek Tursunov

    SPRING TIDE (China), by YANG Lina

    TREES UNDER THE SUN (India) by Dr. Biju

    VORTEX (China), by Jacky Gan

    Documentary Film Section

    BRIDGES OF TIME (Latvia/ Lithuania/ Estonia), By Kristīne Briede and Audrius Stonys

    THE FOURTH KINGDOM (Spain), by Adán Aliaga and Àlex Lora

    IT'S ALL GOOD (Venezuela / Germany) by Tuki Jencquel

    MUTE FIRE (Colombia), by Federico Arteaga

    THE SOUND OF DALI (China), by ZHANG Yang

    Animation Film Section

    DILILI IN PARIS (France / Belgium / Germany), by Michel Ocelot)

    LOTTE AND THE LOST DRAGONS (Estonia), by Janno Põldma

    LOUIS AND LUCA – MISSION TO THE MOON (Norway), by Rasmus A. Sivertsen

    RIDE YOUR WAVE (Japan), by Masaaki Yuasa

    SPYCIES (China), by ZHANG Zhiyi and Guillaume Ivernel
    THREADS
    Asian Film Festivals and Awards
    Wu Jing
    The Eight Hundred
    Gene Ching
    Publisher www.KungFuMagazine.com
    Author of Shaolin Trips
    Support our forum by getting your gear at MartialArtSmart

  5. #5
    Join Date
    Jan 1970
    Location
    Fremont, CA, U.S.A.
    Posts
    48,085

    Sff - 800 = ?

    JUNE 14, 2019 3:41AM PT
    Shanghai Film Festival Abruptly Pulls Opening Film ‘The Eight Hundred’
    By PATRICK FRATER
    Asia Bureau Chief


    CREDIT: BAI XIAOYAN/HUAYI BROS.

    The Shanghai Film Festival has abruptly yanked its opening movie, the $80 million patriotic war drama “The Eight Hundred,” on the eve of the fest’s kickoff, Variety has confirmed.

    The cancellation of the Saturday premiere was made for unspecified “technical reasons,” which is often a euphemism for censorship problems, although a source close to the project told Variety that that is not the issue in this case and that the film had successfully passed the content censorship stage. “Technical reasons” were also cited in the withdrawal of Zhang Yimou’s “One Second” from the Berlin Film Festival in February.

    While Chinese authorities have withdrawn films from other film festivals – two were pulled from the Berlinale, including “One Second” – it’s unusual for a Chinese-made film to be yanked from a Chinese festival.

    “The Shanghai International Film Festival opening film screening of ‘The Eight Hundred’ originally planned for June 15 has been canceled due to technical reasons,” the festival said. “For the inconvenience this brings to all the guests and media, we respectfully hope you can understand and hope everyone will continue to support us.”

    “The Eight Hundred,” from well-established studio Huayi Bros., is directed by Guan Hu (“Mr. Six”) and centers on the sacrifice of a ragtag group of Chinese soldiers in 1937 Shanghai as imperial Japanese troops advanced. The theme would appear to be in keeping with the patriotic message that the Beijing regime wants to promulgate this year to mark the 70th anniversary of the founding of the People’s Republic.

    But the source close to the film said that “The Eight Hundred” might have fallen victim to political concerns not directly related to censorship – namely, the Chinese government’s wish not to antagonize Japan at the moment. The two countries are currently on good terms even as China and the U.S., Japan’s main ally, escalate their trade war.

    “The Eight Hundred” was expected to have been a showcase for China’s growing filmmaking prowess. Among several firsts, it is the first film to have been substantially shot with Imax digital cameras. The technical crew on the film features a mixed Chinese and international team, including Chinese cinematographer Cao Yu (“Kekexili,” “Legend of the Demon Cat”), American action director Glenn Boswell (“The Matrix,” “I, Robot”), original music by the U.K.’s Rupert Gregson-Williams (“The Crown,” “Aquaman,” “Wonder Woman”), and Oscar-nominated visual effects supervisor Tim Crosbie (“X-Men: Days of Future Past”) of Australia.

    “The Eight Hundred” has been picked up for North America by CMC Pictures in a deal announced at Cannes. It has also sold to several other Asian countries, and to the U.K. and Germany. After its Shanghai festival screening, it was due to be released in Chinese theaters July 5.
    THREADS
    The Eight Hundred
    Asian Film Festivals and Awards
    Gene Ching
    Publisher www.KungFuMagazine.com
    Author of Shaolin Trips
    Support our forum by getting your gear at MartialArtSmart

  6. #6
    Join Date
    Jan 1970
    Location
    Fremont, CA, U.S.A.
    Posts
    48,085

    rivals not sufficiently negative...

    Sux for the filmmakers.

    ASIA JUNE 15, 2019 5:11PM PT
    Chinese Research Group May Have Caused Cancellation of ‘The Eight Hundred’ Premiere

    By REBECCA DAVIS
    Rebecca Davis


    CREDIT: COURTESY OF HUAYI BROS.

    Chinese authorities may have abruptly yanked the $80 million patriotic war epic “The Eight Hundred” the day before its opening-night premiere at the Shanghai Intl. Film Festival because it didn’t portray rivals of the ruling Communist Party in a sufficiently negative light, local reports said.

    Huayi Bros., which produced the film, had on Friday attributed the cancellation of the film’s Saturday evening premiere to “technical reasons.” That term has quickly become a euphemism for Chinese government interference.

    But numerous Chinese-language reports speculate that the real cause might be gleaned from recent statements delivered by the China Red Culture Research Assn. The group of Communist Party-minded scholars and experts met in Beijing last Sunday and collectively deemed that “it would be very inappropriate to use ‘The Eight Hundred’ as a tribute to celebrate the 70th anniversary of the founding of the People’s Republic of China” this year, the group’s vice president, Hu Cheng, was quoted in numerous WeChat posts as saying.

    The film tells the story of Chinese soldiers who defended a warehouse for four days in a 1937 incident during the Second Sino-Japanese War. Their operations were once praised by Mao Zedong himself as a “classic example of national revolution.”

    Yet association members said the film mis-stepped in its portrayal of the rival Kuomintang Party, which ruled China until it lost the civil war against the Communists in 1949 and fled to Taiwan. The two parties continue to dispute their respective roles in fighting the Japanese.

    In the most illuminating statement, the research association’s secretary general, Wang Benzhou, criticized the film by saying: “The class oppression within the ranks of the Kuomintang army, the misdeeds of its officers and its evil oppression of the people have disappeared without a trace, making it seem that the Kuomintang army was the real people’s army.”

    He added: “The seriousness of the problem has gone far beyond the scope of literature and art; it is a reversal of history, and misleads the audience. If left unchecked, it will certainly deprive the entire Communist Party of its historical basis. Once the Party’s leadership is lost, the Chinese nation is bound to fall into the deep, miserable abyss of colonized and semi-colonized countries.”

    Of particular concern was the epic’s climax, which apparently depicts a touching scene where the soldiers defend the Kuomintang flag on the warehouse roof. The film “shouldn’t so enthusiastically declare the ‘dignity’ and ‘sacredness’ of the Kuomintang flag. Whether or not it’s intentional, if we do that, we hurt the Chinese people, especially the soldiers who gave their lives to build the new China,” said group member Guo Songmin, a former air force lieutenant and film critic.

    The upcoming 70th anniversary of the People’s Republic, in October, is of huge importance to the Communist Party, and is already being accompanied by heightened censorship and propaganda pushes. “They aren’t going to take chances this year, especially with the 70th coming up,” said Beijing-based historian Jeremiah Jenne. “Even things that seem relatively innocuous, or even beneficial, are going to get closer scrutiny, with the attitude being, ‘If there are any chances at all that it could backfire, let’s postpone it until a different time.’”

    He added that “modern history in particular is a tricky minefield because it relates so closely to the party’s own history, mythology and legacy, so they tend to be more sensitive about that.”

    While there is no hard evidence that the association’s opinions are the cause of the film’s canceled premiere, the group’s stance likely echoes that of the Party’s Propaganda Bureau, which since last year has taken over as China’s top film censorship authority, dictating what can be shown when.

    “The Eight Hundred” was positioned as one of the summer’s major blockbusters, with a July 5 debut in both China and the U.S. and local media predictions of more than $215 million (RMB1.5 billion) at the box office. The sudden cancellation has raised concerns among online commentators that the film may not be allowed a theatrical release at all – even though the Chinese box office is currently suffering from a lack of strong local product, thanks to a severe production slowdown.

    That would be a heavy blow to Huayi, which has already suffered multiple setbacks in the past year and incurred losses of $158 million (RMB1.09 billion).

    The firm appears to have been caught totally unaware by the cancellation. On Friday, when the film was pulled, the company’s WeChat account went about business as usual, promoting it proudly as “an epic work that reflects the national spirit and extols our national heroes.”

    On Thursday, the day before, Huayi co-chairman and co-founder Wang Zhongjun increased his personal stake in the company by buying an additional $14.4 million (RMB100 million) in shares.
    THREADS
    The Eight Hundred
    Shanghai International Film Festival
    Gene Ching
    Publisher www.KungFuMagazine.com
    Author of Shaolin Trips
    Support our forum by getting your gear at MartialArtSmart

  7. #7
    Join Date
    Jan 1970
    Location
    Fremont, CA, U.S.A.
    Posts
    48,085

    Slightly OT

    This is Berlin, not an Asian Film Fest, but I'm going to use it to start a new thread on Censored Chinese Films because there's been a few lately (all the ones I've poached from various other Film Fest threads above).

    JUNE 24, 2019 4:42AM PT
    Chinese Drama ‘Better Days,’ Yanked From Berlin Lineup, Has Its China Release Canceled
    By REBECCA DAVIS


    CREDIT: GOODFELLAS PICTURES, FAT KIDS PRODUCTION

    Better days may be a long way off yet for the embattled Chinese drama “Better Days,” which has canceled its mainland China release just three days before the film was to hit theaters. The movie was also pulled at the last minute from the Berlin Film festival lineup in February amid tightening control by China’s censorship regime.

    Early Monday evening in China, the film’s official Weibo social media account apologized to expectant viewers for the inconvenience, saying: “After considering the level of completion of ‘Better Days’ and our market pre-assessments, and following consultations between the production and distribution parties, the film will not be released on June 27. A new release date will be announced at a later time.”

    No other explanation for the cancellation was given. But most industry players attribute it to government interference, particularly in the wake of three other such sudden incidents in the past four months.

    Adapted from the novel “Young and Beautiful,” the China-Hong Kong co-production tells the story of a girl who is harassed at school and becomes embroiled in a murder. The film, which contains a scene of violent bullying, stars it-girl Zhou Dongyu and Jackson Yee, the youngest member of the ultra-popular Chinese boy band TFBoys.

    News of the cancellation comes after the film’s director, Derek Kwok-cheung Tsang of Hong Kong, had already made plans to be in Beijing for the premiere and for some low-key promotional activity. Tsang last directed Zhou in her breakout role in the 2016 drama “Soul Mate,” which won her a best actress prize at the 53rd Golden Horse Film Awards. He declined to comment on the cancellation.

    Chinese online news source Sina Film reported that “Better Days” had not yet received the “ranking number” or public screening license it needed to open pre-sales and hit theaters.

    The incident comes hot on the heels of the high-profile cancellation of Huayi Brothers’ $80 million patriotic war epic “The Eight Hundred” as the opening film at the Shanghai Intl. Film Festival. It was yanked just 24 hours before its big debut.

    Zhang Yimou’s Cultural Revolution-era film “One Second” was also pulled from Berlin. And last month, unable to actually pull their film from screening in the Cannes Film Festival’s Un Certain Regard selection, the team for Chinese drama “Summer of Changsha” had to distance themselves from the event and refrain from attending any festival-related events or promotion.

    In all instances, official statements cited unspecified “technical reasons” for the film’s troubles – a phrase that has come to be known as a euphemism for government interference.

    China last year put the Communist Party’s Propaganda Bureau in charge of regulating films, and numerous industry insiders have complained of trouble getting works past censors who are party bureaucrats with little understanding of the medium.

    When “Better Days” was pulled from its Berlin debut in the 14Plus selection in February, its official Weibo account said: “We are very sorry to tell everyone that because of post-production reasons, the film ‘Better Days’ will not be able to attend the 69th Berlin Film Festival in time. We thank the Berlin Festival for its recognition and understanding, and everyone for their support.” It added, however, that the film would be released later in the year, saying, “See you soon.”

    Within an hour of the announcement that “Better Days” would not be released this week, more than 50,000 fans responded, most of them commenting: “No matter how long it takes, I’ll wait for you!”
    Gene Ching
    Publisher www.KungFuMagazine.com
    Author of Shaolin Trips
    Support our forum by getting your gear at MartialArtSmart

  8. #8
    Join Date
    Jan 1970
    Location
    Fremont, CA, U.S.A.
    Posts
    48,085

    Oh bother. I wanted to see this one.

    JULY 15, 2019 6:24AM PT
    Chinese Box Office Self-Harm Continues With Axing of ‘The Hidden Sword’
    By REBECCA DAVIS


    CREDIT: GREGORIO BORGIA/AP/REX/SHUTTERSTOCK

    Long-awaited martial-arts film “The Hidden Sword” announced Monday that its theatrical release this Friday in China has been canceled because of “market reasons,” becoming the latest casualty of a censorship campaign that is damaging the country’s box office.

    The film is helmed by writer-director Xu Haofeng (“The Final Master”), who was also the screenwriter for Wong Kar Wai’s “The Grandmaster.” “The Hidden Sword” stars Xu Qing (“The Hidden Man,” “Mr. Six”), Zhang Aoyue (“The Final Master”) and Huang Jue (“The Final Master,” “Long Day’s Journey Into Night” ). It was completed and approved in 2017 by China’s official censors, who issued it the necessary “dragon seal” of Chinese government approval for theatrical release.


    That year, it won the prize for best artistic contribution at the 41st Montreal World Film Festival and was nominated for four prizes at the Taiwan-based Golden Horse Awards, long the most prestigious awards for Chinese-language films. Posters and trailers for the movie were released, but it never ended up hitting Chinese theaters, supposedly because of creative differences between the director and his team.

    Rumors began to swirl online late last week that the film had hit yet another roadblock. On Monday, just four days before its scheduled debut, it released a statement that said: “Due to market reasons, the film ‘The Hidden Sword’ has canceled its original July 19 release. Thank you for your anticipation, your attention and support!”

    The phrase “market reasons” and “technical reasons” have become euphemisms for government interference.

    The news comes as figures show China’s year-to-date box office earnings lagging behind last year’s level by nearly 5%. It also follows the high-profile cancellations of Huayi Brothers’ “The Eight Hundred,” which fell out of favor for its depictions of Chinese soldiers fighting Japan, and the Zhou Dongyu-starring “Better Days,” which was reportedly axed for scenes of violent bullying. The former was abruptly yanked from its debut at the Shanghai International Film Festival ahead of its planned theatrical release, while the latter was pulled from the Berlin Film Festival in February.

    Set against the backdrop of 1930s Republic-era China, “The Hidden Sword” tells the tale of an officer who leads Chinese soldiers wielding only swords to defeat a Japanese attack on the Great Wall, and the fight for the rights to his martial-arts technique lineage that ensues after he disappears.

    In the months leading up to the 70th anniversary, in October, of the founding of the People’s Republic of China, government censors are on high alert for material that might portray history in an unflattering light for the ruling Communist Party and its political legitimacy.

    The busy summer movie-going weeks of late July through August are typically a period of an informal ban on imported foreign content to protect China’s domestic content-makers. Moviegoers were outraged to see yet another local film bite the dust.

    “What is this, imported film protection month?” one commenter asked sarcastically on China’s Twitter-like Weibo platform. Another lamented: “After all these withdrawals, the cinemas are full of nothing but silly family films right now.”
    THREADS
    The Hidden Sword
    Censored Chinese Films
    Gene Ching
    Publisher www.KungFuMagazine.com
    Author of Shaolin Trips
    Support our forum by getting your gear at MartialArtSmart

  9. #9
    Join Date
    Jan 1970
    Location
    Fremont, CA, U.S.A.
    Posts
    48,085

    Last Wish is a new one for this thread

    I'm still bummed about Hidden Sword.

    Four big Chinese films have been pulled in a month with barely an explanation
    Published 28th July 2019


    Credit: Huayi Brothers, Bejing Century Media Culture

    Four big Chinese films have been pulled in a month with barely an explanation

    Written by
    Ben Westcott, Steven Jiang
    Nanlin Fang, CNN
    Hong Kong

    Four seemingly innocuous big-budget movies have been abruptly pulled from Chinese cinemas in one month, sparking suspicion they fell afoul of the country's strict censors.
    Censorship of China's film and television has ramped up in recent years, with some films banned for their inclusion of ****sexuality, cleavage, hip hop and tattoos.
    But the four axed films don't appear to touch on any of the typically taboo subjects, leaving cinema-goers puzzled.
    "The Eight Hundred" and "The Hidden Sword" are war films, while "The Last Wish" is a dark comedy about a dying man's desire to lose his virginity. Teen drama "Better Days" revolves around a high-school student who becomes friends with a small-time criminal.
    Broad, vague reasons were given for the cancellation of any of the movies and the news was met with disappointment online.
    "'Better Days.' 'The Last Wish.' They are all the food that supports my spiritual world. Why did the release of them get canceled?" one Weibo user asked. "What the hell is going on?" another commenter demanded.
    There are no public figures for how much each of the films cost, but widely-reported estimates put the production budget of "The Eight Hundred" alone at $80 million.
    CNN has reached out to the films' production companies for comment.


    Film posters for the film, the "Eight Hundred." Credit: Huayi Brothers

    An executive in a foreign film studio's China office, who asked to remain anonymous due to the political sensitivity of the topic, said the 70th anniversary of the founding of the People's Republic of China on October 1 was an important milestone that could be making the ruling Communist Party's censors nervous.
    For example, "The Eight Hundred," paints a positive picture of soldiers from the Chinese Nationalist army, holding out nobly against the Japanese. It was also the Nationalists who fought against the Communists during China's Civil War.
    "Of course, it's the 70th anniversary of PRC this year, but there will be something major every year in the foreseeable future," the executive said. "The environment is only going to get worse from here."

    Death of a blockbuster

    The latest controversy began on June 24 with a message posted to the official "Better Days" social media account.
    "After considering the level of completion of 'Better Days' and our market pre-assessments, and following consultations between the production and distribution parties, the film will not be released on June 27. A new release date will be announced at a later time," the statement said.
    Fans were shocked. The film had been due to release that week.
    So far, no new release date has been given and the account has since been silent. The day after "Better Days" was pulled, promoters behind "The Eight Hundred" announced on social media that the film wouldn't be releasing on July 5 as planned, adding a new release date would be made public "when decided."
    It said that after "consulting and discussing (with) every side," screenings of the film were being canceled. Fans were shocked. The film had been due to release that week.
    "After consultation between the production team and other entities, 'The Eight Hundred' will cancel its original July 5 premiere and temporarily vacate the summer release date window. The new release date will be announced at a later time," said a statement posted to the film's social media.
    It happened again with the "The Hidden Sword," which was pulled just four days ahead of its planned release on July 15. A statement was issued on the film's social media account: "Due to market reasons, the film 'The Hidden Sword' has canceled its original July 19 release. Thank you for your anticipation, your attention and support!"


    "The Hidden Sword" announced it wouldn't be premiering just four days before it was due to come out. Credit: Bejing Century Media Culture

    Dark comedy "The Last Wish" then missed its July 18 release date. No statement was put on their official social media but local media said it had been withdrawn for "production reasons."
    The bizarre spate of cancellations has created uncertainty in the world's fastest-growing film market. China is now second only to the US in terms of box office revenue, and is forecast to overtake America next year with takings of 200 billion yuan ($29 billion.)
    Just as in America, a successful summer release in China can make millions. China's highest grossing film, patriotic action thriller "Wolf Warrior 2," has made almost $1 billion since its release in July 2017.
    But China's movie industry operates very differently compared to Hollywood.
    Until 2018, the State Administration of Press, Publication, Radio, Film and Television (SAPPRFT) was tasked with approving all film scripts and could request changes at any point during production or post-production, experts said.
    However, the Chinese government dismantled SAPPRFT in 2018, and moved its functions directly under the Communist Party's Publicity Department, officially leaving the party in charge of all films and scripts.
    At the time, Huang Kunming, head of the Publicity Department who is also a member of the Party's decision-making Politburo, said in state-run media Xinhua that the restructuring would strengthen the party's leadership in the sector and would improve both its ideological governing and prosperity.
    CNN has reached out to the Publicity Department for comment on the four cancellations.
    Films are often pulled from release, or censored, by the department with no explanation, said Tan See Kam, an associate professor of Film Studies at the University of Macao.
    "(The government) is not obliged to explain or justify its decisions publicly. Coded language like 'technical issues,' and 'market issues' draws attention to actual acts of censorship, while denying the practice," he said. "Film producers, on the other hand, would not make a fuss publicly because this could worsen the situation."
    For four major films to be censored in one month is unusual, he said.

    'Nothing is guaranteed'

    The foreign film company executive said the cancellation of films like "The Eight Hundred" showed how difficult and unpredictable the film industry had become in China.
    "Preparations for that movie began four or five years ago -- and it obviously received approval to be made and was ready to be released," the person said. "But the abrupt cancellation really shows that nothing is guaranteed until a move is actually shown in theaters."
    The executive said that some companies were deliberately releasing movies quietly, without much publicity, to avoid attracting attention from critics and closer scrutiny from censors after initial approvals.
    Few companies appear safe from the decision to drop a film.
    Both "The Eight Hundred" and "The Last Wish" were released by the Huayi Brothers, one of China's largest and most successful production companies. They have also partly produced Western films such as "Warcraft" and "Molly's Game."
    Macao University film expert Tan said China's growing film industry would suffer if the unpredictable and strict censorship didn't ease up.
    "The problems Huayi Brothers face have implications for the film industry as a whole. If, for the Communist Party, politics must prevail over economics, then, for the market, politics is a hindrance to profit-making," he said.
    But, with minimal explanation offered by the companies or the government, Chinese film lovers can only wait and see if some of their most highly-anticipated movies ever make it into cinemas.
    Gene Ching
    Publisher www.KungFuMagazine.com
    Author of Shaolin Trips
    Support our forum by getting your gear at MartialArtSmart

  10. #10
    Join Date
    Jan 1970
    Location
    Fremont, CA, U.S.A.
    Posts
    48,085

    Slightly OT

    TV not a film. 'a politically sensitive year'...wonder why

    POLITICS
    Beijing pulls ‘overly entertaining’ TV shows ahead of national day
    by Qin Chen

    China wants broadcasters across the country to keep “overly entertaining” TV shows off the air around a key anniversary of the country’s founding.

    From August to the end of October, broadcasters are ordered to not air period dramas or shows starring youth idols, and instead air patriotic programs as part of events marking the People’s Republic’s 70th anniversary.

    Since President Xi Jinping took power in 2012, the Communist Party has tightened its grip on many sectors of society, including telling academics to toe the line and ramping up censorship in the film industry.

    China’s media regulator, the National Radio and Television Administration, did not define what qualified as too entertaining for the occasion when it issued the notice on Wednesday.

    It did, however, provide a list of 86 programs deemed suitable for broadcast. The programs focus on the rise of China and on “eulogizing our motherland, our national heroes and this new era.”


    Chinese military vehicles during a 2015 military parade. The country is expected to hold a military parade to celebrate the national day. Photo: Reuters/Andy Wong

    The first program named on the list is a TV series in which a prominent Chinese Red Army
    Chinese Red Army was the former name of the Chinese Communist Party's armed forces. It is known as the People's Liberation Army leader sacrificed his life for the Communist Party.

    Other shows include a biopic of Zhou Enlai, China’s first premier, and a TV series depicting a crucial turning point in Mao Zedong’s leadership of the party in the 1930s.

    The anniversary is considered a major milestone for the ruling Communist Party, which took control of China in 1949 after defeating the Chinese Nationalist Party, or Kuomintang, in a civil war.

    Zhan Jiang, a retired professor of journalism in Beijing, told Inkstone that the suspension of wildly popular TV dramas in favor of political programming was likely to cause a drop in ratings and hurt the bottom line of major broadcasters.


    The period drama "Story of Yanxi Palace" is once of the most popular show in China in 2018. It features a group of scheming concubines vying for the attention of an emperor in the Qing dynasty. Photo: Handout

    “They suspended those series because popular entertainment rarely carries party propaganda,” Zhan said.

    “In a politically sensitive year like this year, those series need to give way to officially selected programs that promote the party’s ideology and achievements.”


    QIN CHEN
    Qin is a multimedia producer at Inkstone. Most recently, she was a senior video producer for The New Yorker’s video team. Prior to that she was at CNBC, making short documentaries and writing about how technology shapes lives.
    Gene Ching
    Publisher www.KungFuMagazine.com
    Author of Shaolin Trips
    Support our forum by getting your gear at MartialArtSmart

  11. #11
    Join Date
    Jan 1970
    Location
    Fremont, CA, U.S.A.
    Posts
    48,085

    Peppa Pig too?

    I'm launching a 70th anniversary of People’s Republic thread now. I feel it'll be newsworthy.

    Watch out Peppa Pig: Chinese censors on cartoon alert ahead of 70th anniversary of People’s Republic
    Animation and documentary content must be vetted to ensure it supports president’s leadership
    Josephine Ma
    Published: 6:00am, 1 Aug, 2019


    Cartoons on Chinese television must toe the Communist Party line as the country prepares to mark the 70th anniversary of the People’s Republic. Photo: Sohu

    Cartoons have become the latest front in China’s media censorship campaign in preparation for the 70th anniversary of the founding of the People’s Republic.
    In a meeting with top censors last week, Nie Chenxi, deputy director of the Communist Party’s Propaganda Department and head of the National Radio and Television Administration, said they had to stay alert “every second” to make sure content in cartoons and documentaries supported the leadership of President Xi Jinping, state media reported on Wednesday.
    “[Censors] have to stand on high political ground to vet every television episode, every documentary and every cartoon to make sure every word carries weight, every second [of the footage] carries a political message. They have to treat every day as a test,” state media quoted Nie as saying.
    The orders come as the party tries to ensure all forms of media toe the line in preparation for the 70th anniversary on October 1, the most important political event of the year.
    Events promoting national identity and loyalty to the party are expected to be held around the country for the anniversary.
    Chinese censorship is stifling country’s film industry
    Meanwhile on Sunday, police announced they detained Zhang Dongning, a 22-year-old cartoonist in the southeastern province of Anhui, in May for insulting the people with her satirical cartoons depicting Chinese with pig’s heads.
    The police accused Zhang of being a jingri, a term to describe people who identify more as Japanese than Chinese.
    They said Zhang’s cartoons “severely hurt the feelings of Chinese and trampled on national dignity”. Another person in Dalian, Liaoning province, was also arrested for allegedly colluding with Zhang, the police said.


    Many internet users said they did not find Zhang Dongning’s work intentionally insulting. Photo: Weibo

    Zhang’s arrest triggered debate online, with many internet users saying they did not find her work intentionally insulting.
    Also on Sunday, police in other parts of the country also announced the arrest of eight other jingri, though they were not all artists.
    In early July, Nie told censors to make sure China could produce high-quality TV dramas to serve the agenda of the country and the party, and to celebrate the republic’s 70th national anniversary.
    THREADS
    Censored Chinese Films
    Peppa Pig
    Gene Ching
    Publisher www.KungFuMagazine.com
    Author of Shaolin Trips
    Support our forum by getting your gear at MartialArtSmart

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •