Page 1 of 5 123 ... LastLast
Results 1 to 15 of 72

Thread: Is Bong Sao the hardest thing to learn properly in Wing Chun?

  1. #1
    Join Date
    Jan 1970
    Location
    Australia
    Posts
    598

    Unhappy Is Bong Sao the hardest thing to learn properly in Wing Chun?

    Is it? I have enough trouble trying to get the form right, let alone actually use it in a combat/sparring situation. Admittedly I've been trying to learn it from a video & being shown once, but man is it difficult!!! I think learning the whole system of Muay Thai was easier than learning the blasted Bong Sao!
    How do you use it? Which blows is it effective against? Does it lead into other defences i.e. not a stand alone block/deflection?
    And why (in his ads in magazines) does William Cheung do it so differently to everyone else? His looks totally different in the way he hasn't got his palm rotated. Is this Bong Sao or something different?
    Help would be much appreciated. I'm somewhat at a loss...
    In combat you sink to the level of your training. You do not rise to the occasion

  2. #2

    Bong Sao

    Ill tell you what I know about it. One of my teachers said it takes untill black belt (our school uses the color belt system) to get Bong sao (Wing block) just right and even then some people have trouble with it. I find bong sao to be very effective and versatile as it is great for counter-attacks. Bong sao is suppose to protect your upper and lower level body, we never use it to block our face.

    Thats my two cents

  3. #3

    Oopsd

    Sorry I didnt answer your question because I dont know what the hardest block is. But bong sao might be one of the hardest, but keep at it, its a great block.

  4. #4
    Join Date
    Jan 1970
    Location
    Canada
    Posts
    306
    Try leading the bong sau more with your elbow and forearm. Never bong above your shoulder. Also you have to pivot while applying the bong sau. Oh, and bong sau should never stay, it should move into lop sau, tan sau, wu sau, etc.

    another thing to remember is never to do the bong sau like a karate block or tae kwondo block.

    But personally, i don't really care for the bong sau

    hope this helps
    Last edited by Jeff Liboiron; 12-13-2001 at 06:06 PM.
    "The object is not to hurt someone else, but to stop them from hurting you."

    "Fighting is not hitting, any fool can hit. Fighting is making the other guy miss. He misses, he gets scarred."

    "Nudity and violence are what make a good movie. Violent lesbian nudity makes a great movie." - GDA

    - Where's my Mook?

  5. #5
    Join Date
    Jan 1970
    Location
    Toronto, Canada
    Posts
    1,094
    Originally posted by Jeff Liboiron
    another thing to remember is never to do the bong sau like a karate block or tae kwondo block.
    How do you mean?

  6. #6
    Join Date
    Jan 1970
    Location
    Canada
    Posts
    306
    well, i don't know if you've studied karate, but i did for a few months when i was 12.

    well, in karate, when practicing a block to the face, you lift your arm mainly by the shoulder in an upwards motion instead of leading with the forearm, wrist, or elbow. And also, this block is above the forehead.

    I've seen people do the bong sau like a karate face block, only lower, they do that lifting motion, instead of leading with their forearm and elbow.

    Do i make sense? if not, i'm sorry
    "The object is not to hurt someone else, but to stop them from hurting you."

    "Fighting is not hitting, any fool can hit. Fighting is making the other guy miss. He misses, he gets scarred."

    "Nudity and violence are what make a good movie. Violent lesbian nudity makes a great movie." - GDA

    - Where's my Mook?

  7. #7
    Join Date
    Jan 1970
    Location
    Toronto, Canada
    Posts
    1,094
    perfect sense

  8. #8
    Join Date
    Jan 1970
    Location
    Canada
    Posts
    306
    are you being sarcastic?

    What do you think about the other things i mentioned in that post? just wondering
    "The object is not to hurt someone else, but to stop them from hurting you."

    "Fighting is not hitting, any fool can hit. Fighting is making the other guy miss. He misses, he gets scarred."

    "Nudity and violence are what make a good movie. Violent lesbian nudity makes a great movie." - GDA

    - Where's my Mook?

  9. #9
    Join Date
    Jan 1970
    Location
    Moon
    Posts
    709
    Try leading the bong sau more with your elbow and forearm.
    Eeek!!!


    Never bong above your shoulder
    Why not?

    ...i believe what you ment to say is "I cant bong above my shoulder without getitng cramps and feeling like my arm is about to colapse...and then i'll get hit!!!"


    Also you have to pivot while applying the bong sau
    I disagree with this, i believe you only need to pivot if the force to too great, but alot of the time it is not necessary.


    Oh, and bong sau should never stay..
    Agreed. Because bong sau is a movement not a position.


    S.Teebas

  10. #10
    Join Date
    Jan 1970
    Location
    Pittsfield, Massachusetts
    Posts
    579
    Is Bong Sao the hardest thing to learn properly in Wing Chun?


    I would say it was quite easy for me.
    The footwork and using your body is the hardest for me.
    IXIJoeKaveyIXI

    If Wing Chun was a man, he would be The Man...

  11. #11
    Join Date
    Jan 1970
    Location
    Canada
    Posts
    306
    What do you lead with when doing bong sau Teebas?
    "The object is not to hurt someone else, but to stop them from hurting you."

    "Fighting is not hitting, any fool can hit. Fighting is making the other guy miss. He misses, he gets scarred."

    "Nudity and violence are what make a good movie. Violent lesbian nudity makes a great movie." - GDA

    - Where's my Mook?

  12. #12
    Join Date
    Jan 1970
    Location
    Toronto, Canada
    Posts
    1,094
    Originally posted by S.Teebas
    i believe you only need to pivot if the force to too great, but alot of the time it is not necessary.
    Because bong sau is a movement not a position.
    I think you're missing something.

  13. #13
    Join Date
    Jan 1970
    Location
    Toronto, Canada
    Posts
    1,094

    Jeff

    I was not being sarcastic.

    I generally agree with what you stated. However, not only should the bong sau never stay, but any other movement as well. I believe that that expression or idiom, came about due to the common weakness experienced with a bong sau. And is one of those "fillers" I referred to in a previous post, that people use to justify their weak bong sau. Of course, you could say ANY weak position should be transitional.

    But you also have to consider what the bong sau is used for as well. It's not necessarily evasive.

  14. #14
    Join Date
    Jan 1970
    Location
    Canada
    Posts
    306

    Re: Jeff

    Originally posted by whippinghand
    I
    I generally agree with what you stated. However, not only should the bong sau never stay, but any other movement as well.
    Thanks WC, I never thought of it that way
    "The object is not to hurt someone else, but to stop them from hurting you."

    "Fighting is not hitting, any fool can hit. Fighting is making the other guy miss. He misses, he gets scarred."

    "Nudity and violence are what make a good movie. Violent lesbian nudity makes a great movie." - GDA

    - Where's my Mook?

  15. #15
    One thing I find funny is that I only use the bong-sau during chi-sao, never during fighting!

    Some questions: Is the bong-sau a product of chis-sao? Is it relly any good in a real fight?

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •