While I understand what you are trying to say, its not totally accurate. Tan Tui as an art suffers from what a lot of "northern" styles get, that longfistobia. If you do as you say, learn from a teacher that really can emply its technique, like many "longfist" it actually enjoys a rather short range power base. Similar to southern kungfu. One more reason why I think that a lot of the so called differences in northern and southern are more illusional. But that's another topic.
For me, having in my kung fu practiced northern mantis and hung gar. Mantis is more than just the hooky fist and Hung gar more than just pouncing around like a big cat. Tan Tui, for me, is really the centre point in melding the two systems (in the techniques that I prefer) along with the overlap between various of the 12 mantis keys and the 12 bridges of hung gar. Personally when in actual use, Tan Tui to me is very similar to hung.
The major difference is in the employment of kicking. Being that the system is rather linear in technique (though it can be employed with twisting force), the kicking tends to come off with less angle. While from what I have thus studied of hung gar, the majority of leg technique is employed with the evasiveness from the crane aspect and thus more off center. But that could just be the way I have found them to issue out. I'm sure either could be taken in either direction.
The cool thing is that the way the stance plants makes a decent enough base (as long as you don't overextend) for transitioning to either the leg cutting I learned in mantis or the striking from hung gar.
yes, I agree with yu and have to dissagree with RD. Having studied both Bok Siu Lum and Hung-Ga, I found Tan-Tuie to be an excellent foundational drill. It teaches stances, transitions, waist twisting,contains strikes such as jik kuen, ping choy,been choy, sow choy, jong and cup, segmented power generation, throws, locking,sweeps, oh yeah, and kicks. A good horse, bow,cat,drop step,and twisted horse, is emphasized as well as a rigid,militaristic drilling sequence-which is excellent for training a group of students. You can stop at any point, make corrections and continue as a unit.
There is a reason that China adapted it into the line drills for the military as well as line drills in standardized contemporary wu-shu,it is a great overall training tool.
of course, you realize however, that it is a form which, according to the consensus of the TCMA community is useless....
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I do a set called Ching Nin Kuen which roughly means youth fist. It has some tan tui elements in it. It also a two person set. It's definitely Northern.
I find it to be a good bridge between the Hung and CLF I do. Footwork wise its more springy and the fists and hands are not much different to Hung/CLF.
Now that's very interesting.
How can you sort out the Luohan from the tan tui? Since it is just the hand movements.
Also, which Luohan Quan, Shaolin has many different Luohan Quan sets, depending on which time period it is.
Which 6 section Duan Da, Shaolin has a lot of them too.
I'd like to check this out.
Shaolin tan tui looks completely different and is based on different ideas, the only thing the same is that it is done in rows with a spring kick.
Wouldn't Zhao know the same Mizong 10 Tan tui as Huo Yun Jia, since they were both from the same style?
Kuoshu's standard 10 tan tui is from Moslem tan tui I thought, I don't remember which family branch it is from. It came from Wang Zi Ping, didn't it? Didn't he teach there in the beginning?
But the 12 row Shaolin tai tui looks and acts nothing like the Chin Woo 12 tan tui.
Many schools call the Chin Woo 12 tan Tui the "SHAOLIN" 12 tan tui, but it is not THE Shaolin tan tui, they just call it that instead of Chin Woo. Many of Chin Qoo school's sets are called Shaolin set, that's the same as saying 'long fist'.
Here's the classic 10 Tan tui (Kuoshou school):
http://www.youtube.com/watch?v=Wt83nvRwq-4
http://www.youtube.com/watch?v=jJup-h-p_ck
Here's the real Shaolin tan tui, same as it is done in the Shaolin Encyclopedia:
http://www.youtube.com/watch?v=zplTTFjh9KY
Here's the Chin Woo 12 tan tui:
http://www.youtube.com/watch?v=8Iz0ZP8nlSI
http://www.youtube.com/watch?v=WGJoj1RRYd4
Does the Chin Woo 12 look much more related to this 10 tan tui or to the Shaolin Tan tui?
This set is called Shaolin 12 Tan tui, in honor of Shaolin, but it is clearly the Chin Woo set, and they will tell you that it is from there:
http://www.youtube.com/watch?v=W-WdX8VebqU
This is a Mizong Tan tui set:
http://www.youtube.com/watch?v=gq3SLaAwUBA
Another version of Cha Quan 10 Tan Tui, different branch:
http://www.youtube.com/watch?v=NbXyJOE2Dhc
Here's the Yue Shi Ba Fan Shou, first section of 8 rows, for comparison:
http://www.youtube.com/watch?v=N63rIaKKXX8
Hey sal
From rescent conversations I've been told that Zhao simplified the 10 Road Tan Tui that he had (I assume the Mizone version) ending up with a 12 road set.
I've seen a few different versions of Mizong's Tan Tui set, don't know if Zhao and Huo came from the same lineage.
I assume the "Shaolin" monicker came from Mizong being associated with Shaolin and thus it stuck that way.
and yes I believe the Kuoshu's Tan Tui did come from Wang Zi Ping.
Bandishaw
Recently have discovered that the Ching Nin Kuen is a Kuoshu set and is called the 24 beat set in Tien Shan Pai. I believe it is one of 3 basic sets created in Kuoshu, I know that the 2nd set is called 42 beat
Yeah, that's me, I was part of that scene and still am.
Played in bands back then, had a record store that many of the bands visited, and wrote for fanzines, and had a radio show, etc.
I knew the filmmakers and the author of the book of the same name (and supplied them with many of the graphics and help come up with the structure of the book).
Hi Sal,
http://www.youtube.com/watch?v=-o45N7bP7eY
This clip has only six sections (12 roads). Are the other six section online some where?
Its is section 8 (roads 15 and 16) and section 10 (roads 19 and 20) that I am most interested in.
Although Shi Degen called his Shaolin Tan Tui 二十四路彈腿 (24 Roads (路) Rebound/Spring Legs/kick) it is made up of 12 sections (路) with each section performed four times in two roads.
The 12 section Tan Tui in our tradition is done in 24 roads as well, each section done on with left and right side, traveling back and forth in two 'roads'.
The name passed on by our tradition is however is 譚腿十二路 (Master Tan Legs/kicks 12 sections)
Jing wu 十二路潭腿; Twelve Rows of Spring Leg. Their version is done in 12 roads with each section repeated 3 times in one line.
Shi Degen's Shaolin Tan Tui, Jingwu Shaolin Tan Tui as well as our Shaolin Tan Tui are 12 sections. From the 6 sections in this clip of Zhu Tian Xi doing it there are some common elements. (eg. the kick and the end of each section and as well as other elements that are common to these three versions)
r.